The linguistics of humor: an introduction
This book is the first comprehensive and systematic introduction to the linguistics of humor. Salvatore Attardo takes a broad approach to the topic, exploring not only theoretical linguistic analyses, but also pragmatic and semantic aspects, conversation and discourse analysis, ethnomethodology, and...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2020
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| Ausgabe: | First edition |
| Schlagwörter: | |
| Links: | http://digitale-objekte.hbz-nrw.de/storage2/2020/10/07/file_12/8934169.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032293546&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032293546&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | This book is the first comprehensive and systematic introduction to the linguistics of humor. Salvatore Attardo takes a broad approach to the topic, exploring not only theoretical linguistic analyses, but also pragmatic and semantic aspects, conversation and discourse analysis, ethnomethodology, and interactionist and variationist sociolinguistics. The volume begins with chapters that introduce the terminology and conceptual and methodological apparatus, as well asoutlining the major theories in the field and examining incongruity and resolution and the semiotics of humor. The second part of the book explores humor competence, with chapters that cover semantic and pragmatic topics, the General Theory of Verbal Humor, and puns and their interpretation. The thirdpart provides an in-depth discussion of the applied linguistics of humor, and examines social context, discourse and conversation analysis, and sociolinguistic aspects. In the final part of the book, the discussion is extended beyond the central field of linguistics, with chapters discussing humor in literature, in translation, and in the classroom. The volume brings together the multiple strands of current knowledge about humor and linguistics, both theoretical and applied; it assumes no prior background in humor studies, and will be a valuable resource for students from advanced undergraduate level upwards, particularly those coming to linguistics from related disciplines |
| Umfang: | xxi, 465 Seiten Diagramme |
| ISBN: | 9780198791287 9780198791270 |
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Datensatz im Suchindex
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| adam_text | Contents Preface xiii List offigures xix List of tables xxi PARTI. Humor Studies 1. Humor studies: a few definitions 3 1.1 Terminology 1.1.1 The characters 1.1.2 Humor as umbrella term 4 4 1.1.3 Joke 1.1.4 Mirth, humor, laughter 2. 7 14 17 1.2 A brief overview of humor studies 1.2.1 Why do we need a field of study? 18 23 1.3 A few basic distinctions 1.3.1 Linguistic humor vs. verbal humor 1.3.2 Humor and meta-humor 25 25 26 1.4 Further readings 29 Methodological preliminaries 30 2.1 Competence and performance 2.1.1 Application of the principle of commutation to humor 2.1.2 Other methodologies 31 34 36 2.2 Identifying humor 2.2.1 Humor, mirth, and smiling/laughter 2.2.2 Smiling 2.2.3 Laughter 38 39 40 2.3 Mirthful vs. non-mirthful laughter 2.3.1 On the lack of direct linear correlation between humor and mirth displays 44 2.3.2 Recognition vs. appreciation 2.3.3 Confusion between humor andhumor appreciation 42 v 41 46 49
