The mass market for history paintings in seventeenth-century Amsterdam: production, distribution, and consumption
Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg - the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significa...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Amsterdam University Press
[2020]
|
| Series: | Amsterdam studies in the Dutch Golden Age
|
| Subjects: | |
| Links: | https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 https://doi.org/10.1515/9789048553983 |
| Summary: | Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg - the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why? |
| Physical Description: | 1 Online-Ressource (294 Seiten) Illustrationen |
| ISBN: | 9789048553983 |
| DOI: | 10.1515/9789048553983 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047225309 | ||
| 003 | DE-604 | ||
| 005 | 20231124 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210406s2020 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9789048553983 |c Online, PDF |9 978-90-485-5398-3 | ||
| 024 | 7 | |a 10.1515/9789048553983 |2 doi | |
| 035 | |a (ZDB-23-DGG)9789048553983 | ||
| 035 | |a (OCoLC)1245337142 | ||
| 035 | |a (DE-599)BVBBV047225309 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-83 | ||
| 084 | |a LO 12810 |0 (DE-625)102831:13311 |2 rvk | ||
| 084 | |a LH 60100 |0 (DE-625)94169: |2 rvk | ||
| 084 | |a LO 34270 |0 (DE-625)103084: |2 rvk | ||
| 100 | 1 | |a Jager, Angela |d 1984- |e Verfasser |0 (DE-588)1112441832 |4 aut | |
| 245 | 1 | 0 | |a The mass market for history paintings in seventeenth-century Amsterdam |b production, distribution, and consumption |c Angela Jager |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (294 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Amsterdam studies in the Dutch Golden Age | |
| 520 | |a Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg - the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why? | ||
| 600 | 1 | 7 | |a Dammeroen, Jan Fransz. |d 1605-1658 |0 (DE-588)1222202182 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Doeck, Cornelis |d 1613-1664 |0 (DE-588)1222202409 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Meijeringh, Hendrick |d 1639-1687 |0 (DE-588)1222202565 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1650-1700 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Art and Material Culture | |
| 650 | 4 | |a Cultural Studies | |
| 650 | 4 | |a Dutch and The Netherlands | |
| 650 | 4 | |a Early Modern Period | |
| 650 | 4 | |a History | |
| 650 | 4 | |a Sociology and Social History | |
| 650 | 7 | |a ART / History / Baroque & Rococo |2 bisacsh | |
| 650 | 0 | 7 | |a Kunstmarkt |0 (DE-588)4120630-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Historienmalerei |0 (DE-588)4025097-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Massenfertigung |0 (DE-588)4037873-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunsthandel |0 (DE-588)4033647-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Amsterdam |0 (DE-588)4001783-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Amsterdam |0 (DE-588)4001783-7 |D g |
| 689 | 0 | 1 | |a Historienmalerei |0 (DE-588)4025097-0 |D s |
| 689 | 0 | 2 | |a Massenfertigung |0 (DE-588)4037873-1 |D s |
| 689 | 0 | 3 | |a Kunstmarkt |0 (DE-588)4120630-7 |D s |
| 689 | 0 | 4 | |a Geschichte 1650-1700 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Dammeroen, Jan Fransz. |d 1605-1658 |0 (DE-588)1222202182 |D p |
| 689 | 1 | 1 | |a Doeck, Cornelis |d 1613-1664 |0 (DE-588)1222202409 |D p |
| 689 | 1 | 2 | |a Meijeringh, Hendrick |d 1639-1687 |0 (DE-588)1222202565 |D p |
| 689 | 1 | 3 | |a Kunsthandel |0 (DE-588)4033647-5 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Amsterdam |0 (DE-588)4001783-7 |D g |
| 689 | 2 | 1 | |a Kunstmarkt |0 (DE-588)4120630-7 |D s |
| 689 | 2 | 2 | |a Kunsthandel |0 (DE-588)4033647-5 |D s |
| 689 | 2 | 3 | |a Historienmalerei |0 (DE-588)4025097-0 |D s |
| 689 | 2 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-94-6298-773-9 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048553983 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 940 | 1 | |q BSB_NED_20210825 | |
| 942 | 1 | 1 | |c 330.09 |e 22/bsb |f 09032 |g 492 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032629857 | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553983 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1824423488002195456 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Jager, Angela 1984- |
| author_GND | (DE-588)1112441832 |
| author_facet | Jager, Angela 1984- |
| author_role | aut |
| author_sort | Jager, Angela 1984- |
| author_variant | a j aj |
| building | Verbundindex |
| bvnumber | BV047225309 |
