Fashioning the modern Middle East: gender, body, and nation
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Format: | Tagungsbericht Buch |
Sprache: | Englisch |
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London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2021
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Schriftenreihe: | Dress cultures
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Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032628164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | "Explores the role of the dressed and undressed body in the making of the modern Middle East, from perspectives such as nation, gender, post-colonialism and historiography"-- |
Beschreibung: | Literaturverzeichnis Seite [194]-204 |
Umfang: | xii, 212 Seiten Illustrationen |
ISBN: | 9781350135215 9781350135208 |
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CONTENTS List of Figures Notes on Contributors Acknowledgments 1 2 3 4 5 6 7 8 9 Mapping Modern Bodies in the Middle East: Introduction Reina Lewis and Yasmine Nachabe Taan vi xi xiii 1 Fashion and the Camera: Istanbul in the Late Ottoman Empire Nancy Micklewright 19 Training Slaves for the Camera: Race and Memory in Representations of Slaves, Cairo, and Khartoum, 1882-92 EveM. Troutt Powell 45 Patronage, Taste, and Power: Slave, Manumitted, and Free Subjects in the Fashioning of Middle Eastern Modernity Reina Lewis 71 Constantin Guys and the Painters of Global Modernity Mary Roberts ■ 91 Looking At/As Nudes: A Study of a Space of Imagination Kirsten Scheid 113 Another Look: “The Body That Is,” Gender, Sexuality, and Power in Post-Ottoman Egypt Wilson Chacko Jacob 135 The Arab Garçonne: Being Simultaneously Modern and Arab in 1920s and 1930s Palestine, Lebanon, and Egypt Yasmine Nachabe Taan 153 The Photograph, the Dress, and the Conjugalization of the Family Afsaneh Najmabadi 175 Bibliography Index 194 205
FIGURES 2.1 2.2 2.3 2.4 Dame du Serail, c. 1810. Ankara, Ethnographical Museum, 8283, f.191 Fehime Sultan, photographer unknown, 1912. Istanbul, Topkapi Sarayı, 17/435 Standing figures, artist unknown, c. 1560-70. Istanbul, Topkapı Sarayı, H.2168, fol. 35a Portrait ofa Woman of the Court, Rafael Manas, mid-eighteenth century Istanbul. Suna and 2.7 İnan Kıraç Foundation Orientalist Paintings Collection, Pera Museum Woman wearing a bindallı dress, photographer and date unknown, collection of the author The Odalique or Favorite of the Harem, Constantinople, Thomas Allom. Published in Character and Costume in Turkey and Italy (London, Fisher, Son and Co. 1939, and later editions) Üçetek entari, nineteenth century. Büyükdere, Vehbi Koç Foundation, Sadberk Hamm Museum, 2.8 SHM 11940-K.504 Top: Cepken, nineteenth century, private collection, drawing by the author. Bottom: Cepken, 2.5 2.6 20 21 23 24 26 28 29 c. 1820s. Istanbul, Topkapı Sarayı collection, 13/2082, drawing by the author 2.9 Üçetek entari, nineteenth century. Istanbul, Yapı Kredi Museum Collection 2.10 Bindallı entari, late nineteenth century. Büyükdere, Vehbi Koç Foundation, Sadberk Hanım 31 32 Museum, SHM 2606-K.24 2.11 Untitled snapshot (a group raising glasses) c. 1890-1910. Getty Research Institute, Los Angeles 34 (96.R.14 (CD7)) 2.12 Untitled snapshot (seated woman) c. 1890-1910. Getty Research Institute, Los Angeles (96.R.14 (CD7)) 2.13 Skirt and blouse, early twentieth century. Büyükdere, Vehbi Koç Foundation, Sadberk Hamm Museum, 15392-K.996 a, b 2.14 Dress, House of Worth, c. 1911. New York, Metropolitan
