Quasi vivo: Lebendigkeit in der italienischen Kunst der Frühen Neuzeit
"Liveliness" is the dominant topos in the art and discourse on art of the early modern era. It is characterized by a paradox, since the works only seem to live. But what is also reflected in the fascination with almost living works at the same time is the impossibility of drawing rigid lin...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Deutsch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2021]
|
| Schriftenreihe: | Naturbilder
Band 5 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 https://doi.org/10.1515/9783110622164 |
| Zusammenfassung: | "Liveliness" is the dominant topos in the art and discourse on art of the early modern era. It is characterized by a paradox, since the works only seem to live. But what is also reflected in the fascination with almost living works at the same time is the impossibility of drawing rigid lines of demarcation between the living and the dead. Here, art explores what also occupied natural philosophy at the time in an experimental way. The book examines the transitions between living and dead in case studies, for instance, based on early tombs, anatomical renderings, and sculptural monochromy as well as on the history of coloring, Vasari's teleology, Michelangelo's non-finito, and Titian's portraits. What come into play are eroticism, monetary theory, the luster of eyes, and still-lifes, and also visual poetry, princely triumphal processions, and light and sculpture in the Baroque "Lebendigkeit" ist der dominante Topos in Kunst und Kunstdiskurs der Frühen Neuzeit. Er ist durch ein Paradox gekennzeichnet, denn die Werke leben nur scheinbar. In der Faszinationskraft beinah lebendiger Werke spiegelt sich aber die Unmöglichkeit, starre Grenzlinien zwischen tot und lebendig zu ziehen. Die Kunst erkundet hier experimentell, was auch die zeitgenössische Naturphilosophie beschäftigt. Das Buch untersucht die Übergänge zwischen lebendig und tot in Fallstudien, etwa zu frühen Grabmälern, anatomischen Darstellungen und skulpturaler Monochromie; zur Koloritgeschichte, Vasaris Teleologie, Michelangelos non-finito und Tizians Porträts. Es geht um Erotik, Geldtheorie, Augenglanz und Stilleben, um Bildgedichte, fürstliche Triumpheinzüge und Licht und Skulptur im Barock |
| Umfang: | 1 Online-Ressource (IX, 588 Seiten) Illustrationen |
| ISBN: | 9783110622164 |
| DOI: | 10.1515/9783110622164 |
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| 520 | |a "Lebendigkeit" ist der dominante Topos in Kunst und Kunstdiskurs der Frühen Neuzeit. Er ist durch ein Paradox gekennzeichnet, denn die Werke leben nur scheinbar. In der Faszinationskraft beinah lebendiger Werke spiegelt sich aber die Unmöglichkeit, starre Grenzlinien zwischen tot und lebendig zu ziehen. Die Kunst erkundet hier experimentell, was auch die zeitgenössische Naturphilosophie beschäftigt. Das Buch untersucht die Übergänge zwischen lebendig und tot in Fallstudien, etwa zu frühen Grabmälern, anatomischen Darstellungen und skulpturaler Monochromie; zur Koloritgeschichte, Vasaris Teleologie, Michelangelos non-finito und Tizians Porträts. Es geht um Erotik, Geldtheorie, Augenglanz und Stilleben, um Bildgedichte, fürstliche Triumpheinzüge und Licht und Skulptur im Barock | ||
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Datensatz im Suchindex
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| author | Fehrenbach, Frank 1963- |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9783110622164 |
| era | Geschichte 1580-1700 gnd Geschichte 1500-1600 gnd Geschichte 1200-1500 gnd Geschichte 1200-1700 gnd Geschichte 1345 gnd |
| era_facet | Geschichte 1580-1700 Geschichte 1500-1600 Geschichte 1200-1500 Geschichte 1200-1700 Geschichte 1345 |
| format | Electronic eBook |
