In between subjects: a critical genealogy of queer performance
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Subjects: | |
| Links: | https://doi.org/10.4324/9781003081647 https://doi.org/10.4324/9781003081647 https://doi.org/10.4324/9781003081647 |
| Abstract: | Performativity -- Relationality -- Theatricality -- Queer -- Other -- Trans "Through a self-consciously partial and incomplete genealogy, this book historicizes and examines queer performativity while questioning its very bases. The key argument of In Between Subjects is that, by interrogating how queer performance and gender performativity have come to seem so obviously conjoined, beginning with the immediate post WWII period in Anglophone art and theory, we arrive at a much deeper understanding of the valance and texture of "queer" and "performance" or the "performative" (as well as of related concepts such as "theatricality" (and camp), and "relationality"): each of the chapters after the introduction are thus oriented around one of these key terms, arranged in a roughly chronological order per the moment of their emergence and relevance to debates about queer theory, identity, and performance or performativity: performativity (1950sff), relationality (late 1950sff), theatricality (1960sff), queer (late 1980s as attached to "theory," and following), other (1990sff), and trans (2000sff). The narrative of the book is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co constitute one another in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, with attention to feminist, queer, and sexuality studies frameworks, this will be essential reading for all those interested in art, performance and gender"-- |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | 1 Online-Ressource (xxiii, 359 Seiten) Illustrationen |
| ISBN: | 9781003081647 |
| DOI: | 10.4324/9781003081647 |
Staff View
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| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a Performativity -- Relationality -- Theatricality -- Queer -- Other -- Trans | |
| 520 | 3 | |a "Through a self-consciously partial and incomplete genealogy, this book historicizes and examines queer performativity while questioning its very bases. The key argument of In Between Subjects is that, by interrogating how queer performance and gender performativity have come to seem so obviously conjoined, beginning with the immediate post WWII period in Anglophone art and theory, we arrive at a much deeper understanding of the valance and texture of "queer" and "performance" or the "performative" (as well as of related concepts such as "theatricality" (and camp), and "relationality"): each of the chapters after the introduction are thus oriented around one of these key terms, arranged in a roughly chronological order per the moment of their emergence and relevance to debates about queer theory, identity, and performance or performativity: performativity (1950sff), relationality (late 1950sff), theatricality (1960sff), queer (late 1980s as attached to "theory," and following), other (1990sff), and trans (2000sff). The narrative of the book is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co constitute one another in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, with attention to feminist, queer, and sexuality studies frameworks, this will be essential reading for all those interested in art, performance and gender"-- | |
| 653 | 0 | |a Homosexuality and the arts | |
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| 653 | 0 | |a Sex role in art | |
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| callnumber-subject | NX - Arts in General |
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| dewey-ones | 700 - The arts |
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| discipline | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.4324/9781003081647 |
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| isbn | 9781003081647 |
| language | English |
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| spelling | Jones, Amelia 1961- Verfasser (DE-588)122492838 aut In between subjects a critical genealogy of queer performance Amelia Jones London ; New York Routledge, Taylor & Francis Group 2021 1 Online-Ressource (xxiii, 359 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Performativity -- Relationality -- Theatricality -- Queer -- Other -- Trans "Through a self-consciously partial and incomplete genealogy, this book historicizes and examines queer performativity while questioning its very bases. The key argument of In Between Subjects is that, by interrogating how queer performance and gender performativity have come to seem so obviously conjoined, beginning with the immediate post WWII period in Anglophone art and theory, we arrive at a much deeper understanding of the valance and texture of "queer" and "performance" or the "performative" (as well as of related concepts such as "theatricality" (and camp), and "relationality"): each of the chapters after the introduction are thus oriented around one of these key terms, arranged in a roughly chronological order per the moment of their emergence and relevance to debates about queer theory, identity, and performance or performativity: performativity (1950sff), relationality (late 1950sff), theatricality (1960sff), queer (late 1980s as attached to "theory," and following), other (1990sff), and trans (2000sff). The narrative of the book is deliberately recursive, itself articulated in order performatively to demonstrate the specific valence and social context of each concept as it emerged, but also the overlap and interrelation among the terms as they have come to co constitute one another in performance and visual arts theory, history, and practice. Written from a hybrid art historical and performance studies point of view, with attention to feminist, queer, and sexuality studies frameworks, this will be essential reading for all those interested in art, performance and gender"-- Homosexuality and the arts Performative (Philosophy) Sex role in art Erscheint auch als Druck-Ausgabe, Softcover 978-0-367-53376-2 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-53375-5 https://doi.org/10.4324/9781003081647 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jones, Amelia 1961- In between subjects a critical genealogy of queer performance |
| title | In between subjects a critical genealogy of queer performance |
| title_auth | In between subjects a critical genealogy of queer performance |
| title_exact_search | In between subjects a critical genealogy of queer performance |
| title_full | In between subjects a critical genealogy of queer performance Amelia Jones |
| title_fullStr | In between subjects a critical genealogy of queer performance Amelia Jones |
| title_full_unstemmed | In between subjects a critical genealogy of queer performance Amelia Jones |
| title_short | In between subjects |
| title_sort | in between subjects a critical genealogy of queer performance |
| title_sub | a critical genealogy of queer performance |
| url | https://doi.org/10.4324/9781003081647 |
| work_keys_str_mv | AT jonesamelia inbetweensubjectsacriticalgenealogyofqueerperformance |