Museum of Art, 1982.304 3.1 Fadl-el-Anaza, négresse du Sennar, 28 ans, femme d’un juge du tribunal” (Fadl-el-Anaza, negress of Sennar, 28 years old, wife of a tribunal judge), published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica. bnf.fr/Bibliothèque nationale de France 3.2 Souvenirs de Khartoum et du Soudan Egyptien—Vossion sitting himself with “my two private servants El Mas (Moubouttou eunuch) and Rizgallah (Nouer tribe),” Louis Vossion, 1881-82. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.3 Souvenirs de Khartoum—“My interpreter (father a Syrian, mother an Abyssinian woman); servants and gazelles, Khartoum, 1882,” Louis Vossion, 1882. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.4 Photograph of anonymous sitters, published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 37 38 39 41 46 48 53 54
Figures 3.5 3.6 3.7 “Les principaux eunuques des harems de Khartoum” (the chief eunuchs of Khartoum’s harems), published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 55 Souvenirs de Khartoum—“Cheikh Soliman, provost of the merchants of Khartoum. Dealer in ostrich feathers and more or less in slaves. Has, afterwards, joined the Mahdi - a pure scoundrel,” Louis Vossion, February 1882. Source: gallica.bnf.fr/Bibliothèque nationale de France 56 The Greek consul Nicola Liontedes, published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France Souvenirs de Khartoum — “Fathalla Djehami, Syrien, et sa femme Abyssinienne” (Fathalla Djehami, Syrian, and his Abyssinian wife), published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.9 Faragallah Adjouri, “Syrian of Khartoum, with his wife,” published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.10 Effendi Khalil, “head of the Coptic colony of Khartoum, and his sons, born of an Abyssinian woman,” published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.11 Habib Houry, “Syrian and his family—in the center, the negress
wet nurse—to the left, a Dinka servant—to the right, an Abyssinian servant,” published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.12 Onorato Moussi, “Maltese established in Khartoum,” “a negress servant, and Maltese-Abyssinian children,” published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.13 “Slave women of diverse races, belonging to the chief of the Coptic colony of Khartoum,” published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 3.14 “Little girls, born out of the marriage between a Syrian Catholic and an Abyssinian woman” and their father, published in Types du Soudan, Louis Vossion, 1884. Collection anthropologique du prince Roland Bonaparte. Source: gallica.bnf.fr/Bibliothèque nationale de France 4.1 “The Circuit of Culture,” in Paul du Gay, Stuart Hall, Linda Janes, Anders Koed Madsen, Hugh Mackay, and Keith Negus, Doing Cultural Studies: The Story of the Sony Walkman, 2nd edn (1997; 58 3.8 59 61 62 63 64 65 66 Milton Keynes: Open University, 2013) “Circuit of style-fashion-dress,” in Susan Kaiser, Fashion and Cultural Studies (London: 72 74 4.4 Bloomsbury, 2012) “Girl Serving in the Turkish Shop.” Published in The Unveiled Ladies of Stamboul, Demetra Vaka (Mrs. Kenneth Brown) (Boston: Houghton Mifflin Co., 1923) Empress Eugénie reviewing
Ottoman troops. Le Monde illustré, November 6,1869, p. 296. Source: gallica.bnf.fr/Bibliothèque nationale de France Great Britain in Egypt, 1886,1887, by Walter Charles Horsley. Oil on Canvas, 122.5 x 154.9 cm. 78 5.1 Art Gallery of New South Wales, Sydney 92 4.2 4.3 77 vii
