Intrépide: Australian women artists in early twentieth-century France
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Clayton, Vic.
Monash University Publishing
[2020]
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| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032408028&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | It is hard for us to imagine the oppressed lives of single women in the first half of the twentieth century. Yet a few Australian women took a leap into the unknown and carved careers for themselves in Paris. They studied, painted, and haunted galleries and salons. They had a little fun too, at social gatherings or at cafes in Montparnasse. They were brave, and very determined young ladies. They exhibited in the Paris Salons and in private galleries on the Left Bank, and received prizes and awards out of all proportion to their numbers. They bought back home not only greatly enhanced skills but also Modernism, to a country that had barely heard of it. This book examines a selection of some of the best of them, including some who have been all-but forgotten. They were pioneers, role models, fine artists - and they have been neglected. Not any longer. Clem Gorman pioneered experimental theatre in Australia before working as an arts administrator in London. Nine of his plays have been staged professionally and he has written nine books of non-fiction. He has taught at universities in Australia and the US and now writes on the visual arts. Therese Gorman wrote stage plays in the 1970s with her late husband, and with her husband Clem has co-authored Sydney Harbour: A Guide from North Head to South Head and this book. She and Clem are currently working on a biography of Sydney artist Wendy Sharpe |
| Physical Description: | xl, 228 Seiten, 16 ungezählte Seiten Tafeln 28 Illustrationen 24 cm |
| ISBN: | 9781925523928 |
Staff View
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| 505 | 8 | |a Ch. 1. Iso Rae: at home in two worlds -- ch. 2. Agnes Goodsir: a witness to Paris -- ch. 3. Marie Tuck: a very determined artist -- ch. 4. Bessie Gibson: a safe pair of hands -- ch. 5. Dora Meeson: progressive feminist, traditional artist -- ch. 6. Alice Muskett: multi-talented and generous -- ch. 7. Ethel Carrick: a team player -- ch. 8. Ada May Plante: an undervalued talent -- ch. 9. Margaret Preston: a driven woman -- ch. 10. Kathleen O'Connor: a solo act -- ch. 11. Anne Alison Greene: a passion for art and teaching -- ch. 12. Bessie Davidson: une Australienne Française -- ch. 13. Jessie Traill: a comprehensive vision -- ch. 14. Gladys Reynell: freedom and dedication -- ch. 15. Vida Lahey: a pioneering professional -- ch. 16. Mary Cockburn Mercer: La Vie Bohème -- ch. 17. Janet Cumbrae Stewart: trailblazer -- ch. 18. Hilda Rix Nicholas: an open-minded traditionalist -- ch. 19. Anne Dangar: communard and theorist -- ch. 20. Evelyn Chapman: a pioneer war artist -- ch. 21. Grace Crowley: a major Australian Modernist -- ch. 22. Dorrit Black: an influential convert to Modernism -- ch. 23. Stella Bowen: the symbiosis of art and life -- ch. 24. Made Freeman: a steady achiever -- ch. 25. Constance Stokes: a determined career -- ch. 26. Moya Dyring: artist and artist's friend -- ch. 27. Betty Quelhurst: a dedicated artist and teacher -- ch. 28. Margaret Olley: a lover of life and art | |
