Wall paintings and social context: the Northeast Bastion at Ayia Irini
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Philadelphia, Pennsylvania
INSTAP Academic Press
2020
|
| Schriftenreihe: | Keos
11 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032515843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This book presents the results of the study of the wall paintings from the Northeast Bastion at Ayia Irini, situating them within the wider social context of Kea and the Aegean world. Like the spectacularly well-preserved Akrotiri on Thera, with which these paintings are contemporary, Ayia Irini thrived 3,500 years ago. But unlike Akrotiri, Ayia Irini was not protected by a layer of volcanic ash. When the site was excavated in the 1960s-1970s by the University of Cincinnati under the auspices of the American School of Classical Studies at Athens, the paintings had long since collapsed, fracturedinto thousands of small pieces. This study attempts to bring the wall paintings back to life. Within the Northeast Bastion was a miniature frieze and, in the adjacent room, large-scale panels of plants. Human action set within townscapes, landscapes, and the sea presents a vivid account of the social life and environment of the people for whom this harbor town was vital within the trading network of the time. This bookexploresthe social implications of the fascinating and often unique iconographyof the paintingswhose setting within a fortification wall is quite extraordinary. The volume is profusely illustrated with color drawings, visualizations, and photographs"-- |
| Umfang: | xxxii, 533 Seiten, 74 Seiten Farbtafeln Illustrationen, Karten, Pläne |
| ISBN: | 9781931534970 |
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| 520 | 3 | |a "This book presents the results of the study of the wall paintings from the Northeast Bastion at Ayia Irini, situating them within the wider social context of Kea and the Aegean world. Like the spectacularly well-preserved Akrotiri on Thera, with which these paintings are contemporary, Ayia Irini thrived 3,500 years ago. But unlike Akrotiri, Ayia Irini was not protected by a layer of volcanic ash. When the site was excavated in the 1960s-1970s by the University of Cincinnati under the auspices of the American School of Classical Studies at Athens, the paintings had long since collapsed, fracturedinto thousands of small pieces. This study attempts to bring the wall paintings back to life. Within the Northeast Bastion was a miniature frieze and, in the adjacent room, large-scale panels of plants. Human action set within townscapes, landscapes, and the sea presents a vivid account of the social life and environment of the people for whom this harbor town was vital within the trading network of the time. This bookexploresthe social implications of the fascinating and often unique iconographyof the paintingswhose setting within a fortification wall is quite extraordinary. The volume is profusely illustrated with color drawings, visualizations, and photographs"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents List of Tables and Figures in the Text...............................................................................................................xv List of Plates..................................................................................................................................................... xxi Preface............................................................................................................................................................. xxv Acknowledgments..........................................................................................................................................xxxi List of Abbreviations................................................................................................................................... xxxiii Prologue. Perception and Interpretation:The Process........................................................................................ 1 Art in Context, Art as Text....................................................................................................................2 Experiencing Wall Paintings................................................................................................................. 2 Images and Memory.............................................................................................................................. 4 A Personal Journey............................................................................................................................... 6 Visualization: Reconstructing the Fragmentary
..................................................................................9 Part I: The Place Chapter 1. Ayia irini and the Northeast Bastion...............................................................................................17 Kea and the Aegean Islands................................................................................................................. 17 The Fortified Town of Ayia irini and Its Surroundings......................................................................22 The Northeast Bastion.........................................................................................................................28 Contexts and Chronology of theNortheast Bastion Paintings............................................................36
Wall Paintings at Ayia irini........................................................................................................................ 38 Part IIA: Miniature Frieze Chapter 2. Human Figures: Body and Society........................................................................................................ 43 The Gendered Body......................................................................................................................................43 Individuality, Movement, and Gestures.................................................................................................... 46 Dressing the Body....................................................................................................................................... 53 Social Roles of Gender................................................................................................................................ 69 Occupations and Actions............................................................................................................................ 70 Community, Status, and Role..................................................................................................................... 74 Summary......................................................................................................................................................76 Catalog of Human Figures......................................................................................................................... 78 Chapter 3. Vehicles: Ships and
Chariot..................................................................................................................... 91 Ships..............................................................................................................................................................91 Chariot .........................................................................................................................................................99 Summary.................................................................................................................................................. 109 Catalog of Vehicles..................................................................................................................................... 109 Chapter 4. Buildings: Urban Space......................................................................................................................... 113 Comparative Images...................................................................................................................................115 Scale and Spatial Organization.................................................................................................................118 Facades and Walls................................................................................................................................... 120 Doorways and Windows.......................................................................................................................... 124