Figures 5.2 5.3 The Ceremony of Kurban Bayramı (reference sketch for illustration published in the Illustrated London News), 1856, by Constantin Guys. Photographer: Jenni Carter The Bairam - The Sultans Levee, in the Garden of the Seraglio, 1856, unknown engraver. Published in the Illustrated London News, August 30,1856, p. 218 Detail of verso of the sketch The Ceremony of Kurban Bayramı, undated, by Constantin Guys. Photographer: Jenni Carter 5.5 Entrance of the British Embassy, Constantinople, undated, by Constantin Guys. Ink, ink wash and watercolor, 17.1 x 20.2 cm. Location unknown. Photographer: Jenni Carter 5.6 Excursion to the Sweet Waters ofEurope, undated, by Constantin Guys. Pencil, ink, ink wash, and watercolor, 28.4 x 46.8 cm. Location unknown. Photographer: Jenni Carter 5.7 Femmes Turque en Promenade, undated, by Constantin Guys. 27 x 19.5 cm. Musée Carnavalet, Histoire de Paris (D.1292). © Musée Carnavalet/Roger-Viollet 5.8 The Marriage of the Sultans Daughter, the procession, 1854, by Constantin Guys. Ink and watercolor on paper, 32 x 49 cm. Private Collection. Photographer: Jenni Carter 5.9 Marriage Procession of the Sultans Daughter at Constantinople, 1854, unknown engraver. Published in the Illustrated London News, September 9,1854, p. 228 5.10 Fatma Sultan, or daughter of the Sultan, 1857, unknown artist. Published in Catalogue of the Oriental Museum (London: Leicester Square, 1857), p. 20 5.11 In the Underground Railway, 1876, by Walter Charles Horsley. Published in The Graphic, April 15,1876, p.364 5.12 (110) Station du Tunnel à Pera Constantinople,
1884, by Vassilaki Kargopoulo, albumen print. Getty Research Institute, Los Angeles (96.R.14) 6.1 Alfred Tarazi’s stand at the Beirut Industrial Fair, Sarraftan, May 1921. Carrie appears in the lower left corner. Fouad Debbas Collection, Album Sarraftan #4 - 8304. Nicholas Sursock Museum, Beirut. Postcard printed June 5,1923. Courtesy of the Fouad Debbas Collection, Sursock Museum, Beirut 6.2 “Bayrutfi al-Bahr, Afkar wa Mushahidat 'Ariya’’ (Beirut at Sea, Nudist Thoughts and Scenes), Ra'fat Buhairy, al-Ma'rid 11, no. 959, July 19,1931,9 6.3 Al-Sajinan (The Two Prisoners), Moustapha Farrouk, 1929. Oil on canvas, 38 x 47 cm. Reproduced from “Tabi 'a wa Turath” (Nature and Patrimony), M. Farrouk Series, Portfolio 7, Beirut, Lebanon, 1995. Courtesy of Hani Farrukh 94 95 5.4 6.4 6.5 6.6 6.7 6.8 viii Spread from al-Makshuf 1, no. 13, August 20,1935,10-11. Dar al-Furat Collection, Beirut Detail of advertisement for Rasul al-'Uri (Prophet of the Nude), in al-Makshuf, 1, no. 13, August 20,1935,11. The phrase ansar al- ' uri (partisans of the nude) appears in the last line. Dar al-Furat Collection, Beirut Page from catalogue for “First Lebanese Salon for Painting and Sculpture”—December 1930 to January 1931. Number 254 lists a “Fille nue au bain (Nude Girl Bathing),” by the students of Zahra al-Ahsan school, a girls-only establishment. Gilberte Zouaine Collection, Ma' amaltain. Courtesy of Gilberte Zouaine A l’exposition—also known as Young Ladies Visiting an Exhibition—Omar Onsi, 1932. Oil on canvas, 37 x 45 cm. Collection Samir Abillama. Courtesy of Samir Abillama Allégorie:
Phénicie présentant les oranges (Allegory: Phoenicia Presenting Oranges), Omar Onsi, 1932. Oil on canvas, size and whereabouts unknown. Reproduced from al-Ma 'rid 11, no. 988, February 28,1932,20. Dar al-Furat Collection, Beirut 97 98 99 100 101 102 104 107 108 114 115 118 122 122 125 126 122
Figures 6.9 7.1 7.2 7.3 7.4 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 9.1 9.2 9.3 9.4 Souvenir de l’exposition Farrouk (1933-1934) (Souvenir of Farrouk’s Exhibition [1933-1934]), Moustapha Farrouk, 1934, printed postcard. Hani Farrukh Collection, Beirut. Courtesy of Hani Farrukh 129 Cover of the magazine Khayal al-Zill (October 30,1924). Courtesy of The National Library and Archives of Egypt 142 Illustration in the magazine Khayal al-Zill (November 6,1924): 8-9. Courtesy of The National Library and Archives of Egypt 143 Illustration in the magazine Al-Kashkul (January 1,1928): 20, which appeared on the occasion of the modernizing Afghan sovereign Amanullah Khans visit to Egypt. Courtesy of The National Library and Archives of Egypt 146 Postcard with illustration