| 520 | 3 | |a It is hard for us to imagine the oppressed lives of single women in the first half of the twentieth century. Yet a few Australian women took a leap into the unknown and carved careers for themselves in Paris. They studied, painted, and haunted galleries and salons. They had a little fun too, at social gatherings or at cafes in Montparnasse. They were brave, and very determined young ladies. They exhibited in the Paris Salons and in private galleries on the Left Bank, and received prizes and awards out of all proportion to their numbers. They bought back home not only greatly enhanced skills but also Modernism, to a country that had barely heard of it. This book examines a selection of some of the best of them, including some who have been all-but forgotten. They were pioneers, role models, fine artists - and they have been neglected. Not any longer. Clem Gorman pioneered experimental theatre in Australia before working as an arts administrator in London. Nine of his plays have been staged professionally and he has written nine books of non-fiction. He has taught at universities in Australia and the US and now writes on the visual arts. Therese Gorman wrote stage plays in the 1970s with her late husband, and with her husband Clem has co-authored Sydney Harbour: A Guide from North Head to South Head and this book. She and Clem are currently working on a biography of Sydney artist Wendy Sharpe | |
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Record in the Search Index
| _version_ | 1819297515800887296 |
|---|---|
| adam_text | CONTENTS
LIST OF PLATES VII
FOREWORD BY WENDY SHARPE XI
ACKNOWLEDGMENTS XV
INTRODUCTION: INTREPID WOMEN - THE WILD GEESE OF AUSTRALIAN ART XVII
CHAPTER 1 ISO RAE: AT HOME IN TWO WORLDS 1
CHAPTER 2 AGNES GOODSIR: A WITNESS TO PARIS 7
CHAPTER 3 MARIE TUCK: A VERY DETERMINED ARTIST 16
CHAPTER 4 BESSIE GIBSON: A SAFE PAIR OF HANDS 22
CHAPTER 5 DORA MEESON: PROGRESSIVE FEMINIST, TRADITIONAL ARTIST... 28
CHAPTER 6 ALICE MUSKETT: MULTI-TALENTED AND GENEROUS 34
CHAPTER 7 ETHEL CARRICK: A TEAM PLAYER 37
CHAPTER 8 ADA MAY PLANTE: AN UNDERVALUED TALENT 47
CHAPTER 9 MARGARET PRESTON: A DRIVEN WOMAN 54
CHAPTER 10 KATHLEEN O CONNOR: A SOLO ACT 62
CHAPTER 11 ANNE ALISON GREENE: A PASSION FOR ART AND TEACHING.... 70
CHAPTER 12 BESSIE DAVIDSON: UNE AUSTRALIENNE FRANGAISE 75
CHAPTER 13 JESSIE TRAILL: A COMPREHENSIVE VISION 83
CHAPTER 14 GLADYS REYNELL: FREEDOM AND DEDICATION 88
CHAPTER 15 VIDA LAHEY: A PIONEERING PROFESSIONAL 94
CHAPTER 16 MARY COCKBURN MERCER: LA VIE BOHEME 102
INTRIPIDE
CHAPTER 17 JANET CUMBRAE STEWART: TRAILBLAZER 109
CHAPTER 18 HILDA RIX NICHOLAS: AN OPEN-MINDED TRADITIONALIST ... 116
CHAPTER 19 ANNE DANGAR: COMMUNARD AND THEORIST 126
CHAPTER 20 EVELYN CHAPMAN: A PIONEER WAR ARTIST 133
CHAPTER 21 GRACE CROWLEY: A MAJOR AUSTRALIAN MODERNIST 139
CHAPTER 22 DORRIT BLACK: AN INFLUENTIAL CONVERT TO MODERNISM .... 150
CHAPTER 23 STELLA BOWEN: THE SYMBIOSIS OF ART AND LIFE 158
CHAPTER 24 MADGE FREEMAN: A STEADY ACHIEVER 165
CHAPTER 25 CONSTANCE STOKES: A DETERMINED CAREER 171
CHAPTER 26 MOYA DYRING: ARTIST, AND ARTIST S FRIEND 181
CHAPTER 27 BETTY QYELHURST: A DEDICATED ARTIST AND TEACHER 191
CHAPTER 28 MARGARET OLLEY: A LOVER OF LIFE AND ART 196
AFTERWORD 203
APPENDIX: FEATURED AUSTRALIAN WOMEN ARTISTS IN AUSTRALIAN
ART SCHOOLS, 1880S TO 1940S 208
NOTES 210
BIBLIOGRAPHY 221
ABOUT THE AUTHORS 231
VI
|
| any_adam_object | 1 |
| author | Gorman, Clem 1942- |
| author_GND | (DE-588)1225686008 (DE-588)1225686067 |
| author_facet | Gorman, Clem 1942- |
| author_role | aut |
| author_sort | Gorman, Clem 1942- |
| author_variant | c g cg |
| building | Verbundindex |
| bvnumber | BV047000377 |
| contents | Ch. 1. Iso Rae: at home in two worlds -- ch. 2. Agnes Goodsir: a witness to Paris -- ch. 3. Marie Tuck: a very determined artist -- ch. 4. Bessie Gibson: a safe pair of hands -- ch. 5. Dora Meeson: progressive feminist, traditional artist -- ch. 6. Alice Muskett: multi-talented and generous -- ch. 7. Ethel Carrick: a team player -- ch. 8. Ada May Plante: an undervalued talent -- ch. 9. Margaret Preston: a driven woman -- ch. 10. Kathleen O'Connor: a solo act -- ch. 11. Anne Alison Greene: a passion for art and teaching -- ch. 12. Bessie Davidson: une Australienne Française -- ch. 13. Jessie Traill: a comprehensive vision -- ch. 14. Gladys Reynell: freedom and dedication -- ch. 15. Vida Lahey: a pioneering professional -- ch. 16. Mary