Playing for keeps: improvisation in the aftermath
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they s...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
|
| Schriftenreihe: | Improvisation, community, and social practice
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781478009122?locatt=mode:legacy https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6130870 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://www.degruyter.com/isbn/9781478009122 https://doi.org/10.1515/9781478009122 |
| Zusammenfassung: | The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos |
| Umfang: | 1 Online-Ressource (x, 336 Seiten) Illustrationen |
| ISBN: | 9781478009122 |
| DOI: | 10.1515/9781478009122 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047114313 | ||
| 003 | DE-604 | ||
| 005 | 20220823 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210129s2020 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781478009122 |c Online, PDF |9 978-1-4780-0912-2 | ||
| 024 | 7 | |a 10.1515/9781478009122 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781478009122 | ||
| 035 | |a (ZDB-23-DKU)9781478009122 | ||
| 035 | |a (ZDB-30-PQE)EBC6130870 | ||
| 035 | |a (OCoLC)1235890162 | ||
| 035 | |a (DE-599)BVBBV047114313 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-12 | ||
| 082 | 0 | |a 781.3/6 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Playing for keeps |b improvisation in the aftermath |c Daniel Fischlin and Eric Porter (editors) |
| 264 | 1 | |a Durham ; London |b Duke University Press |c 2020 | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 Online-Ressource (x, 336 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Improvisation, community, and social practice | |
| 520 | |a The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos | ||
| 650 | 7 | |a MUSIC / Genres & Styles / Jazz |2 bisacsh | |
| 650 | 4 | |a Improvisation (Music) |x Political aspects | |
| 650 | 4 | |a Improvisation (Music) |x Social aspects | |
| 650 | 0 | 7 | |a Improvisation |0 (DE-588)4127993-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Entkolonialisierung |0 (DE-588)4070860-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Konfliktvermeidung |0 (DE-588)4164964-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Improvisation |0 (DE-588)4127993-1 |D s |
| 689 | 0 | 1 | |a Konfliktvermeidung |0 (DE-588)4164964-3 |D s |
| 689 | 0 | 2 | |a Entkolonialisierung |0 (DE-588)4070860-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Fischlin, Daniel |d 1957- |0 (DE-588)1062788346 |4 edt | |
| 700 | 1 | |a Porter, Eric |d 1962- |0 (DE-588)1089810741 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4780-0680-0 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-4780-0814-9 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781478009122 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 912 | |a ZDB-23-DKU | ||
| 912 | |a ZDB-30-PQE | ||
| 912 | |a ZDB-1-PQM | ||
| 940 | 1 | |q KFL_prod_XwBz_01 | |
| 940 | 1 | |q ZDB-23-DKU20 | |
| 940 | 1 | |q BSB_NED_20220823 | |
| 942 | 1 | 1 | |c 780 |e 22/bsb |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032520742 | |
| 966 | e | |u https://doi.org/10.1515/9781478009122?locatt=mode:legacy |l DE-12 |p ZDB-23-DKU |q BSB_DKU_DukeUniversityPress |x Verlag |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6130870 |l DE-12 |p ZDB-1-PQM |q BSB_PDA_PQM |x Aggregator |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478009122 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824423454813716480 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Fischlin, Daniel 1957- Porter, Eric 1962- |
| author2_role | edt edt |
| author2_variant | d f df e p ep |
| author_GND | (DE-588)1062788346 (DE-588)1089810741 |
| author_facet | Fischlin, Daniel 1957- Porter, Eric 1962- |
| building | Verbundindex |
| bvnumber | BV047114313 |
| collection | ZDB-23-DGG ZDB-23-DKU ZDB-30-PQE ZDB-1-PQM |
| ctrlnum | (ZDB-23-DGG)9781478009122 (ZDB-23-DKU)9781478009122 (ZDB-30-PQE)EBC6130870 (OCoLC)1235890162 (DE-599)BVBBV047114313 |
| dewey-full | 781.3/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3/6 |
| dewey-search | 781.3/6 |
| dewey-sort | 3781.3 16 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1515/9781478009122 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047114313</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220823</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210129s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478009122</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-1-4780-0912-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478009122</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478009122</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9781478009122</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC6130870</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1235890162</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047114313</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.3/6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Playing for keeps</subfield><subfield code="b">improvisation in the aftermath</subfield><subfield code="c">Daniel Fischlin and Eric Porter (editors)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 336 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Improvisation, community, and social practice</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Jazz</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Music)</subfield><subfield code="x">Political aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Music)</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Entkolonialisierung</subfield><subfield code="0">(DE-588)4070860-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Konfliktvermeidung</subfield><subfield code="0">(DE-588)4164964-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Improvisation</subfield><subfield code="0">(DE-588)4127993-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Konfliktvermeidung</subfield><subfield code="0">(DE-588)4164964-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Entkolonialisierung</subfield><subfield code="0">(DE-588)4070860-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fischlin, Daniel</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)1062788346</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Porter, Eric</subfield><subfield code="d">1962-</subfield><subfield code="0">(DE-588)1089810741</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4780-0680-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-4780-0814-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478009122</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-PQM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KFL_prod_XwBz_01</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU20</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220823</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032520742</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478009122?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_DukeUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6130870</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-1-PQM</subfield><subfield code="q">BSB_PDA_PQM</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478009122</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047114313 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:09:51Z |
| institution | BVB |
| isbn | 9781478009122 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032520742 |
| oclc_num | 1235890162 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 |
| physical | 1 Online-Ressource (x, 336 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-30-PQE ZDB-1-PQM KFL_prod_XwBz_01 ZDB-23-DKU20 BSB_NED_20220823 ZDB-23-DKU BSB_DKU_DukeUniversityPress ZDB-1-PQM BSB_PDA_PQM ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Improvisation, community, and social practice |
| spelling | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter (editors) Durham ; London Duke University Press 2020 © 2020 1 Online-Ressource (x, 336 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Improvisation, community, and social practice The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Political aspects Improvisation (Music) Social aspects Improvisation (DE-588)4127993-1 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Konfliktvermeidung (DE-588)4164964-3 gnd rswk-swf Improvisation (DE-588)4127993-1 s Konfliktvermeidung (DE-588)4164964-3 s Entkolonialisierung (DE-588)4070860-3 s DE-604 Fischlin, Daniel 1957- (DE-588)1062788346 edt Porter, Eric 1962- (DE-588)1089810741 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0680-0 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0814-9 https://doi.org/10.1515/9781478009122 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Playing for keeps improvisation in the aftermath MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Political aspects Improvisation (Music) Social aspects Improvisation (DE-588)4127993-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd Konfliktvermeidung (DE-588)4164964-3 gnd |
| subject_GND | (DE-588)4127993-1 (DE-588)4070860-3 (DE-588)4164964-3 |
| title | Playing for keeps improvisation in the aftermath |
| title_auth | Playing for keeps improvisation in the aftermath |
| title_exact_search | Playing for keeps improvisation in the aftermath |
| title_full | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter (editors) |
| title_fullStr | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter (editors) |
| title_full_unstemmed | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter (editors) |
| title_short | Playing for keeps |
| title_sort | playing for keeps improvisation in the aftermath |
| title_sub | improvisation in the aftermath |
| topic | MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Political aspects Improvisation (Music) Social aspects Improvisation (DE-588)4127993-1 gnd Entkolonialisierung (DE-588)4070860-3 gnd Konfliktvermeidung (DE-588)4164964-3 gnd |
| topic_facet | MUSIC / Genres & Styles / Jazz Improvisation (Music) Political aspects Improvisation (Music) Social aspects Improvisation Entkolonialisierung Konfliktvermeidung |
| url | https://doi.org/10.1515/9781478009122 |
| work_keys_str_mv | AT fischlindaniel playingforkeepsimprovisationintheaftermath AT portereric playingforkeepsimprovisationintheaftermath |