| classification_rvk | LO 12810 LH 60100 LO 34270 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9789048553983 (OCoLC)1245337142 (DE-599)BVBBV047225309 |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9789048553983 |
| era | Geschichte 1650-1700 gnd |
| era_facet | Geschichte 1650-1700 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047225309</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231124</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210406s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048553983</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-90-485-5398-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048553983</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048553983</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1245337142</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047225309</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-83</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 12810</subfield><subfield code="0">(DE-625)102831:13311</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60100</subfield><subfield code="0">(DE-625)94169:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 34270</subfield><subfield code="0">(DE-625)103084:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jager, Angela</subfield><subfield code="d">1984-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1112441832</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The mass market for history paintings in seventeenth-century Amsterdam</subfield><subfield code="b">production, distribution, and consumption</subfield><subfield code="c">Angela Jager</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (294 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Amsterdam studies in the Dutch Golden Age</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg - the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Dammeroen, Jan Fransz.</subfield><subfield code="d">1605-1658</subfield><subfield code="0">(DE-588)1222202182</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Doeck, Cornelis</subfield><subfield code="d">1613-1664</subfield><subfield code="0">(DE-588)1222202409</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Meijeringh, Hendrick</subfield><subfield code="d">1639-1687</subfield><subfield code="0">(DE-588)1222202565</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1650-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and Material Culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dutch and The Netherlands</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Early Modern Period</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sociology and Social History</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Baroque & Rococo</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Historienmalerei</subfield><subfield code="0">(DE-588)4025097-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Massenfertigung</subfield><subfield code="0">(DE-588)4037873-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunsthandel</subfield><subfield code="0">(DE-588)4033647-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Amsterdam</subfield><subfield code="0">(DE-588)4001783-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Amsterdam</subfield><subfield code="0">(DE-588)4001783-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Historienmalerei</subfield><subfield code="0">(DE-588)4025097-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Massenfertigung</subfield><subfield code="0">(DE-588)4037873-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1650-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Dammeroen, Jan Fransz.</subfield><subfield code="d">1605-1658</subfield><subfield code="0">(DE-588)1222202182</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Doeck, Cornelis</subfield><subfield code="d">1613-1664</subfield><subfield code="0">(DE-588)1222202409</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Meijeringh, Hendrick</subfield><subfield code="d">1639-1687</subfield><subfield code="0">(DE-588)1222202565</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Kunsthandel</subfield><subfield code="0">(DE-588)4033647-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Amsterdam</subfield><subfield code="0">(DE-588)4001783-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Kunsthandel</subfield><subfield code="0">(DE-588)4033647-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Historienmalerei</subfield><subfield code="0">(DE-588)4025097-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-94-6298-773-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210825</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">330.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">492</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032629857</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553983</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Amsterdam (DE-588)4001783-7 gnd |
