Modernity in black and white: art and image, race and identity in Brazil, 1890-1945
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York
Cambridge University Press
2021
|
| Schriftenreihe: | Afro-Latin America
|
| Schlagwörter: | |
| Links: | http://www.sehepunkte.de/2022/04/36572.html |
| Abstract: | Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"-- |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xix, 263 Seiten, 12 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781108481908 9781108741590 |
Internformat
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| 100 | 1 | |a Cardoso, Rafael |d 1964- |e Verfasser |0 (DE-588)1031750371 |4 aut | |
| 245 | 1 | 0 | |a Modernity in black and white |b art and image, race and identity in Brazil, 1890-1945 |c Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie Universität Berlin |
| 264 | 1 | |a Cambridge ; New York |b Cambridge University Press |c 2021 | |
| 264 | 4 | |c © 2021 | |
| 300 | |a xix, 263 Seiten, 12 ungezählte Seiten Tafeln |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Afro-Latin America | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. | |
| 520 | 3 | |a "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"-- | |
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| 650 | 0 | 7 | |a Selbstbild |0 (DE-588)4077349-8 |2 gnd |9 rswk-swf |
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| 653 | 0 | |a Modernism (Art) / Brazil | |
| 653 | 0 | |a Art and race | |
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| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |u http://www.sehepunkte.de/2022/04/36572.html |y rezensiert in: sehepunkte 22 (2022), Nr. 4 |3 Rezension |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032681615 | |
Datensatz im Suchindex
| _version_ | 1818987952953360384 |
|---|---|
| any_adam_object | |
| author | Cardoso, Rafael 1964- |
| author_GND | (DE-588)1031750371 |
| author_facet | Cardoso, Rafael 1964- |
| author_role | aut |
| author_sort | Cardoso, Rafael 1964- |
| author_variant | r c rc |
| building | Verbundindex |
| bvnumber | BV047278033 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6655 |
| callnumber-raw | N6655.5.M63 |
| callnumber-search | N6655.5.M63 |
| callnumber-sort | N 46655.5 M63 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LO 97450 |
| ctrlnum | (OCoLC)1239806648 (DE-599)KXP1699739471 |
| discipline | Kunstgeschichte |
| era | Geschichte 1890-1945 gnd |
| era_facet | Geschichte 1890-1945 |
| format | Book |
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| id | DE-604.BV047278033 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:14:52Z |
| institution | BVB |
| isbn | 9781108481908 9781108741590 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032681615 |
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| physical | xix, 263 Seiten, 12 ungezählte Seiten Tafeln Illustrationen |
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| spelling | Cardoso, Rafael 1964- Verfasser (DE-588)1031750371 aut Modernity in black and white art and image, race and identity in Brazil, 1890-1945 Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie Universität Berlin Cambridge ; New York Cambridge University Press 2021 © 2021 xix, 263 Seiten, 12 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Afro-Latin America Includes bibliographical references and index Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"-- Geschichte 1890-1945 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Rasse (DE-588)4048440-3 gnd rswk-swf Selbstbild (DE-588)4077349-8 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Modernism (Art) / Brazil Art and race Art and society / Brazil / History / 19th century Art and society / Brazil / History / 20th century Brasilien (DE-588)4008003-1 g Postkolonialismus (DE-588)4566658-1 s Kunst (DE-588)4114333-4 s Rasse (DE-588)4048440-3 s Identität (DE-588)4026482-8 s Selbstbild (DE-588)4077349-8 s Geschichte 1890-1945 z DE-604 http://www.sehepunkte.de/2022/04/36572.html rezensiert in: sehepunkte 22 (2022), Nr. 4 Rezension |
| spellingShingle | Cardoso, Rafael 1964- Modernity in black and white art and image, race and identity in Brazil, 1890-1945 Identität (DE-588)4026482-8 gnd Kunst (DE-588)4114333-4 gnd Rasse (DE-588)4048440-3 gnd Selbstbild (DE-588)4077349-8 gnd Postkolonialismus (DE-588)4566658-1 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4114333-4 (DE-588)4048440-3 (DE-588)4077349-8 (DE-588)4566658-1 (DE-588)4008003-1 |
| title | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 |
| title_auth | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 |
| title_exact_search | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 |
| title_full | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie Universität Berlin |
| title_fullStr | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie Universität Berlin |
| title_full_unstemmed | Modernity in black and white art and image, race and identity in Brazil, 1890-1945 Rafael Cardoso, Universidade do Estado do Rio de Janeiro & Freie Universität Berlin |
| title_short | Modernity in black and white |
| title_sort | modernity in black and white art and image race and identity in brazil 1890 1945 |
| title_sub | art and image, race and identity in Brazil, 1890-1945 |
| topic | Identität (DE-588)4026482-8 gnd Kunst (DE-588)4114333-4 gnd Rasse (DE-588)4048440-3 gnd Selbstbild (DE-588)4077349-8 gnd Postkolonialismus (DE-588)4566658-1 gnd |
| topic_facet | Identität Kunst Rasse Selbstbild Postkolonialismus Brasilien |
| url | http://www.sehepunkte.de/2022/04/36572.html |
| work_keys_str_mv | AT cardosorafael modernityinblackandwhiteartandimageraceandidentityinbrazil18901945 |