CONTENTS 2.4 Keying 2.4.1 Playful mode 2.4.2 Surprise 2.4.3 Unintentional humor 50 51 53 53 2.5 Identifying humor: the triangulation approach 54 2.6 Further readings 56 3. Theories of humor and their levels 57 3.1 Explanation, reductionism, essentialism 57 3.2 The three major theories of humor 59 3.3 Humor as release 3.3.1 Humor as play 3.3.2 Are release and play theories essentialist? 60 61 63 3.4 Humor as incongruity 64 3.5 Humor as aggression 64 3.6 Other theories 3.6.1 Neurolinguistics of humor 3.6.2 Evolutionary theories 3.6.3 Anti-essentialist theories 3.6.4 Mixed, partial, and no-theory-theories 67 68 69 69 70 3.7 Complementarity of the theories of humor 3.7.1 Evaluation of theories 3.7.2 Bisociation theory 71 73 73 3.7.3 Evaluation of the theories 3.8 Further readings 74 77 4. Incongruity and resolution 78 4.1 Incongruity 4.1.1 Enter semantics 79 81 4.2 Resolution 4.2.1 The history of resolution 4.2.2 Full vs. partial resolution 4.2.3 Foregrounded vs. backgroundedincongruities 82 83 87 88 4.3 Linear organization of the joke 4.3.1 The isotopy-disjunction model 90 91 vi
CONTENTS 4.4 Conclusions 93 4.5 Further readings 94 5. Semiotics of humor 95 5.1 Humor and semiotics 5.1.1 Communication and semiosis 5.1.2 Connotative semiotics 5.1.3 Perlocutionary definition of humor 5.1.4 Defunctionalization of the sign 5.1.5 Semantics vs. semiotics of humor 96 96 97 98 99 103 5.2 Conclusions 108 5.3 Further readings 109 PARTII. Humor Competence 6. The semantics of humor 113 113 114 116 6.1 The Semantic Script Theory 6.1.1 Origins 6.1.2 The notion of script 6.1.3 Dynamic scripts 6.1.4 Combinatorial explosion 123 126 6.2 The Semantic Script Theory of Humor s two conditions 6.2.1 Oppositeness 6.2.2 Overlapping 6.2.3 The exemplar doctor s wife joke 6.2.4 Methodological issues 127 128 128 129 131 6.3 Non-bona-fide 133 6.4 The Ontological Semantics Theory of Humor 134 6.5 Conclusions 134 6.6 Further readings 135 7. The General Theory of Verbal Humor 7.1 The knowledge resources 7.1.1 Language 7.1.2 Narrative Strategy 7.1.3 Target 136 137 138 141 144 vii
CONTENTS 7.1.4 Situation 147 7.1.5 Logical Mechanism 149 7.1.6 Script Opposition 150 152 7.2 Further issues with the General Theory of Verbal Humor 7.2.1 Broadening the Theory? 152 7.2.2 The application of the General Theory of Verbal Humor to longer texts 153 7.2.3 A small methodological note on cherry-picking 154 7.3 Conclusions 156 7.4 Further readings 156 8. Pragmatics of humor 157 8.1 Pragmatic principles 158 8.1.1 Speech acts 158 8.1.2 Cooperation and implicatures 159 8.1.3 Implicature 161 8.1.4 Humor and the implicit 163 8.2 Nature of the violation of the CP 163 8.2.1 Is humora flout? 163 8.2.2 The LDP 166 8.3 Irony and humor 168 8.4 All humor is intentional 170 8.5 Conclusions 175 8.6 Further readings 175 9. Verbal humor 176 9.1 Defining puns 177 9.2 Classifying puns 180 9.3 Ways to bring about two meanings in a text 181 9.3.1 Ambiguity 181 9.3.2 Syntagmatic placement 186 9.3.3 Paronymy and phonetic distance 188 9.3.4 Connectors and disjunctors 190 9.4 The fate of the i nterpretation viii 191
CONTENTS 9.5 Cratylism: resolution in puns 9.5.1 Evidence for the Cratylistic folk-theory 192 194 9.6 The psycholinguistics of puns 196 9.7 Conclusions 197 9.8 Further readings 198 PARTIU. Humor Performance 10. The performance of humor 201 10.1 A little history never hurt anyone 10.1.1 Early studies on the social context of humor 10.1.2 Carrell s performance theory 10.1.3 Stand-up performance 10.1.4 Performance of canned jokes 10.1.5 GTVH and performance 10.1.6 Sociolingüístic approaches 202 203 203 204 206 207 208 10.2 The Hymes-Gumperz sociolingüístic model 10.2.1 Linguistic repertoires 10.2.2 Speech acts and speech events 10.2.3 Genres 10.2.4 Contextualization cues 211 213 215 221 226 10.3 Empirical studies on markers of humor performance 227 10.4 Further readings 234 11. Conversation analysis: humor in conversation I 235 11.1 Conversation and discourse analysis 11.1.1 Bracketing 236 236 11.2 CA of laughter 11.2.1 Laughter is indexical 11.2.2 The definition(s) of laughable 239 239 241 11.3 The canonical CA joke analysis 11.3.1 Sacks on jokes 246 246 11.4 Issues in CA of humor 11.4.1 Is humor-laughter an adjacency pair? 252 252 11.4.2 Humorous and non-humorous laughter in 253 conversation ¡X