Cockburn Mercer: La Vie Bohème -- ch. 17. Janet Cumbrae Stewart: trailblazer -- ch. 18. Hilda Rix Nicholas: an open-minded traditionalist -- ch. 19. Anne Dangar: communard and theorist -- ch. 20. Evelyn Chapman: a pioneer war artist -- ch. 21. Grace Crowley: a major Australian Modernist -- ch. 22. Dorrit Black: an influential convert to Modernism -- ch. 23. Stella Bowen: the symbiosis of art and life -- ch. 24. Made Freeman: a steady achiever -- ch. 25. Constance Stokes: a determined career -- ch. 26. Moya Dyring: artist and artist's friend -- ch. 27. Betty Quelhurst: a dedicated artist and teacher -- ch. 28. Margaret Olley: a lover of life and art |
| ctrlnum | (OCoLC)1225829241 (DE-599)BVBBV047000377 |
| era | Geschichte 1900-1933 gnd |
| era_facet | Geschichte 1900-1933 |
| format | Book |
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| indexdate | 2024-12-20T19:06:55Z |
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| publisher | Monash University Publishing |
| record_format | marc |
| spellingShingle | Gorman, Clem 1942- Intrépide Australian women artists in early twentieth-century France Ch. 1. Iso Rae: at home in two worlds -- ch. 2. Agnes Goodsir: a witness to Paris -- ch. 3. Marie Tuck: a very determined artist -- ch. 4. Bessie Gibson: a safe pair of hands -- ch. 5. Dora Meeson: progressive feminist, traditional artist -- ch. 6. Alice Muskett: multi-talented and generous -- ch. 7. Ethel Carrick: a team player -- ch. 8. Ada May Plante: an undervalued talent -- ch. 9. Margaret Preston: a driven woman -- ch. 10. Kathleen O'Connor: a solo act -- ch. 11. Anne Alison Greene: a passion for art and teaching -- ch. 12. Bessie Davidson: une Australienne Française -- ch. 13. Jessie Traill: a comprehensive vision -- ch. 14. Gladys Reynell: freedom and dedication -- ch. 15. Vida Lahey: a pioneering professional -- ch. 16. Mary Cockburn Mercer: La Vie Bohème -- ch. 17. Janet Cumbrae Stewart: trailblazer -- ch. 18. Hilda Rix Nicholas: an open-minded traditionalist -- ch. 19. Anne Dangar: communard and theorist -- ch. 20. Evelyn Chapman: a pioneer war artist -- ch. 21. Grace Crowley: a major Australian Modernist -- ch. 22. Dorrit Black: an influential convert to Modernism -- ch. 23. Stella Bowen: the symbiosis of art and life -- ch. 24. Made Freeman: a steady achiever -- ch. 25. Constance Stokes: a determined career -- ch. 26. Moya Dyring: artist and artist's friend -- ch. 27. Betty Quelhurst: a dedicated artist and teacher -- ch. 28. Margaret Olley: a lover of life and art Künstlerin (DE-588)4033430-2 gnd Moderne (DE-588)4039827-4 gnd Australierin (DE-588)4406845-1 gnd |
| subject_GND | (DE-588)4033430-2 (DE-588)4039827-4 (DE-588)4406845-1 (DE-588)4044660-8 (DE-588)4006804-3 |
| title | Intrépide Australian women artists in early twentieth-century France |
| title_alt | Intrepid |
| title_auth | Intrépide Australian women artists in early twentieth-century France |
| title_exact_search | Intrépide Australian women artists in early twentieth-century France |
| title_full | Intrépide Australian women artists in early twentieth-century France Clem Gorman and Therese Gorman |
| title_fullStr | Intrépide Australian women artists in early twentieth-century France Clem Gorman and Therese Gorman |
| title_full_unstemmed | Intrépide Australian women artists in early twentieth-century France Clem Gorman and Therese Gorman |
| title_short | Intrépide |
| title_sort | intrepide australian women artists in early twentieth century france |
| title_sub | Australian women artists in early twentieth-century France |
| topic | Künstlerin (DE-588)4033430-2 gnd Moderne (DE-588)4039827-4 gnd Australierin (DE-588)4406845-1 gnd |
| topic_facet | Künstlerin Moderne Australierin Paris Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032408028&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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