Availability: The end of diversity in art historical writing

The end of diversity in art historical writing: North Atlantic art history and its alternatives

The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal acc...

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Main Author:	Elkins, James 1955- (Author)
Format:	Electronic eBook
Language:	English
Published:	Berlin ; Boston De Gruyter [2021]
Subjects:	Art history, art theory, globalism, visual art Bildwissenschaft Kunstgeschichte Kunstkritik Kunsttheorie Postkolonialismus Methode Ästhetik Eurozentrismus Kunstgeschichtsschreibung Globalisierung
Links:	https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475 https://doi.org/10.1515/9783110722475
Summary:	The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing
Physical Description:	1 Online-Ressource (221 Seiten) Illustrationen
ISBN:	9783110722475
DOI:	10.1515/9783110722475

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id	DE-604.BV047112184
illustrated	Illustrated
indexdate	2025-02-18T19:09:34Z
institution	BVB
isbn	9783110722475
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032518623
oclc_num	1235888706
open_access_boolean
owner	DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Y3 DE-Y2 DE-20 DE-255 DE-B170 DE-11 DE-Y7 DE-12 DE-19 DE-BY-UBM DE-188
owner_facet	DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Y3 DE-Y2 DE-20 DE-255 DE-B170 DE-11 DE-Y7 DE-12 DE-19 DE-BY-UBM DE-188
physical	1 Online-Ressource (221 Seiten) Illustrationen
psigel	ZDB-23-DGG ZDB-23-DPK KUBA-MPG-DGG ZDB-23-DPK20 KUBA2-EK-ZDB-23-DGG ZDB-23-DPK BSB_DPK_DeGruyter ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG_2020 ZDB-23-DGG KHI ZDB-23-DGG BZI ZDB-23-DGG DFK ZDB-23-DGG BHR ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UBM_PDA_DGG_Kauf22 ZDB-23-DGG UBW_Einzelkauf ZDB-23-DGG UPA_PDA_DGG
publishDate	2021
publishDateSearch	2021
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publisher	De Gruyter
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spelling	Elkins, James 1955- Verfasser (DE-588)128713097 aut The end of diversity in art historical writing North Atlantic art history and its alternatives James Elkins Berlin ; Boston De Gruyter [2021] © 2021 1 Online-Ressource (221 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing Art history, art theory, globalism, visual art Bildwissenschaft Kunstgeschichte Kunstkritik Kunsttheorie Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Bildwissenschaft (DE-588)4783825-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Eurozentrismus (DE-588)4200132-8 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 s Bildwissenschaft (DE-588)4783825-5 s Ästhetik (DE-588)4000626-8 s Kunstkritik (DE-588)4033659-1 s Methode (DE-588)4038971-6 s Globalisierung (DE-588)4557997-0 s DE-604 Eurozentrismus (DE-588)4200132-8 s Postkolonialismus (DE-588)4566658-1 s Erscheint auch als Druck-Ausgabe 978-3-11-068110-9 https://doi.org/10.1515/9783110722475 Verlag URL des Erstveröffentlichers Volltext
spellingShingle	Elkins, James 1955- The end of diversity in art historical writing North Atlantic art history and its alternatives Art history, art theory, globalism, visual art Bildwissenschaft Kunstgeschichte Kunstkritik Kunsttheorie Postkolonialismus (DE-588)4566658-1 gnd Methode (DE-588)4038971-6 gnd Kunstkritik (DE-588)4033659-1 gnd Bildwissenschaft (DE-588)4783825-5 gnd Ästhetik (DE-588)4000626-8 gnd Eurozentrismus (DE-588)4200132-8 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Globalisierung (DE-588)4557997-0 gnd
subject_GND	(DE-588)4566658-1 (DE-588)4038971-6 (DE-588)4033659-1 (DE-588)4783825-5 (DE-588)4000626-8 (DE-588)4200132-8 (DE-588)4033643-8 (DE-588)4557997-0
title	The end of diversity in art historical writing North Atlantic art history and its alternatives
title_auth	The end of diversity in art historical writing North Atlantic art history and its alternatives
title_exact_search	The end of diversity in art historical writing North Atlantic art history and its alternatives
title_full	The end of diversity in art historical writing North Atlantic art history and its alternatives James Elkins
title_fullStr	The end of diversity in art historical writing North Atlantic art history and its alternatives James Elkins
title_full_unstemmed	The end of diversity in art historical writing North Atlantic art history and its alternatives James Elkins
title_short	The end of diversity in art historical writing
title_sort	the end of diversity in art historical writing north atlantic art history and its alternatives
title_sub	North Atlantic art history and its alternatives
topic	Art history, art theory, globalism, visual art Bildwissenschaft Kunstgeschichte Kunstkritik Kunsttheorie Postkolonialismus (DE-588)4566658-1 gnd Methode (DE-588)4038971-6 gnd Kunstkritik (DE-588)4033659-1 gnd Bildwissenschaft (DE-588)4783825-5 gnd Ästhetik (DE-588)4000626-8 gnd Eurozentrismus (DE-588)4200132-8 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Globalisierung (DE-588)4557997-0 gnd
topic_facet	Art history, art theory, globalism, visual art Bildwissenschaft Kunstgeschichte Kunstkritik Kunsttheorie Postkolonialismus Methode Ästhetik Eurozentrismus Kunstgeschichtsschreibung Globalisierung
url	https://doi.org/10.1515/9783110722475
work_keys_str_mv	AT elkinsjames theendofdiversityinarthistoricalwritingnorthatlanticarthistoryanditsalternatives

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