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Er ist durch ein Paradox gekennzeichnet, denn die Werke leben nur scheinbar. In der Faszinationskraft beinah lebendiger Werke spiegelt sich aber die Unmöglichkeit, starre Grenzlinien zwischen tot und lebendig zu ziehen. Die Kunst erkundet hier experimentell, was auch die zeitgenössische Naturphilosophie beschäftigt. Das Buch untersucht die Übergänge zwischen lebendig und tot in Fallstudien, etwa zu frühen Grabmälern, anatomischen Darstellungen und skulpturaler Monochromie; zur Koloritgeschichte, Vasaris Teleologie, Michelangelos non-finito und Tizians Porträts. 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code="a">Vasari, Giorgio</subfield><subfield code="d">1511-1574</subfield><subfield code="0">(DE-588)118626213</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Marino, Giambattista</subfield><subfield code="d">1569-1625</subfield><subfield code="t">La galeria</subfield><subfield code="0">(DE-588)4336468-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Leonardo</subfield><subfield code="c">da Vinci</subfield><subfield code="d">1452-1519</subfield><subfield code="0">(DE-588)118640445</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bernini, Gian Lorenzo</subfield><subfield code="d">1598-1680</subfield><subfield code="0">(DE-588)118509926</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Guido</subfield><subfield code="c">de Vigevano</subfield><subfield code="d">1280-1350</subfield><subfield code="0">(DE-588)119190559</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Strada, Jacobus</subfield><subfield code="d">1507-1588</subfield><subfield code="0">(DE-588)118834320</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Vecellio, Tiziano</subfield><subfield code="d">1490-1576</subfield><subfield code="0">(DE-588)118622994</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1580-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1200-1500</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1200-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1345</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Renaissance</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Traktat</subfield><subfield code="0">(DE-588)4203481-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erotische Kunst</subfield><subfield code="0">(DE-588)4152857-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Anatomie</subfield><subfield code="0">(DE-588)4001895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Grabmal</subfield><subfield code="0">(DE-588)4021732-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Blume</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4112794-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1200-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Grabmal</subfield><subfield code="0">(DE-588)4021732-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Geschichte 1200-1500</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Blume</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4112794-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Geschichte 1580-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Erotische Kunst</subfield><subfield code="0">(DE-588)4152857-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="4"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Guido</subfield><subfield code="c">de Vigevano</subfield><subfield code="d">1280-1350</subfield><subfield code="0">(DE-588)119190559</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Traktat</subfield><subfield code="0">(DE-588)4203481-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Anatomie</subfield><subfield code="0">(DE-588)4001895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Geschichte 1345</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Michelangelo</subfield><subfield code="c">Buonarroti</subfield><subfield code="d">1475-1564</subfield><subfield code="0">(DE-588)118582143</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Leonardo</subfield><subfield code="c">da Vinci</subfield><subfield code="d">1452-1519</subfield><subfield code="0">(DE-588)118640445</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">Bernini, Gian Lorenzo</subfield><subfield code="d">1598-1680</subfield><subfield code="0">(DE-588)118509926</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="5" ind2="3"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="6" ind2="0"><subfield code="a">Vasari, Giorgio</subfield><subfield code="d">1511-1574</subfield><subfield code="0">(DE-588)118626213</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="6" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="2"><subfield code="a">Vivacità</subfield><subfield code="g">Kunst</subfield><subfield code="0">(DE-588)1151920975</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="7" ind2="0"><subfield code="a">Tintoretto</subfield><subfield code="d">1518-1594</subfield><subfield code="0">(DE-588)118622854</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="7" ind2="1"><subfield code="a">Strada, Octavius de</subfield><subfield code="d">1550-1612</subfield><subfield code="0">(DE-588)121786595</subfield><subfield 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| geographic | Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV047112106 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:09:34Z |
