Arts and crafts in Iron Age East Yorkshire: a holistic approach to pattern and purpose, c. 400BC-AD100
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Karte |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
BAR Publishing
2021
|
| Schriftenreihe: | Archaeology of prehistoric art
volume 3 BAR British series 660 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032622813&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xvi, 132 Seiten Illustrationen, Karten 30 cm |
| ISBN: | 9781407356976 |
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Datensatz im Suchindex
| _version_ | 1819263643629387776 |
|---|---|
| adam_text | Contents List of Figures.................................................................................................................................................................. xii List of Tables...................................................................................................... xv Abstract........................................................................................................................................................................... xvi 1. An Introduction to This Book: What Did Pattern Do?............................................................................................. 1 1.1. Introduction...................................................................................................................................................................1 1.2. The Origins of This Book.............................................................................................................................................2 1.3. What Is This Book About?........................................................................................................................................... 2 1.4. Chapter Outline............................................................................................................................................................ 2 2. A Brief History of Celtic Art Studies in Britain and Beyond.................................................................................... 5 2.1.
Introduction.................................................................................................................................................................. 5 2.2. The Emergence of a Celtic Art Style........................................................................................................................... 5 2.2.1. The Idea of the Celts.............................................................................................................................................5 2.2.2. The Grammar of Ornament...................................................................................................................................6 2.2.3. Horae Ferales, John Kemble and A.W. Franks.................................................................................................... 6 2.3. Celtic Art in Time and Space........................................................................................................................................8 2.3.1. Synthesis and Chronology in the 20th Century......................................................................................................8 2.3.2. The Limitations of Celtic Art..............................................................................................................................10 2.4. Peasant Art and Home-Crafts...................................................................................................................................... 11 2.4.1. Glastonbury Lake Village and Its Arts and
Crafts.............................................................................................. 11 2.4.2. Shifting Models of Iron Age Craft and Value.................................................................................................... 13 2.5. Rethinking Celtic Art..................................................................................................................................................15 2.6. Chapter Conclusion.....................................................................................................................................................17 3. A Return to Pattern and Purpose...............................................................................................................................19 3.1. Introduction................................................................................................................................................................ 19 3.2. Formulating the Research Question............................................................................................................................19 3.3. Pattern and Purpose: A Survey of Early Celtic Art in Britain..................................................................................... 19 3.4. Defining Pattem......................................................................................................................................................... 20 3.5. Defining Purpose............................................................................ 21 3.6. Reintegrating Pattem and
Purpose............................................................................................................................. 22 3.7. Chapter Conclusion.................................................................................................................................................... 22 4. Beyond the Arras Culture: Characterising the Iron Age of East Yorkshire...........................................................23 4.1. Introduction................................................................................................................................................................ 23 4.1.1. Why East Yorkshire?.......................................................................................................................................... 23 4.2. Researching the Iron Age in East Yorkshire.............................................................................................................. 25 4.2.1. Antiquarianism................................................................................................................................................... 25 4.2.2. The Arras Culture............................................................................................................................................... 26 4.2.3. Searching for Settlements.................................................................................................................................. 27 4.2.4. Chronological Discussions of Iron Age East
Yorkshire......................................................................................28 4.3. Characterising the Middle-Late Iron Age in East Yorkshire...................................................................................... 29 4.3.1. The Middle Iron Age: 400-100BC.................................................................................................................... 29 Cemeteries............................................................................................................................................................... 29 Chariot Burials.........................................................................................................................................................30 ‘Warrior’ Burials...................................................................................................................................................... 30 Settlements.............................................................................................................................................................. 31 Material Culture...................................................................................................................................................... 31 4.3.2. The Late Iron Age: 100BC-AD100....................................................................................................................32 Cemeteries............................................................................................................................................................... 32
Settlements.............................................................................................................................................................. 32 ix
Arts and Crafis in Iron Age East Yorkshire Material Culture................................. 33 4.4. Pattern, Colour and Society in Iron Age East Yorkshire.......................................................................................... 33 4.4.1. Early Celtic Art (and Other Art) in East Yorkshire............................................................................................ 33 4.4.2. Significant Materials.......................................................................................................................................... 34 4.4.3. The Functions of Patterned Objects................................................................................................................... 34 5. Pattern and Context in the Dataset........................................................................................................................... 37 5.1. Introduction................................................................................................................................................................ 37 5.2. The Dataset................................................................................................................................................................ 37 5.2.1. The Sample of Sites........................................................................................................................................... 37 5.2.2. Data from the Portable Antiquities Scheme....................................................................................................... 37 5.2.3.
