Verfügbarkeit: Why Theatre? | Technische Universität München

Why Theatre?:

Gespeichert in:

Bibliographische Detailangaben
Beteiligte Personen:	Bruguera, Tania 1968- (VerfasserIn), Chipaumire, Nora (VerfasserIn), Kennedy, Susanne 1977- (VerfasserIn), Liddell, Angélica 1966- (VerfasserIn), Gunzinger, Eduard 1897-1972 (VerfasserIn), Mroué, Rabih 1967- (VerfasserIn), Okada, Toshiki 1973- (VerfasserIn), Platel, Alain 1956- (VerfasserIn), Pollesch, René 1962-2024 (VerfasserIn), Rodrigues, Tiago (VerfasserIn), Srebrennikov, Kirill (VerfasserIn), Strauß, Botho 1944- (VerfasserIn), Warlop, Miet (VerfasserIn)
Weitere beteiligte Personen:	de Geest, Katje (HerausgeberIn), Hornbostel, Carmen (HerausgeberIn), Rau, Milo 1977- (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Berlin Verbrecher Verlag [2020]
Schriftenreihe:	Goldenes Buch / Golden Book 5
Schlagwörter:	Geschichte 2020 Gesellschaft Theater Warum Theater Aktivist Tanz dance Ästhetik Widerstand activism Performance Aktivimus Aufsatzsammlung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032337704&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	367 Seiten Illustrationen 20 cm x 14 cm
ISBN:	9783957324580 3957324580

Internformat

MARC


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700	1		\|a Warlop, Miet \|4 aut
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Datensatz im Suchindex

