Recomposing the past: representations of early music on stage and screen
Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash...
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2018
|
| Schriftenreihe: | Ashgate screen music series
Ashgate screen music series |
| Schlagwörter: | |
| Links: | https://www.taylorfrancis.com/books/9781315268255 |
| Zusammenfassung: | Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English 'dramatick opera'). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: 'Authenticity, Appropriateness, and Recomposing the Past', 'Music, Space, and Place: Geography as History', and 'Presentness and the Past: Dialogues between Old and New'. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts |
| Umfang: | 1 online resource (xiii, 61 pages) |
| ISBN: | 9781351975513 135197551X 9781315268255 1315268256 9781351975520 1351975528 9781351975506 1351975501 |
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| 520 | |a Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English 'dramatick opera'). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: 'Authenticity, Appropriateness, and Recomposing the Past', 'Music, Space, and Place: Geography as History', and 'Presentness and the Past: Dialogues between Old and New'. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts | ||
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Datensatz im Suchindex
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|---|---|
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| author2 | Cook, James Kolassa, Alexander Whittaker, Adam |
| author2_role | edt edt edt |
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| dewey-full | 781.5/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/4 |
| dewey-search | 781.5/4 |
| dewey-sort | 3781.5 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047012540 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:07:16Z |
| institution | BVB |
| isbn | 9781351975513 135197551X 9781315268255 1315268256 9781351975520 1351975528 9781351975506 1351975501 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032420076 |
| open_access_boolean | |
| physical | 1 online resource (xiii, 61 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge |
| record_format | marc |
| series2 | Ashgate screen music series |
| spelling | Recomposing the past representations of early music on stage and screen edited by James Cook, Alexander Kolassa and Adam Whittaker Abingdon, Oxon Routledge 2018 © 2018 1 online resource (xiii, 61 pages) txt rdacontent c rdamedia cr rdacarrier Ashgate screen music series Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English 'dramatick opera'). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: 'Authenticity, Appropriateness, and Recomposing the Past', 'Music, Space, and Place: Geography as History', and 'Presentness and the Past: Dialogues between Old and New'. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts Motion picture music / History and criticism History in motion pictures Cook, James edt Kolassa, Alexander edt Whittaker, Adam edt https://www.taylorfrancis.com/books/9781315268255 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Recomposing the past representations of early music on stage and screen Motion picture music / History and criticism History in motion pictures |
| title | Recomposing the past representations of early music on stage and screen |
| title_auth | Recomposing the past representations of early music on stage and screen |
| title_exact_search | Recomposing the past representations of early music on stage and screen |
| title_full | Recomposing the past representations of early music on stage and screen edited by James Cook, Alexander Kolassa and Adam Whittaker |
| title_fullStr | Recomposing the past representations of early music on stage and screen edited by James Cook, Alexander Kolassa and Adam Whittaker |
| title_full_unstemmed | Recomposing the past representations of early music on stage and screen edited by James Cook, Alexander Kolassa and Adam Whittaker |
| title_short | Recomposing the past |
| title_sort | recomposing the past representations of early music on stage and screen |
| title_sub | representations of early music on stage and screen |
| topic | Motion picture music / History and criticism History in motion pictures |
| topic_facet | Motion picture music / History and criticism History in motion pictures |
| url | https://www.taylorfrancis.com/books/9781315268255 |
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