In the house of the muses: collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93)
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Turnhout
Harvey Miller Publishers
[2020]
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Schriftenreihe: | In the shadow of the lion of St. Mark
[3] |
Schlagwörter: | |
Abstract: | This book reconstructs a cross-section of the activities that took place in the rooms of the Veronese palace of Mario Bevilacqua, with the aim of shedding light on the life, relationships and aspirations of a preeminent figure in the world of collecting and Italian artistic patronage in the final quarter of the sixteenth century. Mario Bevilacqua was one of the greatest collectors of the second half of the sixteenth century in the territories of the Republic of Venice. He was a true lover of literature and the arts, expressing a deep appreciation for music and an instinctive attraction to antiquities. In the family palace on today's Corso Cavour in Verona renovated in the mid-sixteenth century by the architect Michele Sanmicheli, Bevilacqua set up what early sources describe as a "museum" open to the public. Here it was possible to admire paintings, sculptures, drawings and prints, coins and medals, manuscripts, printed books and musical instruments - all objects collected over the course of approximately twenty-five years, to which Mario dedicated much of his time and resources. The library, also referred to as "studio", was considered one of the richest in the city, while the "galleria" contained masterpieces such as Tintoretto's Paradise now at the Louvre, as well as antique statues and busts of Roman emperors. The famous "ridotto", in which salaried musicians and singers performed regularly, was frequented by citizens and foreigners and enjoyed international renown |
Beschreibung: | Zählung innerhalb der Reihe auf Webseite des Verlags ermittelt |
Umfang: | XXI, 295 Seiten Illustrationen, Karten, Notenbeispiele, Pläne |
ISBN: | 9781912554447 1912554445 |
Internformat
MARC
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245 | 1 | 0 | |a In the house of the muses |b collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) |c Laura Moretti |
264 | 1 | |a Turnhout |b Harvey Miller Publishers |c [2020] | |
300 | |a XXI, 295 Seiten |b Illustrationen, Karten, Notenbeispiele, Pläne | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a In the shadow of the lion of St. Mark |v [3] | |
500 | |a Zählung innerhalb der Reihe auf Webseite des Verlags ermittelt | ||
520 | 3 | |a This book reconstructs a cross-section of the activities that took place in the rooms of the Veronese palace of Mario Bevilacqua, with the aim of shedding light on the life, relationships and aspirations of a preeminent figure in the world of collecting and Italian artistic patronage in the final quarter of the sixteenth century. Mario Bevilacqua was one of the greatest collectors of the second half of the sixteenth century in the territories of the Republic of Venice. He was a true lover of literature and the arts, expressing a deep appreciation for music and an instinctive attraction to antiquities. In the family palace on today's Corso Cavour in Verona renovated in the mid-sixteenth century by the architect Michele Sanmicheli, Bevilacqua set up what early sources describe as a "museum" open to the public. Here it was possible to admire paintings, sculptures, drawings and prints, coins and medals, manuscripts, printed books and musical instruments - all objects collected over the course of approximately twenty-five years, to which Mario dedicated much of his time and resources. The library, also referred to as "studio", was considered one of the richest in the city, while the "galleria" contained masterpieces such as Tintoretto's Paradise now at the Louvre, as well as antique statues and busts of Roman emperors. The famous "ridotto", in which salaried musicians and singers performed regularly, was frequented by citizens and foreigners and enjoyed international renown | |
651 | 7 | |a Palazzo Bevilacqua |g Verona |0 (DE-588)4712862-8 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Palazzo Bevilacqua |g Verona |0 (DE-588)4712862-8 |D g |
689 | 0 | |5 DE-604 | |
830 | 0 | |a In the shadow of the lion of St. Mark |v [3] |w (DE-604)BV046433155 |9 3 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032482981 |
Datensatz im Suchindex