_version_	1819341744202842112
adam_text	TABLE OF CONTENTS EDITORIAL ........................................................................................................ 15 001 A CONSTANT JOURNEY OF DOUBT AND EXPERIMENTATION MOHAMMAD AL ATTAR ...............................................................................16 002 THINGS I WOULD MISS LOLA ARIAS ................................................................................................. 20 003 THEATRE AS A SPIRITUAL PATH HECTOR ARISTIZABAL .................................................................................. 22 004 THE LION KING BACK TO BACK THEATRE .............................................................................. 26 005 THE THINK TANK THEATRE YAEL BARTANA ........................................................................................... 50 006 THE SAME AIR VINCENT BAUDRILLER ................................................................................... 34 007 SAVING THE WORLD JEROME BEL ............................................................................................... 36 008 THEATRE HUMAIN CHOKRI BEN CHIKHA (ACTION ZOO HUMAIN) ............................................... 40 009 WHY OH WHY? BREAD AND PUPPET THEATRE ..................................................................... 44 010 ART IS NOT ABOUT PRODUCING, ITS ABOUT IMPLEMENTING TANIA BRUGUERA ....................................................................................... 46 OIL SUSPENSION OF DISBELIEF LUANDA CASELLA ....................................................................................... 48 012 THE ART OF THOSE WHO DARE NORA CHIPAUMIRE ..................................................................................... 52 013 ON VULGAR ACTING BENNY CLAESSENS ..................................................................................... 54 014 ABOUT WILD CAPITALISM & ITS PATRIARCHAL PERFORMANCE IN OUR LIVES COLECTIVO LASTESIS ................................................................................. 58 015 HOME KELLY COPPER (NATURE THEATRE OF OKLAHOMA) .......................................... 62 016 A LETTER TO DANCE ANNE TERESA DE KEERSMAEKER ................................................................. 66 017 I WAS THEATRE, BUT THEATRE WAS NEVER ME MIHAELA DRAGAN ...................................................................................... 70 018 ALL THE WORLDS A STAGE, (REALLY?) RADHA D SOUZA ....................................................................................... 72 019 RE: THEATRE DOES NOT ENTERTAIN ME TANIA EL KHOURY ...................................................................................... 74 020 DINNER IS SERVED NICOLETA ESINENCU ................................................................................... 76 021 NOT EVEN THE DEAD WILL BE SAFE IF THE ENEMY WINS DOUGLAS ESTEVAM (MST)......................................................................... 84 022 ONE DAY WE WILL ALL BE FREE TIM ETCHELLS (FORCED ENTERTAINMENT) ................................................... 86 023 SUSTAINING THE SKY CIBELE FORJAZ ........................................................................................... 88 024 ON THEATRE, ABSENCE, DISAPPEARANCE AND BODIES OLIVER FRLJIC .............................................................................................. 92 025 YOU KNOW YOU WANT IT! GOB SQUAD ........................................................................................... 96 026 IT HAS EATEN UP ALL THE OTHERS JULIEN GOSSELIN ..................................................................................... 100 027 TOGETHER IN THE DARK SEBASTIEN HENDRICKX (EXTINCTION REBELLION) ........................................ 102 028 FOR A LIFE IN ACTION FIORENTINA HOLZINGER ............................................................................. 106 029 LIVING IN THEATRE HSIN-CHIEN HUANG ................................................................................ 108 030 NEED I SAY MORE? ISABELLE HUPPERT ................................................................................... 110 031 WET DREAMS MANUELA INFANTE .................................................................................... 112 032 WHEN WE STILL DO NOT KNOW WHAT THEATRE IS CHRISTIANE JATAHY ................................................................................. 116 033 WHATEVER YOU DO IS THEATRE JOJO & JOYEE (HOUSE OF MUCHNESS) ..................................................... 120 034 STOP PRETENDING JOHN JORDAN .......................................................................................... 122 035 BECAUSE STEFAN KAEGI (RIMINI PROTOKOLL) ........................................................... 126 036 A IS NOT. ANY MORE THAN B. ALEXANDER KARSCHNIA (ANDCOMPANY&CO.) ............................................ 129 03? THE INFINITE GAME OF BECOMING SUSANNE KENNEDY ................................................................................ 152 038 THE LESS GOOD IDEA WILLIAM KENTRIDGE ................................................................................. 156 039 NEVER BECOMING THE CONCRETE ANSWER AMIR REZA KOOHESTANI ......................................................................... 158 040 OUR OPERA IS A BODY, IS A VESSEL, IS A VILLAGE AINO LABERENZ ....................................................................................... 142 041 BORN FROM THE INSIDE OUT SIDI LARBI CHERKAOUI ............................................................................. 