Harmony in bright colors: Memling's "God the Father with Singing and Music-Making Angels" restored
Gespeichert in:
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| Format: | Tagungsbericht Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2021]
|
| Schriftenreihe: | Me Fecit
12 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Hans Memling's 'God the Father with Singing and Music-making Angels' formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Nájera, Spain. The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (KMSKA), where a team of conservators and scholars have devoted themselves in recent years to their complex conservation. To mark the completion of this project, the KMSKA organized a symposium in March 2017 in cooperation with the University of Antwerp. This latest volume in the 'Me Fecit' series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments and what the work has to tell us about fifteenth-century musical practice. Close attention is paid to technical aspects such as the materials and the painting technique used for the panels, Memling's underdrawing, the frames, and the conservation treatment - not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenth-century compositions with playing techniques inferred from the paintings. The book features contributions by Maryan Ainsworth, Wim Becu, Till-Holger Borchert, Bart Fransen, Ingrid Goddeeris, Catherine Higgitt, Lizet Klaassen, Louise Longneaux, Karel Moens, Lisa Monnas, Keith Polk, Marie Postec, Marika Spring and Geert Van der Snickt |
| Beschreibung: | Aus der Einleitung: "A scholarly symposium was organized in March 2017, ...The book you have before ... consists largely of the lectures given at the symposium, along with further research results.". - Laut Verlagsangabe Band 12 der Reihe "Me fecit". - Verlagsangabe zu enthaltener CD: "Includes a CD with a compilation of representative fifteenth-century musical pieces performed on reconstructed versions of the instruments shown in Memling’s panels." |
| Umfang: | 287 Seiten Illustrationen 1 CD-ROM |
| ISBN: | 9782503580289 2503580289 |
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| 520 | 3 | |a Hans Memling's 'God the Father with Singing and Music-making Angels' formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Nájera, Spain. The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (KMSKA), where a team of conservators and scholars have devoted themselves in recent years to their complex conservation. To mark the completion of this project, the KMSKA organized a symposium in March 2017 in cooperation with the University of Antwerp. This latest volume in the 'Me Fecit' series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments and what the work has to tell us about fifteenth-century musical practice. Close attention is paid to technical aspects such as the materials and the painting technique used for the panels, Memling's underdrawing, the frames, and the conservation treatment - not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenth-century compositions with playing techniques inferred from the paintings. The book features contributions by Maryan Ainsworth, Wim Becu, Till-Holger Borchert, Bart Fransen, Ingrid Goddeeris, Catherine Higgitt, Lizet Klaassen, Louise Longneaux, Karel Moens, Lisa Monnas, Keith Polk, Marie Postec, Marika Spring and Geert Van der Snickt | |
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Datensatz im Suchindex
| _version_ | 1819345450840358912 |
|---|---|
| adam_text | CONTENTS
6
FOREWORD
7
INTRODUCTION
ELS]E
]ANSSEN
9
ABBREVIATIONS
CHAPTER
1
10
THE CONSERVATION
AND
RESTORATION OFMEMLING S
GOD THE FATHER WITH SINGING
AND
MUSIC-MAKINGANGE
L
S
LIZET
KLAASSEN
AND
MARIE
POSTEC
CHAPTER
2
3
4
HANS MEMLING S ALTARPIECE FOR T
H
E BENE
D
ICTINE
ABBEY CHURCH
OFNAJERA
BART
FRANSEN AND
LOUISE LONGNEAUX
52
APPENDIX:
LIBRA SEGUNDO DE
CENSOS,
NDJERA
CHAPTER
3
7
4
FROM NAJERA TO ANTWERP: HOW MEM
L
ING S
GOD THE FATHER
WITH SINGING
AND
MUSIC
-
MAKING
ANGELS
EN
D
E
D
UP IN BELGIUM
INGRID
GODDEERIS
CHAPTER
4
8
6
MATERIALS
AND
PAINTING TEC
H
NIQ
U
E
OF
MEM
L
ING S NAJERA PANELS
LIZET
KLAASSEN,
MARIE
POSTEC,
GEERT
VAN
DER
SNICKT,
AND
MARIKA
SPRING
CHAPTER
5
12
4
THE FRAMES
AND
FRAM
I
NG
OFMEM
L
ING S NAJERA PANELS
MARIE
POSTEC
AND
LIZET
KLAASSEN
CHAPTER
6
142
MEMLING S PRELIMINARY WORKING STAGES:
THE NAJERA
PANELS IN CONTEXT
MARYAN
W
.
AINSWORTH
16
4
APPE
N
DIX: CHARACTERIZING THE UNDERDRAWING MATERIA
L
IN THE
VIRGIN
AND
CHILD WITH SAINTS CATHERINE
OF
ALEXANDRIA
AND
BARBARA
SOPHIE
SCULLY
AND
SILVIA
A
.