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any_adam_object | |
author | Moretti, Laura 1969- |
author_GND | (DE-588)1064996205 |
author_facet | Moretti, Laura 1969- |
author_role | aut |
author_sort | Moretti, Laura 1969- |
author_variant | l m lm |
building | Verbundindex |
bvnumber | BV047076023 |
classification_rvk | LN 76714 |
ctrlnum | (OCoLC)1237594151 (DE-599)BVBBV047076023 |
discipline | Kunstgeschichte |
format | Book |
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geographic | Palazzo Bevilacqua Verona (DE-588)4712862-8 gnd |
geographic_facet | Palazzo Bevilacqua Verona |
id | DE-604.BV047076023 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:09:03Z |
institution | BVB |
isbn | 9781912554447 1912554445 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032482981 |
oclc_num | 1237594151 |
open_access_boolean | |
owner | DE-Y2 DE-Y3 DE-188 DE-255 DE-20 DE-19 DE-BY-UBM |
owner_facet | DE-Y2 DE-Y3 DE-188 DE-255 DE-20 DE-19 DE-BY-UBM |
physical | XXI, 295 Seiten Illustrationen, Karten, Notenbeispiele, Pläne |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Harvey Miller Publishers |
record_format | marc |
series | In the shadow of the lion of St. Mark |
series2 | In the shadow of the lion of St. Mark |
spelling | Moretti, Laura 1969- Verfasser (DE-588)1064996205 aut In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) Laura Moretti Turnhout Harvey Miller Publishers [2020] XXI, 295 Seiten Illustrationen, Karten, Notenbeispiele, Pläne txt rdacontent sti rdacontent n rdamedia nc rdacarrier In the shadow of the lion of St. Mark [3] Zählung innerhalb der Reihe auf Webseite des Verlags ermittelt This book reconstructs a cross-section of the activities that took place in the rooms of the Veronese palace of Mario Bevilacqua, with the aim of shedding light on the life, relationships and aspirations of a preeminent figure in the world of collecting and Italian artistic patronage in the final quarter of the sixteenth century. Mario Bevilacqua was one of the greatest collectors of the second half of the sixteenth century in the territories of the Republic of Venice. He was a true lover of literature and the arts, expressing a deep appreciation for music and an instinctive attraction to antiquities. In the family palace on today's Corso Cavour in Verona renovated in the mid-sixteenth century by the architect Michele Sanmicheli, Bevilacqua set up what early sources describe as a "museum" open to the public. Here it was possible to admire paintings, sculptures, drawings and prints, coins and medals, manuscripts, printed books and musical instruments - all objects collected over the course of approximately twenty-five years, to which Mario dedicated much of his time and resources. The library, also referred to as "studio", was considered one of the richest in the city, while the "galleria" contained masterpieces such as Tintoretto's Paradise now at the Louvre, as well as antique statues and busts of Roman emperors. The famous "ridotto", in which salaried musicians and singers performed regularly, was frequented by citizens and foreigners and enjoyed international renown Palazzo Bevilacqua Verona (DE-588)4712862-8 gnd rswk-swf Palazzo Bevilacqua Verona (DE-588)4712862-8 g DE-604 In the shadow of the lion of St. Mark [3] (DE-604)BV046433155 3 |
spellingShingle | Moretti, Laura 1969- In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) In the shadow of the lion of St. Mark |
subject_GND | (DE-588)4712862-8 |
title | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) |
title_auth | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) |
title_exact_search | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) |
title_full | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) Laura Moretti |
title_fullStr | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) Laura Moretti |
title_full_unstemmed | In the house of the muses collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) Laura Moretti |
title_short | In the house of the muses |
title_sort | in the house of the muses collection display and performance in the veronese palace of mario bevilacqua 1536 93 |
title_sub | collection, display, and performance in the Veronese Palace of Mario Bevilacqua (1536-93) |
topic_facet | Palazzo Bevilacqua Verona |
volume_link | (DE-604)BV046433155 |
work_keys_str_mv | AT morettilaura inthehouseofthemusescollectiondisplayandperformanceintheveronesepalaceofmariobevilacqua153693 |