and Arabic text, which reads “In Egypt, khawal” and a French caption that translates as “Eccentric cross-dressing dancer.” Dated December 18,1906. Collection of Max Karkegi 148 Woman dressed up as a man, photographer unknown, Egypt, undated. Amgad Neguib Collection, courtesy of the Arab Image Foundation 154 Marguerite dressed up as a man, photographer unknown, Palestine/Jerusalem, 1935. Alice Agazarian Collection, courtesy of the Arab Image Foundation 155 Miss Malak Muhammad, photographer unknown. Published with the caption “Man Hwa?” (Who is he?), in Rūz al Yûsuf, November 17,1927, p. 17 157 Florence Fawaz—also known as Florence Austral—unknown photographer. Published with the article “The Work of Women,” Al Mar'a al Jodida, 1921 161 “Al-Saiyyda Aziza Amir ß Riwayât bint Napoleon” (Miss Aziza Amir in the Tale of the
Daughter of Napoleon), Rûz al Yûsuf, no. 107, November 17,1927, p. 7 162 “Munira Bek Al-Mahdiyya?!,” on the cover of a 1927 issue of Rûz al Yûsuf, January 6, 1927, no. 62 163 “Al-Sigãraü Dala’ wa Keyf wa Taqlld” (The Cigarette!! Flirt, Pleasure and Imitation), a spread from Rûz al Yûsuf, December 22,1926, pp. 6-7 “Mughālatāt!!” (Eccentrics!!), a spread from Rûz al Yûsuf, December 15,1926, pp. 6-7 “Al-Saiyydāt Wa La' ib Kwrat Al Qadam” (The Ladies in a Soccer Game), cover of Rûz al Yûsuf, no. 107, November 17,1927 Rahil and David Aminuf, matriarch and patriarch of the Aminuf family, photographer unknown, 1870. Center for Iranian Jewish Oral History (977-P-2000), no. 1025A125. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/1025A125.html Heripsima and her husband, photographer unknown, c. 1915. Shahin and Arsineh Basil, no. 1144A91. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/ 1144A91.html Muhammad Ali Nik Bin and his wife, photographer unknown, February 4,1929. Khan Nakhjavani Collection, no. 14146A21. Available online: qajarwomen.org. Source: http://www. qajarwomen.org/en/items/14146A21 .html Verso of postcard photograph of Muhammad Ali Nik Bin and his wife (Figure 9.3), with dedication of the photo by the husband to his dear friend Mirza Ali Asghar Khan Shukrizad, February 4,1929. Khan Nakhjavani Collection, no. 14146A21. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/14146A21.html 164 164 169 179 180 181 181 ix
Figures 9.5 9.6 9.7 9.8 9.9 9.10 9.11 9.12 9.13 9.14 x Collage representing the family of Khadijah Afzal Vaziri and Aqa Buzurg Mallah, undated. Mahlaqa Mallah Collection, no. 14129A17. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/14129A17.html Khanum Afzal in outer garment and headcover for going to work, photographer unknown, 1930 or 1931. Mahlaqa Mallah Collection, no. 14129A57. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/14129A57.html Khanum Afzal, tutoring her children, c. 1929. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/fa/items/14129A50.html The Mallah/Vaziri Family, photographer unknown, undated (c. 1960). Mahlaqa Mallah Collection, no. 14129A36. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/14129A36.html Grooms wedding outfit, which belonged to Bahram Sheikholeslamis grandfather, early- mid nineteenth century. Private collection of Bahram Sheikholeslami, no. 1139A184. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/1139A184.html Folded embroidered velvet segment of a skirt for Shams al-Muluk Jahanbanis wedding (600 x 43 cm), 1902. Bahman Bayani Collection, no. 42a040. Available online: qajarwomen. org. Source: http://www.qajarwomen.org/en/items/42a040.html Tulle wedding dress embroidered with gold metal thread (naqdah embroidery), (early) twentieth century. Olga Davidson Collection, no. 1024A33. Available online: qajarwomen.org. Source: http://www.qajarwomen.org/en/items/1024A33.html Fari and Abbas, January 14,1942.
