Performing history: approaches to history across musicology
The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musi...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Boston
Academic Studies Press
[2020]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 https://doi.org/10.1515/9781644693551 |
| Zusammenfassung: | The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology |
| Umfang: | 1 Online-Ressource (vi, 351 Seiten) Illustrationen |
| ISBN: | 9781644693551 9781644694466 |
| DOI: | 10.1515/9781644693551 |
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| 520 | |a The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology | ||
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| genre | (DE-588)1071861417 Konferenzschrift 10.12.2017-12.12.2017 Auckland gnd-content |
| genre_facet | Konferenzschrift 10.12.2017-12.12.2017 Auckland |
| id | DE-604.BV046948424 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T17:14:46Z |
| institution | BVB |
| isbn | 9781644693551 9781644694466 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032356979 |
| oclc_num | 1220926445 |
| open_access_boolean | |
| owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
| owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 |
| physical | 1 Online-Ressource (vi, 351 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU20 BSB_NED_20211116 ZDB-23-DKU BSB_DKU_AcademicStudiesPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Academic Studies Press |
| record_format | marc |
| spelling | Performing history approaches to history across musicology Nancy November Boston Academic Studies Press [2020] © 2020 1 Online-Ressource (vi, 351 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology Australasia Bach Baroque Dieupart Indonesia Marais Monteverdi Music history New Zealand Pacific Rim Polynesia aesthetics art composition contemporary critique ethnomusicology historically informed performance instruments methodologies multisensory musicology opera popular music preservation song staging theory war MUSIC / History & Criticism bisacsh Historiography Music and history Music Interpretation (Phrasing, dynamics, etc.) Music Performance History Music Performance Geschichte Motiv (DE-588)4156971-4 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikwissenschaft (DE-588)4130526-7 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 10.12.2017-12.12.2017 Auckland gnd-content Musik (DE-588)4040802-4 s Inszenierung (DE-588)4027223-0 s Performance Künste (DE-588)4173750-7 s Geschichte Motiv (DE-588)4156971-4 s Musikwissenschaft (DE-588)4130526-7 s DE-604 November, Nancy ca. 20./21. Jh. (DE-588)1062825268 edt Erscheint auch als Druck-Ausgabe 978-1-64469-354-4 https://doi.org/10.1515/9781644693551 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Performing history approaches to history across musicology Australasia Bach Baroque Dieupart Indonesia Marais Monteverdi Music history New Zealand Pacific Rim Polynesia aesthetics art composition contemporary critique ethnomusicology historically informed performance instruments methodologies multisensory musicology opera popular music preservation song staging theory war MUSIC / History & Criticism bisacsh Historiography Music and history Music Interpretation (Phrasing, dynamics, etc.) Music Performance History Music Performance Geschichte Motiv (DE-588)4156971-4 gnd Inszenierung (DE-588)4027223-0 gnd Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4156971-4 (DE-588)4027223-0 (DE-588)4040802-4 (DE-588)4130526-7 (DE-588)4173750-7 (DE-588)1071861417 |
| title | Performing history approaches to history across musicology |
| title_auth | Performing history approaches to history across musicology |
| title_exact_search | Performing history approaches to history across musicology |
| title_full | Performing history approaches to history across musicology Nancy November |
| title_fullStr | Performing history approaches to history across musicology Nancy November |
| title_full_unstemmed | Performing history approaches to history across musicology Nancy November |
| title_short | Performing history |
| title_sort | performing history approaches to history across musicology |
| title_sub | approaches to history across musicology |
| topic | Australasia Bach Baroque Dieupart Indonesia Marais Monteverdi Music history New Zealand Pacific Rim Polynesia aesthetics art composition contemporary critique ethnomusicology historically informed performance instruments methodologies multisensory musicology opera popular music preservation song staging theory war MUSIC / History & Criticism bisacsh Historiography Music and history Music Interpretation (Phrasing, dynamics, etc.) Music Performance History Music Performance Geschichte Motiv (DE-588)4156971-4 gnd Inszenierung (DE-588)4027223-0 gnd Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Australasia Bach Baroque Dieupart Indonesia Marais Monteverdi Music history New Zealand Pacific Rim Polynesia aesthetics art composition contemporary critique ethnomusicology historically informed performance instruments methodologies multisensory musicology opera popular music preservation song staging theory war MUSIC / History & Criticism Historiography Music and history Music Interpretation (Phrasing, dynamics, etc.) Music Performance History Music Performance Geschichte Motiv Inszenierung Musik Musikwissenschaft Performance Künste Konferenzschrift 10.12.2017-12.12.2017 Auckland |
| url | https://doi.org/10.1515/9781644693551 |
| work_keys_str_mv | AT novembernancy performinghistoryapproachestohistoryacrossmusicology |