Rooftops.................................................................................................................................................... 129 Shipsheds?.................................................................................................................................................135 Summary................................................................................................................................................... 137 Catalog of Buildings................................................................................................................................. 138 Chapter 5. Animals: Hunting and Herding......................................................................................................... 149 Deer........................................................................................................................................................... 150 Dogs............................................................................................................................................................ 156 Goats, Sheep, and Unidentified Animals.............................................................................................. 158 Horses.........................................................................................................................................................160 Summary................................................................................................................................................... 164 Catalog of
Animals.................................................................................................................................. 165 Chapter 6. Landscape, Seascape, and The Sky......................................................................................................171 Miniature Landscape and the Ambiguity of Blue.................................................................................171 Plants and the Land...................................................................................................................................172 Rocks and Hills..........................................................................................................................................173 Marsh and Streams....................................................................................................................................177 River, Reeds, and Grasses....................................................................................................................... 179 Sea and Sky.............................................................................................................................................. 182
Summary and Conclusions..................................................................................................................... 185 Catalog of Landscape............................................................................................................................... 186 Chapter 7. Visualizing the Past: The Composition of the Miniature Frieze.......................................................225 Figure 7.1: Town by a River...................................................................................................................... 226 Figure 7.2: Buildings..................................................................................................................................227 Figure 7.3: Women and Buildings........................................................................................................... 228 Figure 7.4: Thistles and Descending Rocks............................................................................................232 Figure 7.5: Building and Plants............................................................................................................... 232 Figure 7.6: Horse and Building............................................................................................................... 233 Figure 7.7: Herder with Goat....................................................................................................................235 Figure 7.8: Cauldrons and Ships Scene...................................................................................................236 Figure
7.9: Paddlers...................................................................................................................................241 Figure 7.10: Chariot...................................................................................................................................241 Figure 7.11: Procession of Men.................................................................................................................242 Figure 7.12: Men by River......................................................................................................................... 243 Figure 7.13: Men by Rocks or Sea............................................................................................................ 245 Figure 7.14: Men by Rocks........................................................................................................................246 Figure 7.15: Fragments of Men.................................................................................................................246 Figure 7.16: Hunter with Prey.................................................................................................................. 248 Figure 7.17: Deer and Dogs...................................................................................................................... 248 Figure 7.18: Sea and Rocks with Men, or Sky and Descending Rocks............................................... 250 Figures 7.19-7.24: Marsh Landscape with River and Sea.................................................................... 253 Figure 7.25: Rocky
Landscape.................................................................................................................. 262 Figure 7.26: Cauldrons and Ships Scene with Rocky Landscape......................................................... 264 Figures 7.27 and 7.28: A View of the Room with the Miniature Frieze.............................................. 265 Conclusions: Structure and Meanings.................................................................................................... 270 Part IIB: Plant Panels Chapter 8. Plant Panels........................................................................................................................................... 275 The Plant Panels in Their Architectural Setting................................................................................... 275 Bramble and Myrtle.................................................................................................................................. 277 Grasses, Reeds, and Leaves...................................................................................................................... 289 Visualizing Room N.18............................................................................................................................ 299 Summary and Conclusions...................................................................................................................... 302 Catalog of Plant Panels............................................................................................................................ 303 Part III:
Technique and Color Chapter 9. Materials, Techniques, and Pigments..................................................................................................329 Plaster and the Surface of the Wall.......................................................................................................... 329 Paint to Plaster: Fresco versus Secco......................................................................................................... 331 Pigments Used in the Paintings............................................................................................................ 335