Authors family album Tffat and ‘Isa, August 1,1940. Author’s family album A photograph from the wedding day of Bihjat al-Muluk Mu'izzi and ‘Abd Allah Ashrafi; from left to right: Bihjat al-Muluk, ‘Abd al-Baqir Mirza Mu'izzi (paternal uncle of Bihjat), and ‘Abd Allah Ashrafi—note the brides older style dress and the appearance of the groom in his military outfit to mark his social standing—unknown photographer, November 18,1921. Ashrafi family collection, no. 1138A17. Available online: qajarwomen.org. Source: http://www. qajarwomen.org/en/items/1138A17.html 182 183 184 185 187 187 188 189 189 190 |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 Beirut gnd-content |
genre_facet | Aufsatzsammlung Konferenzschrift 2018 Beirut |
geographic | Naher Osten (DE-588)4068878-1 gnd |
geographic_facet | Naher Osten |
id | DE-604.BV047223592 |
illustrated | Illustrated |
indexdate | 2025-01-11T14:41:58Z |
institution | BVB |
institution_GND | (DE-588)1237752094 |
isbn | 9781350135215 9781350135208 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032628164 |
oclc_num | 1240778493 |
open_access_boolean | |
owner | DE-703 DE-188 DE-M458 DE-473 DE-BY-UBG |
owner_facet | DE-703 DE-188 DE-M458 DE-473 DE-BY-UBG |
physical | xii, 212 Seiten Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Bloomsbury Visual Arts |
record_format | marc |
series2 | Dress cultures |
spelling | Fashioning the modern Middle East gender, body, and nation edited by Reina Lewis and Yasmine Nachabe Taan London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2021 xii, 212 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Dress cultures Literaturverzeichnis Seite [194]-204 "Explores the role of the dressed and undressed body in the making of the modern Middle East, from perspectives such as nation, gender, post-colonialism and historiography"-- Geschichte 1800-1950 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf Kleidung Motiv (DE-588)4114220-2 gnd rswk-swf Mode (DE-588)4039792-0 gnd rswk-swf Orientbild (DE-588)4122305-6 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf Moderne Motiv (DE-588)4645828-1 gnd rswk-swf Selbstdarstellung Motiv (DE-588)4775742-5 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Naher Osten (DE-588)4068878-1 gnd rswk-swf Clothing and dress / Middle East Fashion / Middle East Women / Clothing & dress / Middle East Middle East / Social life and customs (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 Beirut gnd-content Orientbild (DE-588)4122305-6 s Mode (DE-588)4039792-0 s Körper (DE-588)4031575-7 s Geschlechterforschung (DE-588)4482930-9 s DE-604 Naher Osten (DE-588)4068878-1 g Fotografie (DE-588)4045895-7 s Kleidung Motiv (DE-588)4114220-2 s Geschlechterrolle Motiv (DE-588)4222106-7 s Selbstdarstellung Motiv (DE-588)4775742-5 s Moderne Motiv (DE-588)4645828-1 s Geschichte 1800-1950 z Lewis, Reina 1963- (DE-588)137426216 edt Taan, Yasmine Nachabe (DE-588)1193092612 edt Modern Bodies: Dress, Nation, Empire, and Gender (Veranstaltung) 2018 Beirut (DE-588)1237752094 oth Erscheint auch als Online-Ausgabe, PDF 978-1-3501-3523-9 (DE-604)BV047272354 Erscheint auch als Online-Ausgabe, EPUB 978-1-3501-3522-2 (DE-604)BV047272354 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032628164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Fashioning the modern Middle East gender, body, and nation Fotografie (DE-588)4045895-7 gnd Körper (DE-588)4031575-7 gnd Kleidung Motiv (DE-588)4114220-2 gnd Mode (DE-588)4039792-0 gnd Orientbild (DE-588)4122305-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd Moderne Motiv (DE-588)4645828-1 gnd Selbstdarstellung Motiv (DE-588)4775742-5 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
subject_GND | (DE-588)4045895-7 (DE-588)4031575-7 (DE-588)4114220-2 (DE-588)4039792-0 (DE-588)4122305-6 (DE-588)4482930-9 (DE-588)4645828-1 (DE-588)4775742-5 (DE-588)4222106-7 (DE-588)4068878-1 (DE-588)4143413-4 (DE-588)1071861417 |
title | Fashioning the modern Middle East gender, body, and nation |
title_auth | Fashioning the modern Middle East gender, body, and nation |
title_exact_search | Fashioning the modern Middle East gender, body, and nation |
title_full | Fashioning the modern Middle East gender, body, and nation edited by Reina Lewis and Yasmine Nachabe Taan |
title_fullStr | Fashioning the modern Middle East gender, body, and nation edited by Reina Lewis and Yasmine Nachabe Taan |
title_full_unstemmed | Fashioning the modern Middle East gender, body, and nation edited by Reina Lewis and Yasmine Nachabe Taan |
title_short | Fashioning the modern Middle East |
title_sort | fashioning the modern middle east gender body and nation |
title_sub | gender, body, and nation |
topic | Fotografie (DE-588)4045895-7 gnd Körper (DE-588)4031575-7 gnd Kleidung Motiv (DE-588)4114220-2 gnd Mode (DE-588)4039792-0 gnd Orientbild (DE-588)4122305-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd Moderne Motiv (DE-588)4645828-1 gnd Selbstdarstellung Motiv (DE-588)4775742-5 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
topic_facet | Fotografie Körper Kleidung Motiv Mode Orientbild Geschlechterforschung Moderne Motiv Selbstdarstellung Motiv Geschlechterrolle Motiv Naher Osten Aufsatzsammlung Konferenzschrift 2018 Beirut |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032628164&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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