144 042 EMBODIMENT URSINA LARDI .......................................................................................... 146 043 I NEED COMPANY JAN LAUWERS (NEEDCOMPANY) ............................................................. 148 044 LET US BE INVADED MARCO LAYERA ....................................................................................... 152 045 THEATRE BELONGS IN A MUSEUM JAMES LEADBITTER (THE VACUUM CLEANER) ........................................... 156 046 WHY SEA STARS? ERIE LEYSEN ........................................................................................... 158 047 ABOUT THE INEFFABLE: THE MYSTICAL CONCEPTION ANGELICA LIDDELL ................................................................................... 160 048 LABORATORIES OF THE FUTURE MATTHIAS LILIENTHAL ............................................................................... 162 049 THE SUSPENSION OF FREEDOM EDOUARD LOUIS ....................................................................................... 166 050 THEATRE AS ASSEMBLY FLORIAN MALZACHER ................................................................................ 170 051 CREATING A CLIMATE OF CHANGE KATIE MITCHELL ......................................................................................... 174 052 FOREVER CHANGES SANJA MITROVIC ........................................................................................ 178 053 A SORT OF GENESIS ARIANE MNOUCHKINE ...................................................................... 180 054 TECHNICIANS OF DIONYSUS ERMANNA MONTANARI & MARCO MARTINELLI (TEATRO DELLE ALBE) .............. 184 055 EXCURSUS MAIA MORGENSTERN ................................................................................ 188 056 THE ROLE OF THEATRE IN THE STRUGGLE AGAINST NEOLIBERAL HEGEMONY CHANTAL MOUFFE ..................................................................................... 192 05? THERE WILL ALWAYS BE THEATRE YOLANDA MPELE ............................................................................. 196 058 BETWEEN HERE AND HERE RABIH MROUE ........................................................................................ 198 059 EXILE AND TERRITORY KERNEL MUNDRUZCO ...................................................................... 200 060 WHY AS A RESPONSIBILITY TO AWE OGUTU MURAYA .............................................................................. 202 061 SECOND EXIT AFTER THE SOUL NGANJI MUTIRI ................................................................................. 206 062 THEATRE, BECAUSE FREEDOM TETON NEZIRAJ ................................................................................ 212 063 HELLO DARKNESS DANIELA NICOLD 8 ENRICO CASAGRANDE (MOTUS) .................................... 214 064 THEATRE OF VULNERABILITY BORIS NIKITIN ................................................................................... 218 065 WHY WATER MAMELA NYAMZA ................................................................................... 222 066 DEAR GRANDMA, MARKUS OHM ................................................................................ 226 06? FICTION COMING TO LIFE AND INTERCONTEXTUALISATION TOSHIKI OKADA ............................................................................... 250 068 WE SIT AS AN AUDIENCE IN THE NOW SUZANNE OSTEN ..................................................................................... 234 069 STATES OF EMERGENCY THOMAS OSTERMEIER ..................................................................... 256 070 LIKE BREATHING BOUCHRA OUIZAUEN ....................................................................... 238 071 THE GRASS IS GREENER ON THE STAGE LIES PAUWELS ........................................................................................ 240 072 FOR GODS SAKE WHY? LUK PERCEVAL ........................................................................................ 244 073 NURTURE THE AUDACITY ALAIN PLATEL ........................................................................................... 248 074 THIS IS A RECORDING RENE POLLESCH ...................................................................................... 252 075 THINKING OF THE END OF THE WORLD IN COSTUME BY THE SEA PHILIPPE QUESNE .................................................................................. 254 076 INDISPENSABLE RITUAL MOKHALLAD RASEM ................................................................................ 256 077 THEATRE IS A PLACE OF TRUTH MILO RAU ................................................................................................ 262 078 PUT ON ANOTHER SHOW FALK RICHTER .......................................................................................... 264 079 TO STAY IN LIFE TIAGO RODRIGUES ................................................................................... 268 080 THE CURTAIN SHOULD RISE ON THE RIGHT SIDE KATHRIN ROGGLA ..................................................................................... 270 081 PIECE OF EVIDENCE PIA MARIA ROLL & HANAN BENAMMAR ...................................................... 274 082 BELIEVING BEFORE SEEING DIDIER RUIZ ............................................................................................ 278 083 CREATING A NEW WORLD AMIR SABRA (STEREO48) ................................................................ 280 084 WHY ART, WHY NOW, WHY EVER? FARAH SALEH .......................................................................................... 