Popular musicology and identity: essays in honour of Stan Hawkins
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Partitur Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032335416&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032335416&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- |
| Umfang: | xviii, 224 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781138322882 |
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| 520 | 3 | |a "Popular Musicology and Identity consists of original essays in honour of Stan Hawkins, whose work has paved new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. With contributions from some of the leading scholars in the field, this book accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of contributors Preface: essays in honour ofStan Hawkins Acknowledgements List ofpublications by Stan Hawkins Introduction: a musicology of popular music and identity vii xi xiv xv 1 KAI ARNE HANSEN, EIRIK ASKERØI, AND FREYA JARMAN 1 The British dandy on the popular musical stage (1866-1915) 16 DEREK B. SCOTT 2 ‘She Said She Said’: the influence of feminine ‘voices’ on John Lennon’s music 32 MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY 3 The classical closet 50 SUSAN MCCLARY 4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017 60 BARBARA BRADBY 5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo 82 JON MIKKEL BROCH ALVIK 6 ‘Everyone is a little bit gay’: LGBTIQ activism in Finnish pop music of the 21st century SUSANNA VÄLIMÄKI 97
vi Contents 7 ‘Keeping it real’, ‘Keeping it dandy’? Male blackness and the popular music mainstream 117 ANNE DANIELSEN 8 Global success, identitarian performance, and Canadian popular music 133 WILL STRAW 9 ‘Very’ British: a pop musicological approach to the Pet Shop Boys’‘Always on My Mind’ 148 SHARA RAMBARRAN 10 Pulp: a paradigm for perversion in pomosonic pop 160 KENNETH SMITH 11 Regina Spektor’s Small Bill$: the cute and the manic-zany as body-political strategies 178 JOHN RICHARDSON AND ANNA-ELENA PÄÄKKÖLÄ 12 Masculinity and the illness narrative in Pain of Salvation’s In the Passing Light ofDay 196 LORI BURNS Index 218
Contents List of contributors Preface: essays in honour ofStan Hawkins Acknowledgements List ofpublications by Stan Hawkins Introduction: a musicology of popular music and identity vii xi xiv xv 1 KAI ARNE HANSEN, EIRIK ASKERØI, AND FREYA JARMAN 1 The British dandy on the popular musical stage (1866-1915) 16 DEREK B. SCOTT 2 ‘She Said She Said’: the influence of feminine ‘voices’ on John Lennon’s music 32 MATTHEW BANNISTER AND MEGAN ROGERSON-BERRY 3 The classical closet 50 SUSAN MCCLARY 4 Perfect duet? Paradoxes of gender representation and mixedgender collaborations on the Billboard charts from 1955 to 2017 60 BARBARA BRADBY 5 The pleasure(s) of the pop text: subversion and theatricality in Cloroform and Tove Lo 82 JON MIKKEL BROCH ALVIK 6 ‘Everyone is a little bit gay’: LGBTIQ activism in Finnish pop music of the 21st century SUSANNA VÄLIMÄKI 97
vi Contents 7 ‘Keeping it real’, ‘Keeping it dandy’? Male blackness and the popular music mainstream 117 ANNE DANIELSEN 8 Global success, identitarian performance, and Canadian popular music 133 WILL STRAW 9 ‘Very’ British: a pop musicological approach to the Pet Shop Boys’‘Always on My Mind’ 148 SHARA RAMBARRAN 10 Pulp: a paradigm for perversion in pomosonic pop 160 KENNETH SMITH 11 Regina Spektor’s Small Bill$: the cute and the manic-zany as body-political strategies 178 JOHN RICHARDSON AND ANNA-ELENA PÄÄKKÖLÄ 12 Masculinity and the illness narrative in Pain of Salvation’s In the Passing Light ofDay 196 LORI BURNS Index 218
|
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| title | Popular musicology and identity essays in honour of Stan Hawkins |
| title_auth | Popular musicology and identity essays in honour of Stan Hawkins |
| title_exact_search | Popular musicology and identity essays in honour of Stan Hawkins |
| title_full | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_fullStr | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_full_unstemmed | Popular musicology and identity essays in honour of Stan Hawkins edited by Kai Arne Hansen, Eirik Askerøi, and Freya Jarman |
| title_short | Popular musicology and identity |
| title_sort | popular musicology and identity essays in honour of stan hawkins |
| title_sub | essays in honour of Stan Hawkins |
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