| institution | BVB |
| isbn | 9783110622164 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032518545 |
| oclc_num | 1235890082 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-11 DE-824 DE-12 DE-19 DE-BY-UBM DE-188 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-11 DE-824 DE-12 DE-19 DE-BY-UBM DE-188 |
| physical | 1 Online-Ressource (IX, 588 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK20 ZDB-23-DPK BSB_DPK_DeGruyter ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG_2020 ZDB-23-DGG UBG_PDA_DGG_Kauf21 ZDB-23-DGG UBM_PDA_DGG_Kauf22 ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | De Gruyter |
| record_format | marc |
| series | Naturbilder |
| series2 | Naturbilder |
| spelling | Fehrenbach, Frank 1963- Verfasser (DE-588)12424601X aut Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit Frank Fehrenbach Berlin ; Boston De Gruyter [2021] © 2021 1 Online-Ressource (IX, 588 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Naturbilder Band 5 "Liveliness" is the dominant topos in the art and discourse on art of the early modern era. It is characterized by a paradox, since the works only seem to live. But what is also reflected in the fascination with almost living works at the same time is the impossibility of drawing rigid lines of demarcation between the living and the dead. Here, art explores what also occupied natural philosophy at the time in an experimental way. The book examines the transitions between living and dead in case studies, for instance, based on early tombs, anatomical renderings, and sculptural monochromy as well as on the history of coloring, Vasari's teleology, Michelangelo's non-finito, and Titian's portraits. What come into play are eroticism, monetary theory, the luster of eyes, and still-lifes, and also visual poetry, princely triumphal processions, and light and sculpture in the Baroque "Lebendigkeit" ist der dominante Topos in Kunst und Kunstdiskurs der Frühen Neuzeit. Er ist durch ein Paradox gekennzeichnet, denn die Werke leben nur scheinbar. In der Faszinationskraft beinah lebendiger Werke spiegelt sich aber die Unmöglichkeit, starre Grenzlinien zwischen tot und lebendig zu ziehen. Die Kunst erkundet hier experimentell, was auch die zeitgenössische Naturphilosophie beschäftigt. Das Buch untersucht die Übergänge zwischen lebendig und tot in Fallstudien, etwa zu frühen Grabmälern, anatomischen Darstellungen und skulpturaler Monochromie; zur Koloritgeschichte, Vasaris Teleologie, Michelangelos non-finito und Tizians Porträts. Es geht um Erotik, Geldtheorie, Augenglanz und Stilleben, um Bildgedichte, fürstliche Triumpheinzüge und Licht und Skulptur im Barock Strada, Octavius de 1550-1612 (DE-588)121786595 gnd rswk-swf Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd rswk-swf Tintoretto 1518-1594 (DE-588)118622854 gnd rswk-swf Vasari, Giorgio 1511-1574 (DE-588)118626213 gnd rswk-swf Marino, Giambattista 1569-1625 La galeria (DE-588)4336468-8 gnd rswk-swf Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd rswk-swf Bernini, Gian Lorenzo 1598-1680 (DE-588)118509926 gnd rswk-swf Guido de Vigevano 1280-1350 (DE-588)119190559 gnd rswk-swf Strada, Jacobus 1507-1588 (DE-588)118834320 gnd rswk-swf Vecellio, Tiziano 1490-1576 (DE-588)118622994 gnd rswk-swf Geschichte 1580-1700 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf Geschichte 1200-1500 gnd rswk-swf Geschichte 1200-1700 gnd rswk-swf Geschichte 1345 gnd rswk-swf ART / History / Renaissance bisacsh Traktat (DE-588)4203481-4 gnd rswk-swf Erotische Kunst (DE-588)4152857-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Anatomie (DE-588)4001895-7 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Vivacità Kunst (DE-588)1151920975 gnd rswk-swf Grabmal (DE-588)4021732-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Blume Motiv (DE-588)4112794-8 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Vivacità Kunst (DE-588)1151920975 s Geschichte 1200-1700 z DE-604 Grabmal (DE-588)4021732-2 s Plastik (DE-588)4046277-8 s Geschichte 1200-1500 z Malerei (DE-588)4037220-0 s Blume Motiv (DE-588)4112794-8 s Geschichte 1580-1700 z Erotische Kunst (DE-588)4152857-8 s Geschichte 1500-1600 z Guido de Vigevano 1280-1350 (DE-588)119190559 p Traktat (DE-588)4203481-4 s Anatomie (DE-588)4001895-7 s Geschichte 1345 z Michelangelo Buonarroti 1475-1564 (DE-588)118582143 p Leonardo da Vinci 1452-1519 (DE-588)118640445 p Bernini, Gian Lorenzo 1598-1680 (DE-588)118509926 p Vasari, Giorgio 1511-1574 (DE-588)118626213 p Tintoretto 1518-1594 (DE-588)118622854 p Strada, Octavius de 1550-1612 (DE-588)121786595 p Bildnis (DE-588)4006627-7 s Vecellio, Tiziano 1490-1576 (DE-588)118622994 p Strada, Jacobus 1507-1588 (DE-588)118834320 p Marino, Giambattista 1569-1625 La galeria (DE-588)4336468-8 u Erscheint auch als Druck-Ausgabe, Hardcover 978-3-11-037443-8 Naturbilder Band 5 (DE-604)BV046184216 5 https://doi.org/10.1515/9783110622164 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fehrenbach, Frank 1963- Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit Naturbilder Strada, Octavius de 1550-1612 (DE-588)121786595 gnd Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Vasari, Giorgio 1511-1574 (DE-588)118626213 gnd Marino, Giambattista 1569-1625 La galeria (DE-588)4336468-8 gnd Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Bernini, Gian Lorenzo 1598-1680 (DE-588)118509926 gnd Guido de Vigevano 1280-1350 (DE-588)119190559 gnd Strada, Jacobus 1507-1588 (DE-588)118834320 gnd Vecellio, Tiziano 1490-1576 (DE-588)118622994 gnd ART / History / Renaissance bisacsh Traktat (DE-588)4203481-4 gnd Erotische Kunst (DE-588)4152857-8 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Anatomie (DE-588)4001895-7 gnd Bildnis (DE-588)4006627-7 gnd Ästhetik (DE-588)4000626-8 gnd Vivacità Kunst (DE-588)1151920975 gnd Grabmal (DE-588)4021732-2 gnd Malerei (DE-588)4037220-0 gnd Blume Motiv (DE-588)4112794-8 gnd |
| subject_GND | (DE-588)121786595 (DE-588)118582143 (DE-588)118622854 (DE-588)118626213 (DE-588)4336468-8 (DE-588)118640445 (DE-588)118509926 (DE-588)119190559 (DE-588)118834320 (DE-588)118622994 (DE-588)4203481-4 (DE-588)4152857-8 (DE-588)4114333-4 (DE-588)4046277-8 (DE-588)4001895-7 (DE-588)4006627-7 (DE-588)4000626-8 (DE-588)1151920975 (DE-588)4021732-2 (DE-588)4037220-0 (DE-588)4112794-8 (DE-588)4027833-5 |
| title | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit |
| title_auth | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit |
| title_exact_search | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit |
| title_full | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit Frank Fehrenbach |
| title_fullStr | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit Frank Fehrenbach |
| title_full_unstemmed | Quasi vivo Lebendigkeit in der italienischen Kunst der Frühen Neuzeit Frank Fehrenbach |
| title_short | Quasi vivo |
| title_sort | quasi vivo lebendigkeit in der italienischen kunst der fruhen neuzeit |
| title_sub | Lebendigkeit in der italienischen Kunst der Frühen Neuzeit |
| topic | Strada, Octavius de 1550-1612 (DE-588)121786595 gnd Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Tintoretto 1518-1594 (DE-588)118622854 gnd Vasari, Giorgio 1511-1574 (DE-588)118626213 gnd Marino, Giambattista 1569-1625 La galeria (DE-588)4336468-8 gnd Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Bernini, Gian Lorenzo 1598-1680 (DE-588)118509926 gnd Guido de Vigevano 1280-1350 (DE-588)119190559 gnd Strada, Jacobus 1507-1588 (DE-588)118834320 gnd Vecellio, Tiziano 1490-1576 (DE-588)118622994 gnd ART / History / Renaissance bisacsh Traktat (DE-588)4203481-4 gnd Erotische Kunst (DE-588)4152857-8 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Anatomie (DE-588)4001895-7 gnd Bildnis (DE-588)4006627-7 gnd Ästhetik (DE-588)4000626-8 gnd Vivacità Kunst (DE-588)1151920975 gnd Grabmal (DE-588)4021732-2 gnd Malerei (DE-588)4037220-0 gnd Blume Motiv (DE-588)4112794-8 gnd |
| topic_facet | Strada, Octavius de 1550-1612 Michelangelo Buonarroti 1475-1564 Tintoretto 1518-1594 Vasari, Giorgio 1511-1574 Marino, Giambattista 1569-1625 La galeria Leonardo da Vinci 1452-1519 Bernini, Gian Lorenzo 1598-1680 Guido de Vigevano 1280-1350 Strada, Jacobus 1507-1588 Vecellio, Tiziano 1490-1576 ART / History / Renaissance Traktat Erotische Kunst Kunst Plastik Anatomie Bildnis Ästhetik Vivacità Kunst Grabmal Malerei Blume Motiv Italien |
| url | https://doi.org/10.1515/9783110622164 |
| volume_link | (DE-604)BV046184216 |
| work_keys_str_mv | AT fehrenbachfrank quasivivolebendigkeitinderitalienischenkunstderfruhenneuzeit |