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Buchumschlag
Watching Game of Thrones: how audiences engage with dark television
Gespeichert in:
Bibliographische Detailangaben
Beteiligte Personen: Barker, Martin 1946- (VerfasserIn), Smith, Clarissa (VerfasserIn), Attwood, Feona 1964- (VerfasserIn)
Format: Buch
Sprache:Englisch
Veröffentlicht: Manchester Manchester University Press 2021
Schlagwörter:
Game of thrones
Fernsehen
Medienwirkungsforschung
Links:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032641196&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032641196&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:viii, 200 Seiten
ISBN:9781526152176
Internformat

MARC

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Datensatz im Suchindex

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adam_text Contents List of tables Acknowledgements vi vii 1 The remarkable phenomenon that is Game of Thrones 2 Generating a ‘richly structured combination of data and discourses’ 3 Distinguishing different kinds of audience 4 Favourite characters, favourite survivors 5 The significance of favourite character choices 6 Winter is coming ... 7 Conflicts and controversies 8 Making predictions for an unpredictable world Postscript: ‘If you think this has a happy ending, you haven’t been paying attention’ 1 158 Appendix 1: The questionnaire Appendix 2: ‘Mentions’ Bibliography Index 170 173 176 196 14 33 47 71 88 117 143 HBO’s television adaptation of George R. R. Martin’s Game of Thrones was an international sensation, generating intense debates and controversies throughout its run. This book draws on ambitious international research that used innovative methods to gather information from over 10,000 viewers of the series. It details seven distinct ways in which audiences watched the series and how these led to different responses and judgements. The book considers the claim that Game of Thrones can be seen as a lens for thinking about the world by exploring how viewers engaged with the series characters, lands and peoples and how they understood its world in relation to their own. It examines how some of the show’s more shocking scenes were understood and appreciated as examples of ‘extreme storytelling’ while others were angrily rejected, and it reflects on what this suggests about broader debates on television and representations of violence. Aiid in the wake of the controversy over the show s final series, it explores how audiences make sense of ‘endings’.
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Smith, Clarissa
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bvnumber BV047236839
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record_format marc
spellingShingle Barker, Martin 1946-
Smith, Clarissa
Attwood, Feona 1964-
Watching Game of Thrones how audiences engage with dark television
Game of thrones (DE-588)1024427587 gnd
Fernsehen (DE-588)4016825-6 gnd
Medienwirkungsforschung (DE-588)4123732-8 gnd
subject_GND (DE-588)1024427587
(DE-588)4016825-6
(DE-588)4123732-8
title Watching Game of Thrones how audiences engage with dark television
title_auth Watching Game of Thrones how audiences engage with dark television
title_exact_search Watching Game of Thrones how audiences engage with dark television
title_full Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood
title_fullStr Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood
title_full_unstemmed Watching Game of Thrones how audiences engage with dark television Martin Barker, Clarissa Smith and Feona Attwood
title_short Watching Game of Thrones
title_sort watching game of thrones how audiences engage with dark television
title_sub how audiences engage with dark television
topic Game of thrones (DE-588)1024427587 gnd
Fernsehen (DE-588)4016825-6 gnd
Medienwirkungsforschung (DE-588)4123732-8 gnd
topic_facet Game of thrones
Fernsehen
Medienwirkungsforschung
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