Thomas Middleton and the plural politics of Jacobean drama:
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early f...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
2021
|
| Schriftenreihe: | Late Tudor and Stuart Drama
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 https://doi.org/10.1515/9781501513763 |
| Zusammenfassung: | Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy |
| Umfang: | 1 Online-Ressource (XIII, 223 Seiten) |
| ISBN: | 9781501513763 9781501513992 |
| DOI: | 10.1515/9781501513763 |
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| 520 | |a Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy | ||
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Datensatz im Suchindex
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| author | Kaethler, Mark |
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| dewey-ones | 822 - English drama |
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| dewey-sort | 3822.3 |
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| discipline | Anglistik / Amerikanistik |
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| id | DE-604.BV047309764 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T19:10:37Z |
| institution | BVB |
| isbn | 9781501513763 9781501513992 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032712747 |
| oclc_num | 1256411369 |
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| physical | 1 Online-Ressource (XIII, 223 Seiten) |
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| publishDate | 2021 |
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| publisher | De Gruyter |
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| spelling | Kaethler, Mark Verfasser (DE-588)1151672157 aut Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler Berlin ; Boston De Gruyter 2021 © 2021 1 Online-Ressource (XIII, 223 Seiten) txt rdacontent c rdamedia cr rdacarrier Late Tudor and Stuart Drama Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton's poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton's plural art exposes the limitations of the monarch's sovereign image. By drawing upon earlier forms of dramatic intervention, James's writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton's writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton's drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy In English Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh Erscheint auch als Druck-Ausgabe 978-1-5015-1819-5 https://doi.org/10.1515/9781501513763 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kaethler, Mark Thomas Middleton and the plural politics of Jacobean drama Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh |
| title | Thomas Middleton and the plural politics of Jacobean drama |
| title_auth | Thomas Middleton and the plural politics of Jacobean drama |
| title_exact_search | Thomas Middleton and the plural politics of Jacobean drama |
| title_full | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_fullStr | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_full_unstemmed | Thomas Middleton and the plural politics of Jacobean drama Mark Kaethler |
| title_short | Thomas Middleton and the plural politics of Jacobean drama |
| title_sort | thomas middleton and the plural politics of jacobean drama |
| topic | Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance bisacsh |
| topic_facet | Drama Gender Herrschaft Politik Theater Thomas Middleton LITERARY CRITICISM / Renaissance |
| url | https://doi.org/10.1515/9781501513763 |
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