Dating................................................................................................................................................................. 38 5.2.4. Data Collection................................................................................................................................................... 39 5.2.5. Pattern in the Dataset......................................................................................................................................... 39 5.2.6. Context in the Dataset........................................................................................................................................ 41 5.3. Data Analysis............................................................................................................................................................. 42 5.3.1. Ceramic Sherds.................................................................................................................................................. 42 5.3.2. Patterned and Plain Objects............................................................................................................................... 45 5.3.3. Style and Context............................................................................................................................................... 47 5.3.4. Patterned Object Types....................................................................................................................................... 51 5.4. Discussion of
Data..................................................................................................................................................... 52 5.4.1. The Decision to Decorate................................................................................................................................... 52 5.4.2. The Decision to Deposit..................................................................................................................................... 54 5.4.3. Reflecting on the Limitations of Object Type’ Categories................................................................................55 6. Pattern and Purpose in the Dataset........................................................................................................................... 57 6.1. Introduction................................................................................................................................................................ 57 6.1.1. Fox’s Ideas about Purpose.................................................................. ............................................................... 57 6.1.2. Augmenting Purpose.......................................................................................................................................... 58 6.2. Data Analysis............................................................................................................................................................. 58 6.2.1. Purpose Categories and
Pattem.......................................................................................................................... 58 6.2.2. Purpose Categories and Deposition................................................................................................................... 60 6.3. Discussion of Data..................................................................................................................................................... 61 6.3.1. Horse and Chariot Gear...................................................................................................................................... 61 6.3.2. Weapons and Defence........................................................................................................................................ 62 6.3.3. Personal Ornament............................................................................................................................................. 63 6.3.4. Mirrors................................................................................................................................................................ 63 6.3.5. Vessels................................................................................................................................................................ 63 6.3.6. Implements......................................................................................................................................................... 64 6.3.7. Ambiguous
Objects............................................................................................................................................ 64 6.4. Chapter Conclusion.................................................................................................................................................... 64 7. Iron Age Groupsets in Time and Space..................................................................................................................... 67 7.1. Introduction............................................................................................................................. 67 7.1.1. Biographies, Itineraries and Beyond.................................................................................................................. 67 7.1.2. Iron Age Groupsets............................................................................................................................................ 68 7.2. Methodology.............................................................................................................................................................. 69 7.3. Chariots.............................................................................. 69 7.3.1. Ferry Fryston (Wakefield Museums and Castles).............................................................................................. 70 7.3.2. Wetwang Village (British Museum, 2001,0401)................................................................................................ 70 7.3.3. Wetwang 2 (Hull and East Riding Museum,
2010.8).........................................................................................73 7.3.4. Garton Slack (Hull and East Riding Museum, 1973.32)................................................................................... 75 7.3.5. Wetwang 1 (Hull and East Riding Museum, 2010.8)........................................................................................ 76 7.3.6. Wetwang 3 (Hull and East Riding Museum, 2010.8)........................................................................................ 77 7.3.7. Kirkbum (British Museum, 1987,0404)............................................................................................................. 78 7.3.8. Garton Station (British Museum, 1985,0305).................................................................................................... 79 7.3.9. Arras: The Queen’s Barrow (British Museum, 1877,1016)............................................................................... 81 7.3.10. Chariots: Discussion......................................................................................................................................... 82 Raw Materials.......................................................................................................................................................... 82 Design and Making................................................................................................................................................. 83 x
Contents Use...........................................................................................................................................................................83 Collection, Exchange and Deposition..................................................................................................................... 84 Chariots: Summary.................................................................................................................................................. 84 7.4. Swords (and a Single Shield)......................................................................................................................................84 7.4.1. The Bugthorpe Sword (British Museum, 1905,0717.1)......................................................................................84 7.4.2. The Kirkbum Sword (British Museum, 1987,0404.2)........................................................................................85 7.4.3. Wetwang 1 (Hull and East Riding Museum, KINCM:2010.8.31)......................................................................87 7.4.4. Wetwang 3 (Hull and East Riding Museum, KINCM:2010.8.65)......................................................................88 7.4.5. The Grimthorpe Sword and Shield (British Museum, 1876,0208.10)................................................................89 The Grimthorpe Shield (British Museum 1876,0208.1 and 2).................................................................................89 7.4.6 The South Cave Hoard (Beverley Treasure