CENTENO
CHAPTER?
166
MEM
LI
NG S WORKSHOP
TILL
-
HOLGER
BORCHERT
CHAPTER
8
192
MEMLING S
GOD THE FATHER WITH SINGING
AND
MUSIC
-
MAKINGANGELS:
OXA
L
ATE FORMATION
I
N O
L
D MASTER PAINTINGS
CATHERINE
HIGGITT
CHAPTER
9
210
VESTMENTS AND TEXT
I
LES IN MEMLING S NAJERA PANELS IN
CONTEXT
LISA
MONNAS
CHAPTER
10
22
6
M
U
S
I
C
AND
MUSICA
L
INSTRUMENTS IN MEM
L
ING S
GOD THE
FATHER
WITH SINGING
AND
MUSIC-MAKING ANGELS
KAREL
MOENS
CHAPTER
11
2
4
6
MEML
I
NG
AN
D
THE BRUGES
CIVIC ENSEMBLE
CIRCA
1480
KEITH POLK
CHAPTER
12
2
6
2
THE M
U
SICAL EXPERIENCE
OF
THE NAJERA PANELS.
PARADISI PARTE
:
MEMLING S ANGELIC CONCERT
WIM
BECU
275
TRACKLIST
CD:
PARADISI PARTE
276
BI
BLI
OGRAPHY
28
7
PHOTOGRAPHIC ACKNOW
L
EDGMENTS
Contents ճ Foreword 7 Introduction ELSJE JANSSEN 9 Abbreviations Chapter 7 166 TILL-HOLGER BORCHERT Chapter і to The Conservation and Restoration of Mending s God the Father with Singing and Music-Making Angels Chapter 8 192 LIZET KLAASSEN AND MARIE POSTEČ Hans Memling’s Altarpiece for the Benedictine Abbey Church of Najera Memling’s God the Father with Singing and Music-Making Angels: Oxalate Formation in Old Master Paintings CATHERINE HIGGITT Chapter շ 34 Memling’s Workshop Chapter 9 210 Vestments and Textiles in Memling’s Nájera Panels in Context LISA MONNAS BART FRANSEN AND LOUISE LONGNEAUX 52 Appendix: Libro Segundo de Censos, Nájera Chapter ю 226 Chapter з 74 From Nájera to Antwerp: How Memling’s God the Father with Singing and Music-Making Angels Ended Up in Belgium Music and Musical Instruments in Memling’s God the Father with Singing and Music-Making Angels KAREL MOENS Chapter n INGRID GODDEERIS 246 Chapter 4 Memling and the Bruges Civic Ensemble circa 1480 KEITH POLK 86 Materials and Painting Technique of Memling’s Nájera Panels Chapter 12 LIZET KLAASSEN, MARIE POSTEČ, GEERT VAN DER SNICKT, AND MARIKA SPRING 262 Chapter 5 124 The Frames and Framing of Memling’s Nájera Panels The Musical Experience of the Nájera Panels. Paradisiporte: Memling’s Angelic Concert WIM BECU 275 TracklistCD : Paradisi porte 276 Bibliography Photographic Acknowledgments MARIE POSTEČ AND LIZET KLAASSEN Chapter 6 142 Memling’s Preliminary Working Stages : The Nájera Panels in Context MARYAN W. AINSWORTH 164 Appendix: Characterizing the Underdrawing Material in the Virgin and Child with
Saints Catherine ofAlexandria and Barbara SOPHIE SCULLY AND SILVIA A. CENTENO 287
HARMONY IN BRIGHT COLORS Memling’s Cod the Father with Singing and Music-Making Angels Restored Hans Memling’s Cod the Father with Singing and Music-Making Angels formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Najera, Spain. The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (kmska), where in recent years a team of conservators and scholars have devoted themselves to their complex conservation. To mark the completion of this project, the kmska organized a symposium in March 2017 in cooperation with the University of Antwerp. This volume in the “Me Fecit” series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments, and what the work has to tell us about fifteenthcentury musical practice. Close attention is paid to technical aspects such as the materials and painting technique used for the panels, Memling’s underdrawing, the frames, and the conservation treatment—not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project, too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenthcentury compositions using playing techniques inferred from the paintings. The music, performed by Oltremontano Antwerpen and the Tiburtina
Ensemble, Prague, is recorded on the CD included with this book. The book features contributions by Maryan W. Ainsworth, Wim Becu, Till-Holger Borchert, Silvia A. Centeno, Bart Fransen, Ingrid Goddeeris, Catherine Higgitt, Lizet Klaassen, Louise Longneaux, Karel Moens, Lisa Monnas, Keith Polk, Marie Postee, Sophie Scully, Marika Spring, and Geert Van der Snickt.
