Inventing Film Studies:
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collecti...
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| Weitere beteiligte Personen: | , , , , , , , , , , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 https://doi.org/10.1515/9780822388678 |
| Zusammenfassung: | Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces-both inside and outside of the university-that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments.Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies.Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan,D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis,Peter Wollen, Michael Zryd |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Umfang: | 1 online resource (480 pages) 31 illustrations, 2 tables |
| ISBN: | 9780822388678 |
| DOI: | 10.1515/9780822388678 |
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| 520 | |a Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces-both inside and outside of the university-that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. | ||
| 520 | |a Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments.Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies.Contributors: Charles R. | ||
| 520 | |a Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan,D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis,Peter Wollen, Michael Zryd | ||
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| 700 | 1 | |a Dana, Polan |4 ctb | |
| 700 | 1 | |a Grieveson, Lee |4 ctb | |
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| 700 | 1 | |a Stephen, Groening |4 ctb | |
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Datensatz im Suchindex
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| author2 | Alison, Trope Amelie, Hastie Charles R., Acland D. N., Rodowick Dana, Polan Grieveson, Lee Grieveson, Lee Haden, Guest Haidee, Wasson Laura, Mulvey Lee, Grieveson Lynne, Joyrich Mark Lynn, Anderson Mark, Betz Patricia, White Peter, Woll En Philip, Rosen Sharon, Willis Stephen, Groening Wasson, Haidee |
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| author_facet | Alison, Trope Amelie, Hastie Charles R., Acland D. N., Rodowick Dana, Polan Grieveson, Lee Grieveson, Lee Haden, Guest Haidee, Wasson Laura, Mulvey Lee, Grieveson Lynne, Joyrich Mark Lynn, Anderson Mark, Betz Patricia, White Peter, Woll En Philip, Rosen Sharon, Willis Stephen, Groening Wasson, Haidee |
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| illustrated | Illustrated |
| indexdate | 2025-02-18T19:09:18Z |
| institution | BVB |
| isbn | 9780822388678 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456094 |
| oclc_num | 1226703639 |
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| physical | 1 online resource (480 pages) 31 illustrations, 2 tables |
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| publishDate | 2008 |
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| publisher | Duke University Press |
| record_format | marc |
| spelling | Inventing Film Studies Haidee Wasson, Lee Grieveson Durham Duke University Press [2008] © 2008 1 online resource (480 pages) 31 illustrations, 2 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces-both inside and outside of the university-that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments.Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies.Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan,D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis,Peter Wollen, Michael Zryd In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Great Britain History Film criticism United States History Motion pictures Study and teaching Great Britain Motion pictures Study and teaching United States Alison, Trope ctb Amelie, Hastie ctb Anderson, Mark Sonstige oth Charles R., Acland ctb D. N., Rodowick ctb Dana, Polan ctb Grieveson, Lee ctb Grieveson, Lee edt Haden, Guest ctb Haidee, Wasson ctb Laura, Mulvey ctb Lee, Grieveson ctb Lynne, Joyrich ctb Mark Lynn, Anderson ctb Mark, Betz ctb Patricia, White ctb Peter, Woll En ctb Philip, Rosen ctb Sharon, Willis ctb Stephen, Groening ctb Wasson, Haidee edt Zoë, DruickXXecontributorXX4ctbXX4https://id.loc.gov/vocabulary/relators/ctb Sonstige oth https://doi.org/10.1515/9780822388678 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Inventing Film Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Great Britain History Film criticism United States History Motion pictures Study and teaching Great Britain Motion pictures Study and teaching United States |
| title | Inventing Film Studies |
| title_auth | Inventing Film Studies |
| title_exact_search | Inventing Film Studies |
| title_full | Inventing Film Studies Haidee Wasson, Lee Grieveson |
| title_fullStr | Inventing Film Studies Haidee Wasson, Lee Grieveson |
| title_full_unstemmed | Inventing Film Studies Haidee Wasson, Lee Grieveson |
| title_short | Inventing Film Studies |
| title_sort | inventing film studies |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Great Britain History Film criticism United States History Motion pictures Study and teaching Great Britain Motion pictures Study and teaching United States |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film criticism Great Britain History Film criticism United States History Motion pictures Study and teaching Great Britain Motion pictures Study and teaching United States |
| url | https://doi.org/10.1515/9780822388678 |
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