Common understandings, poetic confusion: playhouses and playgoers in Elizabethan England
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032670521&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032670521&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xii, 326 Seiten |
| ISBN: | 9780226808840 9780226809038 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS A Note on Textual and Other Performances xi INTRODUCTION 1 There Is Not Agreement of Opinion շ ALL THE world s A STAGE 9 Every Like Is Not the Same 15 1: PLAYING 22 Merely Players 23 What Learn You By That? 30 But Mark This Show 40 2: OCCUPATIO 52 An Excellent Good Word Before It Was Ill Sorted Looking Well to Borders 60 So Curious in New Fangles 69 3: UNDERSTANDERS 80 Deep in Understanding 82 Plain and Easy to be Understanden 85 All Readers to be Understanders 93 Feelingly Perceive 101 4: CONFUSION 111 Nothing but Confusion and Errors 114 Babylonical Confusion 122 What More Fitter Occasion? 125 Diverse Men of Diverse Minds 131 Commons Knowledge 137
INTERLUDE. PLAYING, THINKING 143 5: SUPPOSES 148 Valedictions to Sense 150 Brokers of Another s Wit 160 A Stalking-Stamping Player 165 Authors of All the Content 174 6: EATING 183 Between Meals 185 Some Hungry Scenes 194 Playing with Food 200 7: NON PLUS 210 I’ll Have a Challenge, Too 212 Fencers, Bearwards, Common Players 223 Non Plus 235 TRYING CONCLUSIONS 243 Acknowledgments 247 Notes 251 Index 30Ç
In Common Understandings, Poetic Confusion, William N. West proposes a new account of the kind of participatory entertainment expected by actors and audiences during the careers of Shakespeare and his contemporaries. West finds surprising descriptions of these theatrical experiences in the figurative ways of speaking with which early modern players and playgoers likened playing and playgoing to more familiar habits—including under standing, confusion, occupation, eating, and fighting. These early modern words and ways of speaking differ subtly and significantly from how they are used today—as does the cat egory of theater itself. Playing was not confined to the stage but filled the playhouse and beyond, embracing audiences and performers in collaborative experiences that did not belong to anyone alone but to the assembled crowd in common. What emerged in playing was a thinking and feeling distributed across otherwise distinct persons and times. Thrown apples, smashed bottles of beer, and lumbering bears—these and more gave verbal shape to the physical interactions between players and playgoers, creating circuits of production, consumption, and transformation.
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| discipline | Anglistik / Amerikanistik |
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| title | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England |
| title_auth | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England |
| title_exact_search | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England |
| title_full | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England William N. West |
| title_fullStr | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England William N. West |
| title_full_unstemmed | Common understandings, poetic confusion playhouses and playgoers in Elizabethan England William N. West |
| title_short | Common understandings, poetic confusion |
| title_sort | common understandings poetic confusion playhouses and playgoers in elizabethan england |
| title_sub | playhouses and playgoers in Elizabethan England |
| topic | Theater (DE-588)4059702-7 gnd |
| topic_facet | Theater England |
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