Edward Albee's Who's afraid of Virginia Woolf?:
Edward Albee's Who's Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many...
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Abingdon, Oxon
Routledge
2018
|
Schriftenreihe: | The fourth wall
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Schlagwörter: | |
Links: | https://www.taylorfrancis.com/books/9781315104904 |
Zusammenfassung: | Edward Albee's Who's Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object--the nonexistent "son"--That upends the audience's sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new."As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O'Neill, Wilder, Miller, Williams, and Albee |
Umfang: | 1 online resource |
ISBN: | 9781315104904 1315104903 9781351599528 1351599526 9781351599535 1351599534 9781351599511 1351599518 |
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520 | |a Edward Albee's Who's Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object--the nonexistent "son"--That upends the audience's sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new."As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O'Neill, Wilder, Miller, Williams, and Albee | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Bennett, Michael Y. 1980- |
author_facet | Bennett, Michael Y. 1980- |
author_role | aut |
author_sort | Bennett, Michael Y. 1980- |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812/.54 |
dewey-search | 812/.54 |
dewey-sort | 3812 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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indexdate | 2024-12-20T19:07:13Z |
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isbn | 9781315104904 1315104903 9781351599528 1351599526 9781351599535 1351599534 9781351599511 1351599518 |
language | English |
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series2 | The fourth wall |
spelling | Bennett, Michael Y. 1980- Verfasser aut Edward Albee's Who's afraid of Virginia Woolf? Michael Y. Bennett Abingdon, Oxon Routledge 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier The fourth wall Edward Albee's Who's Afraid of Virginia Woolf? shocked audiences and critics alike with its assault on decorum. At base though, the play is simply a love story: an examination of a long-wedded life, filled with the hopes, dreams, disappointments, and pain that accompany the passing of many years together. While the ethos of the play is tragicomic, it is the anachronistic, melodramatic secret object--the nonexistent "son"--That upends the audience's sense of theatrical normalcy. The mean and vulgar bile spewed among the characters hides these elements, making it feel like something entirely "new."As Michael Y. Bennett reveals, the play is the same emperor, just wearing new clothes. In short, it is straight out of the grand tradition of living room drama: Ibsen, Chekhov, Glaspell, Hellmann, O'Neill, Wilder, Miller, Williams, and Albee Albee, Edward / 1928-2016 / Who's afraid of Virginia Woolf? Married people in literature https://www.taylorfrancis.com/books/9781315104904 Verlag URL des Erstveroeffentlichers Volltext |
spellingShingle | Bennett, Michael Y. 1980- Edward Albee's Who's afraid of Virginia Woolf? Albee, Edward / 1928-2016 / Who's afraid of Virginia Woolf? Married people in literature |
title | Edward Albee's Who's afraid of Virginia Woolf? |
title_auth | Edward Albee's Who's afraid of Virginia Woolf? |
title_exact_search | Edward Albee's Who's afraid of Virginia Woolf? |
title_full | Edward Albee's Who's afraid of Virginia Woolf? Michael Y. Bennett |
title_fullStr | Edward Albee's Who's afraid of Virginia Woolf? Michael Y. Bennett |
title_full_unstemmed | Edward Albee's Who's afraid of Virginia Woolf? Michael Y. Bennett |
title_short | Edward Albee's Who's afraid of Virginia Woolf? |
title_sort | edward albee s who s afraid of virginia woolf |
topic | Albee, Edward / 1928-2016 / Who's afraid of Virginia Woolf? Married people in literature |
topic_facet | Albee, Edward / 1928-2016 / Who's afraid of Virginia Woolf? Married people in literature |
url | https://www.taylorfrancis.com/books/9781315104904 |
work_keys_str_mv | AT bennettmichaely edwardalbeeswhosafraidofvirginiawoolf |