282 085 IN CLOSED SPACES FABIAN SCHEIDLER ........................................................................ 284 086 WHY, HONEY? DENNIS SEIDEL ....................................................................................... 286 087 ANTIBODIES AGAINST LIES KIRILL SEREBRENNIKOV ............................................................................. 290 088 SLOWLY GETTING HIGH SHE SHE POP ................................................................................ 294 089 FOR AS LONG AS I CAN REMEMBER, I VE BEEN PERFORMING BUHLEBEZWE SIWANI ............................................................................... 298 090 LACK OF GUARANTEE MARTEN SPANGBERG ................................................................................ 300 091 HALF WORLD VEIT SPRENGER (SHOWCASE BEAT LE MOT) .............................................. 504 092 TOWARDS EMANCIPATORY PERFORMANCE LARA 8 JONAS STAAL ................................................................................ 308 093 GHOST CHOIRS BOTHO STRAUB ......................................................................................... 314 094 WE GOT IT ALL WRONG TEA TUPAJIC ............................................................................................. 316 095 SOME CALL IT UNIVERSE, I CALL IT THEATRE CAROLE UMULINGA KAREMERA .................................................................. 318 096 CONFUSIONISTS IGOR VAMOS (YES MEN) ........................................................................... 322 097 ART IS A HUMAN RIGHT IVO VAN HOVE ......................................................................................... 326 098 A WORLD THAT NEEDS CEASELESS RECONSTRUCTION GISELE VIENNE ........................................................................................ 330 099 THE CONDITION OF COMMUNITY DMITRY VILENSKY (CHTO DELAT) ............................................................... 334 100 THE FIFTH WALL MARC-ANTOINE VUMILIA .......................................................................... 356 101 EVERYTHING IS OPEN SASHA WALTZ ......................................................................................... 340 102 WHY NOT MIET WARLOP .......................................................................................... 350 103 TOUGH LOVE JOANNA WARSZA ...................................................................................... 352 104 INCOMPREHENSIBILITY APICHATPONG WEERASETHAKUL ................................................................ 356 105 ESCALATION! ZENTRUM FUR POLITISCHE SCHONHEIT ....................................................... 358 106 THE ART OF UNMASKING DOMINIQUE ZIEGLER ............................................................................... 360
any_adam_object	1
author	Bruguera, Tania 1968- Chipaumire, Nora Kennedy, Susanne 1977- Liddell, Angélica 1966- Gunzinger, Eduard 1897-1972 Mroué, Rabih 1967- Okada, Toshiki 1973- Platel, Alain 1956- Pollesch, René 1962-2024 Rodrigues, Tiago Srebrennikov, Kirill Strauß, Botho 1944- Warlop, Miet
author2	de Geest, Katje Hornbostel, Carmen Rau, Milo 1977-
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author_facet	Bruguera, Tania 1968- Chipaumire, Nora Kennedy, Susanne 1977- Liddell, Angélica 1966- Gunzinger, Eduard 1897-1972 Mroué, Rabih 1967- Okada, Toshiki 1973- Platel, Alain 1956- Pollesch, René 1962-2024 Rodrigues, Tiago Srebrennikov, Kirill Strauß, Botho 1944- Warlop, Miet de Geest, Katje Hornbostel, Carmen Rau, Milo 1977-
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author_sort	Bruguera, Tania 1968-
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era_facet	Geschichte 2020
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genre	(DE-588)4143413-4 Aufsatzsammlung gnd-content
genre_facet	Aufsatzsammlung
id	DE-604.BV046928694
illustrated	Illustrated
indexdate	2024-12-20T19:04:55Z
institution	BVB
institution_GND	(DE-588)1205573968 (DE-588)1045510432
isbn	9783957324580 3957324580
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032337704
oclc_num	1154160641
open_access_boolean
owner	DE-188 DE-B170 DE-12 DE-29 DE-B486
owner_facet	DE-188 DE-B170 DE-12 DE-29 DE-B486
physical	367 Seiten Illustrationen 20 cm x 14 cm
publishDate	2020
publishDateSearch	2020
publishDateSort	2020
publisher	Verbrecher Verlag
record_format	marc
series2	Goldenes Buch / Golden Book
spellingShingle	Bruguera, Tania 1968- Chipaumire, Nora Kennedy, Susanne 1977- Liddell, Angélica 1966- Gunzinger, Eduard 1897-1972 Mroué, Rabih 1967- Okada, Toshiki 1973- Platel, Alain 1956- Pollesch, René 1962-2024 Rodrigues, Tiago Srebrennikov, Kirill Strauß, Botho 1944- Warlop, Miet Why Theatre? Gesellschaft (DE-588)4020588-5 gnd Theater (DE-588)4059702-7 gnd
subject_GND	(DE-588)4020588-5 (DE-588)4059702-7 (DE-588)4143413-4
title	Why Theatre?
title_auth	Why Theatre?
title_exact_search	Why Theatre?
title_full	Why Theatre? edited by Kaatje De Geest, Carmen Hornbostel and Milo Rau
title_fullStr	Why Theatre? edited by Kaatje De Geest, Carmen Hornbostel and Milo Rau
title_full_unstemmed	Why Theatre? edited by Kaatje De Geest, Carmen Hornbostel and Milo Rau
title_short	Why Theatre?
title_sort	why theatre
topic	Gesellschaft (DE-588)4020588-5 gnd Theater (DE-588)4059702-7 gnd
topic_facet	Gesellschaft Theater Aufsatzsammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032337704&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV045506926
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Inhaltsverzeichnis