Performance in the Texts of Mallarmé: The Passage from Art to Ritual
Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concept...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 https://doi.org/10.1515/9780271075556 |
| Zusammenfassung: | Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) |
| Umfang: | 1 Online-Ressource (288 pages) |
| ISBN: | 9780271075556 |
| DOI: | 10.1515/9780271075556 |
Internformat
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| 520 | |a Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts | ||
| 546 | |a In English | ||
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Datensatz im Suchindex
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| dewey-full | 841/.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 841 - French poetry |
| dewey-raw | 841/.8 |
| dewey-search | 841/.8 |
| dewey-sort | 3841 18 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| doi_str_mv | 10.1515/9780271075556 |
| format | Electronic eBook |
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| spelling | Shaw, Mary Lewis Verfasser aut Performance in the Texts of Mallarmé The Passage from Art to Ritual Mary Lewis Shaw University Park, PA Penn State University Press [2021] © 1992 1 Online-Ressource (288 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts In English LITERARY CRITICISM / European / French bisacsh Avant-garde (Aesthetics) Performing arts in literature Ritual in literature https://doi.org/10.1515/9780271075556 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shaw, Mary Lewis Performance in the Texts of Mallarmé The Passage from Art to Ritual LITERARY CRITICISM / European / French bisacsh Avant-garde (Aesthetics) Performing arts in literature Ritual in literature |
| title | Performance in the Texts of Mallarmé The Passage from Art to Ritual |
| title_auth | Performance in the Texts of Mallarmé The Passage from Art to Ritual |
| title_exact_search | Performance in the Texts of Mallarmé The Passage from Art to Ritual |
| title_full | Performance in the Texts of Mallarmé The Passage from Art to Ritual Mary Lewis Shaw |
| title_fullStr | Performance in the Texts of Mallarmé The Passage from Art to Ritual Mary Lewis Shaw |
| title_full_unstemmed | Performance in the Texts of Mallarmé The Passage from Art to Ritual Mary Lewis Shaw |
| title_short | Performance in the Texts of Mallarmé |
| title_sort | performance in the texts of mallarme the passage from art to ritual |
| title_sub | The Passage from Art to Ritual |
| topic | LITERARY CRITICISM / European / French bisacsh Avant-garde (Aesthetics) Performing arts in literature Ritual in literature |
| topic_facet | LITERARY CRITICISM / European / French Avant-garde (Aesthetics) Performing arts in literature Ritual in literature |
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