|
| any_adam_object | 1 |
| author | Klaassen, Lizet |
| author2 | Klaassen, Lizet Lampens, Dieter |
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| author_corporate | Harmony in Bright Colors (Veranstaltung) Antwerpen |
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| author_facet | Klaassen, Lizet Klaassen, Lizet Lampens, Dieter Harmony in Bright Colors (Veranstaltung) Antwerpen |
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| author_sort | Harmony in Bright Colors (Veranstaltung) Antwerpen |
| author_variant | l k lk |
| building | Verbundindex |
| bvnumber | BV047278721 |
| classification_rvk | LR 57103 LR 57703 LI 58150 |
| ctrlnum | (OCoLC)1257812881 (DE-599)BVBBV047278721 |
| discipline | Kunstgeschichte Musikwissenschaft |
| format | Conference Proceeding Book |
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The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (KMSKA), where a team of conservators and scholars have devoted themselves in recent years to their complex conservation. To mark the completion of this project, the KMSKA organized a symposium in March 2017 in cooperation with the University of Antwerp. This latest volume in the 'Me Fecit' series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments and what the work has to tell us about fifteenth-century musical practice. Close attention is paid to technical aspects such as the materials and the painting technique used for the panels, Memling's underdrawing, the frames, and the conservation treatment - not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenth-century compositions with playing techniques inferred from the paintings. The book features contributions by Maryan Ainsworth, Wim Becu, Till-Holger Borchert, Bart Fransen, Ingrid Goddeeris, Catherine Higgitt, Lizet Klaassen, Louise Longneaux, Karel Moens, Lisa Monnas, Keith Polk, Marie Postec, Marika Spring and Geert Van der Snickt</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Memling, Hans</subfield><subfield code="d">1430-1494</subfield><subfield code="0">(DE-588)118580647</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Restaurierung</subfield><subfield code="0">(DE-588)4049600-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Pintura / Países Bajos / s.15</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Pintura flamenca / s.15</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Memling, Hans / 1430?-1494 / God the father with singing and music-making angels</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="x">KMSKA</subfield><subfield code="y">13.03.2017-14.03.2017</subfield><subfield code="z">Antwerpen</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Memling, Hans</subfield><subfield code="d">1430-1494</subfield><subfield code="0">(DE-588)118580647</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Restaurierung</subfield><subfield code="0">(DE-588)4049600-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Klaassen, Lizet</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lampens, Dieter</subfield><subfield code="4">edt</subfield></datafield><datafield tag="777" ind1="0" ind2="8"><subfield code="i">Begleitet von</subfield><subfield code="h">Audio-Disk</subfield><subfield code="t">Paradisi porte - Hans Memling's angelic concert</subfield><subfield code="d">Antwerpen: AMUZ, [2021]</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Me Fecit</subfield><subfield code="v">12</subfield><subfield code="w">(DE-604)BV038748502</subfield><subfield code="9">12</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032682293</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift KMSKA 13.03.2017-14.03.2017 Antwerpen gnd-content |
| genre_facet | Konferenzschrift KMSKA 13.03.2017-14.03.2017 Antwerpen |
| id | DE-604.BV047278721 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:14:53Z |
| institution | BVB |
| isbn | 9782503580289 2503580289 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032682293 |
| oclc_num | 1257812881 |
| open_access_boolean | |
| owner | DE-20 DE-Y3 DE-Y2 DE-355 DE-BY-UBR DE-255 DE-M341 |
| owner_facet | DE-20 DE-Y3 DE-Y2 DE-355 DE-BY-UBR DE-255 DE-M341 |
| physical | 287 Seiten Illustrationen 1 CD-ROM |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Brepols |
| record_format | marc |
| series | Me Fecit |
| series2 | Me Fecit |
| spellingShingle | Klaassen, Lizet Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored Me Fecit Memling, Hans 1430-1494 (DE-588)118580647 gnd Restaurierung (DE-588)4049600-4 gnd |
| subject_GND | (DE-588)118580647 (DE-588)4049600-4 (DE-588)1071861417 |
| title | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored |
| title_alt | colours |
| title_auth | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored |
| title_exact_search | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored |
| title_full | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored edited by Lizet Klaassen and Dieter Lampens |
| title_fullStr | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored edited by Lizet Klaassen and Dieter Lampens |
| title_full_unstemmed | Harmony in bright colors Memling's "God the Father with Singing and Music-Making Angels" restored edited by Lizet Klaassen and Dieter Lampens |
| title_short | Harmony in bright colors |
| title_sort | harmony in bright colors memling s god the father with singing and music making angels restored |
| title_sub | Memling's "God the Father with Singing and Music-Making Angels" restored |
| topic | Memling, Hans 1430-1494 (DE-588)118580647 gnd Restaurierung (DE-588)4049600-4 gnd |
| topic_facet | Memling, Hans 1430-1494 Restaurierung Konferenzschrift KMSKA 13.03.2017-14.03.2017 Antwerpen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032682293&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV038748502 |
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