Pigments Found on the Site................................................................................................................340 Summary............................................................................................................................................343 Chapter 10. Color and Artistic Performance: The Process of Painting........................................................... 345 Color.................................................................................................................................................. 345 Planning the Scenes............................................................................................................................ 347 Applying the Paints............................................................................................................................ 349 Choosing and Using the Colors..........................................................................................................353 Summary......................................................................................................................................... 356 Part IV: Paintings as Cultural Signifiers Chapter 11. Intercultural Connections: The Aegean World.............................................................................359 Miniature Paintings and Architectural Space................................................................................... 360 Craft and Visual
Planning..................................................................................................................370 Iconography........................................................................................................................................372 Cultural Interrelationships............................................................................................................... 376 The Social Role of Miniature Wall Paintings..................................................................................... 379 Artists and Patrons.......................................................................................................................... 381 The Power of Paint: Community and Trade......................................................................................386 Summary............................................................................................................................................388 Chapter 12. Feasts, Festivals, and Social Context............................................................................................ 389 Feasting and Social Dynamics in the Ancient World....................................................................... 389 Iconography of Feasts, Festivals, and Gift Exchange....................................................................... 391 Feasting and Social Context at Ayia irini: The Iconographie Program............................................. 395 Inside and Outside the Northeast
Bastion........................................................................................ 399 Drink, Food, and Vessels...................................................................................................................403 Participants: Hosts and Guests......................................................................................................... 406 Summary........................................................................................................................................... 408 Epilogue. Wall Paintings and Memory............................................................................................................ 409 Festivals and Ritualized Action......................................................................................................... 409 Pageantry and Paintings................................................................................................................... 410 Landscape and Memory.................................................................................................................... 411 Concluding Thoughts........................................................................................................................ 412 Appendices and Concordances Appendix A. Miscellaneous Fragments and Border Bands........................................................................... 417 Appendix B. Scientific Analysis of Painted Plasters from Ayia irini............................................................. 423 Background to the Sampling, by Lyvia Morgan and Ellen
Davisf.................................................... 423 Analytical Data and Results, by Vassilis Perdikatsis..........................................................................424 Concordance A. Fragments of the Miniature Frieze by Context................................................................... 427
Concordance В. Fragments of the Miniature Frieze by Catalog Number. 451 Concordance C. Past and Present Catalog Numbers...........................................................................................469 References................................................................................................................................................................. 475 Index......................................................................................................................................................................... 515 Plates ƒ
|
| any_adam_object | 1 |
| author | Morgan, Lyvia |
| author_GND | (DE-588)1225840295 |
| author_facet | Morgan, Lyvia |
| author_role | aut |
| author_sort | Morgan, Lyvia |
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| building | Verbundindex |
| bvnumber | BV047109364 |
| classification_rvk | LF 2403 |
| ctrlnum | (OCoLC)1195049517 (DE-599)OBVAC15084462 |
| discipline | Klassische Archäologie |
| format | Book |
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| geographic | Agia Irini (DE-588)4086163-6 gnd |
| geographic_facet | Agia Irini |
| id | DE-604.BV047109364 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:09:56Z |
| institution | BVB |
| isbn | 9781931534970 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032515843 |
| oclc_num | 1195049517 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-12 DE-188 DE-355 DE-BY-UBR DE-11 |
| physical | xxxii, 533 Seiten, 74 Seiten Farbtafeln Illustrationen, Karten, Pläne |
| psigel | BSB_NED_20210616 gbd_4_2107 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | INSTAP Academic Press |
| record_format | marc |
| series | Keos |
| series2 | Keos |
| spellingShingle | Morgan, Lyvia Wall paintings and social context the Northeast Bastion at Ayia Irini Keos Wandmalerei (DE-588)4064542-3 gnd Minoische Kultur (DE-588)4074845-5 gnd |
| subject_GND | (DE-588)4064542-3 (DE-588)4074845-5 (DE-588)4086163-6 |
| title | Wall paintings and social context the Northeast Bastion at Ayia Irini |
| title_alt | Keos XI Keos 11 |
| title_auth | Wall paintings and social context the Northeast Bastion at Ayia Irini |
| title_exact_search | Wall paintings and social context the Northeast Bastion at Ayia Irini |
| title_full | Wall paintings and social context the Northeast Bastion at Ayia Irini by Lyvia Morgan |
| title_fullStr | Wall paintings and social context the Northeast Bastion at Ayia Irini by Lyvia Morgan |
| title_full_unstemmed | Wall paintings and social context the Northeast Bastion at Ayia Irini by Lyvia Morgan |
| title_short | Wall paintings and social context |
| title_sort | wall paintings and social context the northeast bastion at ayia irini |
| title_sub | the Northeast Bastion at Ayia Irini |
| topic | Wandmalerei (DE-588)4064542-3 gnd Minoische Kultur (DE-588)4074845-5 gnd |
| topic_facet | Wandmalerei Minoische Kultur Agia Irini |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032515843&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000015810 |
| work_keys_str_mv | AT morganlyvia wallpaintingsandsocialcontextthenortheastbastionatayiairini AT morganlyvia keosxi AT morganlyvia keos11 |