Poetry in dialogue in the Duecento and Dante:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford modern languages and literature monographs
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032545641&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032545641&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | viii, 225 Seiten |
| ISBN: | 9780198849575 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Abbreviations and Editions ix 1 Introduction THE DUECENTO 1. Guittone D’Arezzo: Dialogic conversion I. Now and then: performing a conversion II. Why so serious? (Frate) Guittone’s (in)sincerity III. ‘Vero amore’, ‘vera canzone’ 21 25 37 49 2. Guido Guinizzelli: Dialogic reorientation I. Guinizzelli and the voice of God II. Guinizzelli vs the critics III. Biblically speaking 59 60 69 78 3. Guido Cavalcanti: Dialogic subjectivity I. Cavalcanti vs Guittone II. To Guinizzelli, on love III. ‘Donna me prega, perch’eo voglio dire’: a doctrinal dialogue IV. Performing a polyphonic identity 82 83 88 94 104 DANTE 4. Dante in dialogue Part 1—Dialogic Dismissal: The Two Guidos and the erasure of Guittone I. Vita nova: from,‘paura che è nel cor’ to Amor eΊ cor gentil’ II. Purgatorio: Gifido, Guido, Guittone Part 2—Dialogic Disassociation: Cavalcanti at Sea? I. Cavalcanti recalled II. Dialogic dreams: Cavalcanti discounted III. Cavalcanti’s‘pasturella’in Dante’s dreams of authority 119 119 119 123 137 137 147 151
viii CONTENTS 5. Ars Legendi, Ars Poetica: The Siren and the Poet I. Vita nova di nuovo II. Recalling Inferno, revisiting Convivio III. Poesis and exegesis from the Convivio to the Commedia Conclusion: Subjectivity, dialogue, openness Bibliography Index 157 158 169 192 205 209 223
Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth- and fourteenth-centuiw Italy It demonstrates the fundamental role of dialogue between and within texts in the works of four poets who represent some of the major des elopments in earlv Italian literature: Guittone d’Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the cultural landscape through the lens ot Dantes works, significant though they may be, the first part of this study reconstructs the rich network of literary, especially poetic, dialogue that was at the heart of medieval writing in Italy The second part of the book uses this reconstruction to demonstrate Dante s engagement with and indebtedness to the dynamics of exchange that characterized the practice of medieval Italian poets. The overall argument-tor the centrali^՜ of dialogic processes to the emerging Italian literare՛ tradition—is underpinned bv a conceptualization ot dialogue in relation to medieval and modern literarv theory and philosophy of language. By triangulating Brunetto Latini s Rettorica. Mikhail Bakhtin s ‘dialogismi and a sense of performative՜ speech adapted from I. L. Austin. Peeve in Dialogue shows the openness ot its corpus to new dialogues and interpretations, highlighting the instabilities of even the most apparently fixed, monumental texts.
|
| any_adam_object | 1 |
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| discipline | Romanistik |
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| era | Geschichte 1200-1300 gnd |
| era_facet | Geschichte 1200-1300 |
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