| geographic_facet | Amsterdam |
| id | DE-604.BV047225309 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:10:22Z |
| institution | BVB |
| isbn | 9789048553983 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032629857 |
| oclc_num | 1245337142 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-83 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-83 |
| physical | 1 Online-Ressource (294 Seiten) Illustrationen |
| psigel | ZDB-23-DGG BSB_NED_20210825 ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Amsterdam studies in the Dutch Golden Age |
| spelling | Jager, Angela 1984- Verfasser (DE-588)1112441832 aut The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption Angela Jager Amsterdam Amsterdam University Press [2020] © 2020 1 Online-Ressource (294 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Amsterdam studies in the Dutch Golden Age Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg - the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why? Dammeroen, Jan Fransz. 1605-1658 (DE-588)1222202182 gnd rswk-swf Doeck, Cornelis 1613-1664 (DE-588)1222202409 gnd rswk-swf Meijeringh, Hendrick 1639-1687 (DE-588)1222202565 gnd rswk-swf Geschichte 1650-1700 gnd rswk-swf Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Period History Sociology and Social History ART / History / Baroque & Rococo bisacsh Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Historienmalerei (DE-588)4025097-0 gnd rswk-swf Massenfertigung (DE-588)4037873-1 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Amsterdam (DE-588)4001783-7 gnd rswk-swf Amsterdam (DE-588)4001783-7 g Historienmalerei (DE-588)4025097-0 s Massenfertigung (DE-588)4037873-1 s Kunstmarkt (DE-588)4120630-7 s Geschichte 1650-1700 z DE-604 Dammeroen, Jan Fransz. 1605-1658 (DE-588)1222202182 p Doeck, Cornelis 1613-1664 (DE-588)1222202409 p Meijeringh, Hendrick 1639-1687 (DE-588)1222202565 p Kunsthandel (DE-588)4033647-5 s Erscheint auch als Druck-Ausgabe 978-94-6298-773-9 https://doi.org/10.1515/9789048553983 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jager, Angela 1984- The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption Dammeroen, Jan Fransz. 1605-1658 (DE-588)1222202182 gnd Doeck, Cornelis 1613-1664 (DE-588)1222202409 gnd Meijeringh, Hendrick 1639-1687 (DE-588)1222202565 gnd Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Period History Sociology and Social History ART / History / Baroque & Rococo bisacsh Kunstmarkt (DE-588)4120630-7 gnd Historienmalerei (DE-588)4025097-0 gnd Massenfertigung (DE-588)4037873-1 gnd Kunsthandel (DE-588)4033647-5 gnd |
| subject_GND | (DE-588)1222202182 (DE-588)1222202409 (DE-588)1222202565 (DE-588)4120630-7 (DE-588)4025097-0 (DE-588)4037873-1 (DE-588)4033647-5 (DE-588)4001783-7 |
| title | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption |
| title_auth | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption |
| title_exact_search | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption |
| title_full | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption Angela Jager |
| title_fullStr | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption Angela Jager |
| title_full_unstemmed | The mass market for history paintings in seventeenth-century Amsterdam production, distribution, and consumption Angela Jager |
| title_short | The mass market for history paintings in seventeenth-century Amsterdam |
| title_sort | the mass market for history paintings in seventeenth century amsterdam production distribution and consumption |
| title_sub | production, distribution, and consumption |
| topic | Dammeroen, Jan Fransz. 1605-1658 (DE-588)1222202182 gnd Doeck, Cornelis 1613-1664 (DE-588)1222202409 gnd Meijeringh, Hendrick 1639-1687 (DE-588)1222202565 gnd Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Period History Sociology and Social History ART / History / Baroque & Rococo bisacsh Kunstmarkt (DE-588)4120630-7 gnd Historienmalerei (DE-588)4025097-0 gnd Massenfertigung (DE-588)4037873-1 gnd Kunsthandel (DE-588)4033647-5 gnd |
| topic_facet | Dammeroen, Jan Fransz. 1605-1658 Doeck, Cornelis 1613-1664 Meijeringh, Hendrick 1639-1687 Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Period History Sociology and Social History ART / History / Baroque & Rococo Kunstmarkt Historienmalerei Massenfertigung Kunsthandel Amsterdam |
| url | https://doi.org/10.1515/9789048553983 |
| work_keys_str_mv | AT jagerangela themassmarketforhistorypaintingsinseventeenthcenturyamsterdamproductiondistributionandconsumption |