CONTENTS 11.4.3 Is humor a test of understanding? 258 11.4.4 Tellability 259 11.5 Conclusions 261 11.6 Further readings 262 12. Discourse analysis: humor in conversation II 12.1 Functional DA 12.1.1 Tannen s Thanksgiving dinner 12.1.2 Catherine Davies joint construction of humor 263 264 266 267 12.1.3 Priego-Valverde s dialogic model 12.1.4 Functions of humor in conversation 269 273 12.2 Conversational humor in various settings 280 12.2.1 Conversation among friends 12.2.2 Medical 12.2.3 Workplace 12.3 Corpus-based discourse analysis 12.4 Some issues in the DA of humor 12.4.1 Establishing the humorousintention 12.4.2 How do speakers identify humor? 12.4.3 Failed humor 12.4.4 Sustained humor turns 280 281 283 286 289 289 291 293 295 12.5 Conclusions 297 12.6 Further readings 298 299 13. Sociolinguistics of humor 13.1 Universality of humor 299 13.2 Variationist humor theory 13.2.1 Humor and gender 13.2.2 Social class 13.2.3 Age 13.2.4 Dialects as humorous languages 304 304 306 308 309 13.3 The social construction of humor 313 13.4 Conclusions 315 13.5 Further readings 315 x
CONTENTS PART IV. Applications 14. Humor in literature 319 14.1 Script-based theory of humorous texts 14.1.1 The expansionist approach 14.1.2 Chłopicki 14.1.3 Holcomb 14.1.4 The revisionist approach 321 322 322 323 324 14.2 Other approaches 328 14.3 Narratology 330 14.4 Stylistics 14.4.1 Register humor 332 334 14.5 Some examples of literary constructs 336 14.6 Further readings 339 15. Humor and translation 340 15.1 A few definitions 15.1.1 Source text and target text language 15.1.2 Intra-and inter-semiotic translation 343 343 344 15.2 Theories of humor translation 15.2.1 Faithfulness 15.2.2 Literal vs. functional translation 15.2.3 Zabalbeascoa s priority scales and solution types 15.2.4 Eco s translation-as-negotiation 15.2.5 Skopos theory 15.2.6 Relevance Theoretic approaches 344 344 346 347 351 351 353 15.3 Audiovisual translation 15.3.1 Dubbing 15.3.2 Subtitling 15.3.3 Interpreting 355 356 357 358 15.4 Translating puns 15.4.1 Are puns untranslatable? 15.4.2 The practice of translating puns 359 360 363 15.5 Conclusions 365 15.6 Further readings 366 xi
CONTENTS Յ67 16. Humor in the classroom 368 16.1 The pioneers 16.2 The apologists 371 16.3 The realists 372 16.4 Classroom discourse analysis 377 378 16.4.1 How much humor do teachers produce in class? 16.5 Conclusions 379 16.6 Further readings 380 17. Conclusion 381 Glossary 385 References 393 Author index 441 Subject index 453 xii
This book is the first comprehensive and systematic introduction to the linguistics of humor Salvatore Attardo takes a oroad approach to the topic, exploring not only theoretical Linguistic analyses, but also pragmatic and semantic aspects, conversation and discourse analysis, ethnomethodology, and interactionist and variationist sociolinguistics. The volume begins with chapters that introduce the terminology and conceptual and methodological apparatus, as welL as outlining the major theories in the field and examining incongruity and resolution and the semiotics of humor. The second part of the book explores humor competence, with chapters that cover semantic and pragmatic topics, the General Theory of Verbal Humor, and puns and their interpretation. The third part provides the first in-depth discussion of the applied linguistics of humor, and examines social context, discourse and conversation analysis, and sociolingüístic aspects. In the final part of the book, the discussion is extended beyond the central field of linguistics, with chapters discussing humor in literature, in translation, and in the classroom. The volume brings together the multiple strands of current knowledge about humor and linguistics, both theoretical and applied; it assumes no prior background in humor studies, and will be a valuable resource for students from advanced undergraduate level upwards, particularly those coming to linguistics from related disciplines.
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