Inventing cinema: machines, gestures and media history
With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this questi...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2019]
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| Schriftenreihe: | Cinema and technology (Amsterdam, Netherlands)
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9789048550463 https://doi.org/10.1515/9789048550463 |
| Zusammenfassung: | With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Umfang: | 267 Seiten |
| ISBN: | 9789463724623 |
| DOI: | 10.1017/9789048550463 |
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| 520 | |a With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history | ||
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| author | Turquety, Benoît 1974- |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791 |
| dewey-search | 791 |
| dewey-sort | 3791 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| doi_str_mv | 10.1017/9789048550463 10.1515/9789048550463 |
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| id | DE-604.BV047145087 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:10:59Z |
| institution | BVB |
| isbn | 9789463724623 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032550933 |
| oclc_num | 1238066758 |
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| physical | 267 Seiten |
| psigel | ZDB-23-DGG ZDB-23-GOA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Cinema and technology (Amsterdam, Netherlands) |
| spellingShingle | Turquety, Benoît 1974- Inventing cinema machines, gestures and media history Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| title | Inventing cinema machines, gestures and media history |
| title_alt | Inventer le cinéma <English> |
| title_auth | Inventing cinema machines, gestures and media history |
| title_exact_search | Inventing cinema machines, gestures and media history |
| title_full | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_fullStr | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_full_unstemmed | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_short | Inventing cinema |
| title_sort | inventing cinema machines gestures and media history |
| title_sub | machines, gestures and media history |
| topic | Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| topic_facet | Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| url | https://doi.org/10.1017/9789048550463 https://doi.org/10.1515/9789048550463 |
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