Monstrous Intimacies: Making Post-Slavery Subjects
Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those "monstrous intimac...
Gespeichert in:
| Beteilige Person: | |
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| Weitere beteiligte Personen: | , |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
|
| Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 https://doi.org/10.1515/9780822391524 |
| Zusammenfassung: | Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those "monstrous intimacies" and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass's narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams's declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the "generational genital fantasies" depicted in Gayl Jones's novel Corregidora with a firsthand account of such "monstrous intimacies" in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African-born writer Bessie Head's novel Maru-about race, power, and liberation in Botswana-in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the "Hottentot Venus" in the nineteenth century. Reading Isaac Julien's film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker's black silhouettes, and the critiques leveled against both the silhouettes and the artist |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Umfang: | 1 online resource (267 pages) 21 illustrations |
| ISBN: | 9780822391524 |
| DOI: | 10.1515/9780822391524 |
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| 520 | |a Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those "monstrous intimacies" and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass's narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams's declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the "generational genital fantasies" depicted in Gayl Jones's novel Corregidora with a firsthand account of such "monstrous intimacies" in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African-born writer Bessie Head's novel Maru-about race, power, and liberation in Botswana-in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the "Hottentot Venus" in the nineteenth century. Reading Isaac Julien's film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker's black silhouettes, and the critiques leveled against both the silhouettes and the artist | ||
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Datensatz im Suchindex
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| isbn | 9780822391524 |
| language | English |
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| series2 | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe |
| spelling | Sharpe, Christina Elizabeth 1965- Verfasser (DE-588)1125913967 aut Monstrous Intimacies Making Post-Slavery Subjects Christina Sharpe; Judith Halberstam, Lisa Lowe Durham Duke University Press [2010] © 2010 1 online resource (267 pages) 21 illustrations txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those "monstrous intimacies" and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass's narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams's declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the "generational genital fantasies" depicted in Gayl Jones's novel Corregidora with a firsthand account of such "monstrous intimacies" in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African-born writer Bessie Head's novel Maru-about race, power, and liberation in Botswana-in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the "Hottentot Venus" in the nineteenth century. Reading Isaac Julien's film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker's black silhouettes, and the critiques leveled against both the silhouettes and the artist In English LITERARY CRITICISM / Semiotics & Theory bisacsh African Americans in popular culture Women slaves United States Social conditions Halberstam, Judith edt Lowe, Lisa edt https://doi.org/10.1515/9780822391524 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sharpe, Christina Elizabeth 1965- Monstrous Intimacies Making Post-Slavery Subjects LITERARY CRITICISM / Semiotics & Theory bisacsh African Americans in popular culture Women slaves United States Social conditions |
| title | Monstrous Intimacies Making Post-Slavery Subjects |
| title_auth | Monstrous Intimacies Making Post-Slavery Subjects |
| title_exact_search | Monstrous Intimacies Making Post-Slavery Subjects |
| title_full | Monstrous Intimacies Making Post-Slavery Subjects Christina Sharpe; Judith Halberstam, Lisa Lowe |
| title_fullStr | Monstrous Intimacies Making Post-Slavery Subjects Christina Sharpe; Judith Halberstam, Lisa Lowe |
| title_full_unstemmed | Monstrous Intimacies Making Post-Slavery Subjects Christina Sharpe; Judith Halberstam, Lisa Lowe |
| title_short | Monstrous Intimacies |
| title_sort | monstrous intimacies making post slavery subjects |
| title_sub | Making Post-Slavery Subjects |
| topic | LITERARY CRITICISM / Semiotics & Theory bisacsh African Americans in popular culture Women slaves United States Social conditions |
| topic_facet | LITERARY CRITICISM / Semiotics & Theory African Americans in popular culture Women slaves United States Social conditions |
| url | https://doi.org/10.1515/9780822391524 |
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