(toward) a phenomenology of acting:
"In (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a 'question' to be explored in the studio, and then reflected upon. This book is a vital response to Jerzy Grotowski's essential question: "How does the actor 'touch that which is untouchable?&...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Milton Park, Abingdon, Oxon
Routledge
2019
|
| Schlagwörter: | |
| Links: | https://www.taylorfrancis.com/books/9780429322525 |
| Zusammenfassung: | "In (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a 'question' to be explored in the studio, and then reflected upon. This book is a vital response to Jerzy Grotowski's essential question: "How does the actor 'touch that which is untouchable?'" Phenomenology invites us to listen to "the things themselves", to be attentive to how we sensorially, kinaesthetically, and affectively engage with acting as a phenomenon and process. Using detailed first-person accounts of acting across a variety of dramaturgies and performances from Beckett to newly co-created performances to realism, it provides an account of how we 'do' or practice phenomenology when training, performing, directing, or teaching. Zarrilli brings a wealth of international and intercultural experience as a director, performer, and teacher to this major new contribution both to the practices of acting, and how we can reflect in depth on those practices. An advanced study for actors, directors, and teachers of acting that is ideal for both the training/rehearsal studio and research, (toward) a phenomenology of acting is an exciting move forward in the philosophical understanding of acting as an embodied practice"-- |
| Beschreibung: | Description based on print version record and CIP data provided by publisher; resource not viewed |
| Umfang: | 1 online resource |
| ISBN: | 9780429322525 0429322526 9781000681987 100068198X 9781000682335 1000682331 9781000681635 1000681637 |
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| 100 | 1 | |a Zarrilli, Phillip B. |d 1947- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a (toward) a phenomenology of acting |c Phillip Zarrilli ; with a foreword by Evan Thompson |
| 246 | 1 | 3 | |a Toward a phenomenology of acting |
| 264 | 1 | |a Milton Park, Abingdon, Oxon |b Routledge |c 2019 | |
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| 520 | |a "In (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a 'question' to be explored in the studio, and then reflected upon. This book is a vital response to Jerzy Grotowski's essential question: "How does the actor 'touch that which is untouchable?'" Phenomenology invites us to listen to "the things themselves", to be attentive to how we sensorially, kinaesthetically, and affectively engage with acting as a phenomenon and process. Using detailed first-person accounts of acting across a variety of dramaturgies and performances from Beckett to newly co-created performances to realism, it provides an account of how we 'do' or practice phenomenology when training, performing, directing, or teaching. Zarrilli brings a wealth of international and intercultural experience as a director, performer, and teacher to this major new contribution both to the practices of acting, and how we can reflect in depth on those practices. An advanced study for actors, directors, and teachers of acting that is ideal for both the training/rehearsal studio and research, (toward) a phenomenology of acting is an exciting move forward in the philosophical understanding of acting as an embodied practice"-- | ||
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Datensatz im Suchindex
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| author | Zarrilli, Phillip B. 1947- |
| author_facet | Zarrilli, Phillip B. 1947- |
| author_role | aut |
| author_sort | Zarrilli, Phillip B. 1947- |
| author_variant | p b z pb pbz |
| building | Verbundindex |
| bvnumber | BV047007211 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9780429322525 (DE-599)BVBBV047007211 |
| dewey-full | 792.02/8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/8 |
| dewey-search | 792.02/8 |
| dewey-sort | 3792.02 18 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV047007211 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:07:07Z |
| institution | BVB |
| isbn | 9780429322525 0429322526 9781000681987 100068198X 9781000682335 1000682331 9781000681635 1000681637 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032414748 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge |
| record_format | marc |
| spelling | Zarrilli, Phillip B. 1947- Verfasser aut (toward) a phenomenology of acting Phillip Zarrilli ; with a foreword by Evan Thompson Toward a phenomenology of acting Milton Park, Abingdon, Oxon Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on print version record and CIP data provided by publisher; resource not viewed "In (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a 'question' to be explored in the studio, and then reflected upon. This book is a vital response to Jerzy Grotowski's essential question: "How does the actor 'touch that which is untouchable?'" Phenomenology invites us to listen to "the things themselves", to be attentive to how we sensorially, kinaesthetically, and affectively engage with acting as a phenomenon and process. Using detailed first-person accounts of acting across a variety of dramaturgies and performances from Beckett to newly co-created performances to realism, it provides an account of how we 'do' or practice phenomenology when training, performing, directing, or teaching. Zarrilli brings a wealth of international and intercultural experience as a director, performer, and teacher to this major new contribution both to the practices of acting, and how we can reflect in depth on those practices. An advanced study for actors, directors, and teachers of acting that is ideal for both the training/rehearsal studio and research, (toward) a phenomenology of acting is an exciting move forward in the philosophical understanding of acting as an embodied practice"-- Acting / Philosophy Acting https://www.taylorfrancis.com/books/9780429322525 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Zarrilli, Phillip B. 1947- (toward) a phenomenology of acting Acting / Philosophy Acting |
| title | (toward) a phenomenology of acting |
| title_alt | Toward a phenomenology of acting |
| title_auth | (toward) a phenomenology of acting |
| title_exact_search | (toward) a phenomenology of acting |
| title_full | (toward) a phenomenology of acting Phillip Zarrilli ; with a foreword by Evan Thompson |
| title_fullStr | (toward) a phenomenology of acting Phillip Zarrilli ; with a foreword by Evan Thompson |
| title_full_unstemmed | (toward) a phenomenology of acting Phillip Zarrilli ; with a foreword by Evan Thompson |
| title_short | (toward) a phenomenology of acting |
| title_sort | toward a phenomenology of acting |
| topic | Acting / Philosophy Acting |
| topic_facet | Acting / Philosophy Acting |
| url | https://www.taylorfrancis.com/books/9780429322525 |
| work_keys_str_mv | AT zarrilliphillipb towardaphenomenologyofacting |