House).............................................................................................91 RF40 (2005, 99.9)................................................................................................................................................... 92 RF18 (2005, 99.8)................................................................................................................................................... 93 RF41 (2005, 99.10)................................................................................................................................................. 94 RF17 (2005, 99.5)................................................................................................................................................... 95 RF16 (2005.99.25).................................................................................................................................................. 96 The South Cave Swords as an Assemblage............................................................................................................. 97 7.4.7. Swords: Discussion............................................................................................................................................ 97 Raw Materials.......................................................................................................................................................... 97
Design...................................................................................................................................................................... 98 Making and Repairing Swords................................................................................................................................ 98 Use........................................................................................................................................................................... 99 Fragmentation and Reassembly................................................................. 99 Deposition............................................................................................................................................................... 99 Sword Scabbards: Summary..................................................................................................................................100 7.5. Bone and Antler Objects...........................................................................................................................................100 7.5.1. Bone and Antler Objects: An Overview............................................................................................................100 7.5.2. The Comb Pit (Garton Slack XI, Hull and East Riding Museum)....................................................................101 7.5.3. Bone and Antler Objects from Rudston Villa East Site....................................................................................102 7.5.4. Bone
Points.......................................................................................................................................................104 7.5.5. Bone and Antler Objects: Discussion................................................................................................................105 Making Bone and Antler Objects...........................................................................................................................105 The Decision to Decorate.......................................................................................................................................105 Use..........................................................................................................................................................................105 Bone and Antler Objects: Summary.......................................................................................................................105 7.6. Pots............................................................................................................................................................................106 7.6.1. Raw Materials...................................................................................................................................................106 7.6.2. Design...............................................................................................................................................................106 7.6.3. Use-
Wear...........................................................................................................................................................107 7.6.4. Fragmentation and Deposition..........................................................................................................................107 7.6.5. Exchange...........................................................................................................................................................108 7.6.6. Pots: Discussion................................................................................................................................................108 7.7. Chapter Conclusion...................................................................................................................................................108 7.7.1. Iron Age ‘Kintsugi’........................................................................................................................................... 109 7.7.2. Pattern as Patina................................................................................................................................................109 8. Pattern and Purpose in Iron Age East Yorkshire..................................................... Ill 8.1. The Decision to Decorate.......................................................................................................................................... Ill 8.2. The Processes of Design and
Patterning................................................................................................................... Ill 8.3. The Deployment of Pattern....................................................................................................................................... 113 8.4. The Accumulation of Pattern.................................................................................................................................... 113 8.5. The Deposition of Patterned Objects........................................................................................................................ 114 8.6. What Did Pattem Do?............................................................................................................................................... 114 8.7. Looking Further Afield: Overlapping Traditions at Different Scales, and Local Interpretations of Wider Artistic Practices.............................................................................................................................................................. 114 8.8. Conclusion: A Threefold Purpose of Iron Age Pattem............................................................................................. 116 References.................................................................................................................................................................................. 117 Appendix
1.................................................................................................................................................................................127 Appendix II................................................................................................................................................................................129 xi
|
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| author | Chittock, Helen |
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| era | Geschichte 400 v. Chr.-100 gnd |
| era_facet | Geschichte 400 v. Chr.-100 |
| format | Map |
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| geographic | East Riding of Yorkshire (DE-588)111536037X gnd |
| geographic_facet | East Riding of Yorkshire |
| id | DE-604.BV047218135 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:13:08Z |
| institution | BVB |
| isbn | 9781407356976 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032622813 |
| oclc_num | 1261750079 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xvi, 132 Seiten Illustrationen, Karten 30 cm |
| psigel | BSB_NED_20210722 gbd_4_2108 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | BAR Publishing |
| record_format | marc |
| series | Archaeology of prehistoric art BAR British series |
| series2 | Archaeology of prehistoric art BAR British series |
| spellingShingle | Chittock, Helen Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 Archaeology of prehistoric art BAR British series Dekoration (DE-588)4149033-2 gnd Sachkultur (DE-588)4051157-1 gnd |
| subject_GND | (DE-588)4149033-2 (DE-588)4051157-1 (DE-588)111536037X |
| title | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 |
| title_auth | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 |
| title_exact_search | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 |
| title_full | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 Helen Chittock |
| title_fullStr | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 Helen Chittock |
| title_full_unstemmed | Arts and crafts in Iron Age East Yorkshire a holistic approach to pattern and purpose, c. 400BC-AD100 Helen Chittock |
| title_short | Arts and crafts in Iron Age East Yorkshire |
| title_sort | arts and crafts in iron age east yorkshire a holistic approach to pattern and purpose c 400bc ad100 |
| title_sub | a holistic approach to pattern and purpose, c. 400BC-AD100 |
| topic | Dekoration (DE-588)4149033-2 gnd Sachkultur (DE-588)4051157-1 gnd |
| topic_facet | Dekoration Sachkultur East Riding of Yorkshire |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032622813&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046737286 (DE-604)BV000897461 |
| work_keys_str_mv | AT chittockhelen artsandcraftsinironageeastyorkshireaholisticapproachtopatternandpurposec400bcad100 |