What comes after farce?: art and criticism at a time of debacle
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
London ; New York
Verso
2020
|
Schlagwörter: | |
Links: | https://www.gbv.de/dms/bowker/toc/9781788738118.pdf |
Abstract: | "If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the Left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second group reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface), "operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives." |
Umfang: | x, 205 Seiten Illustrationen 22 cm |
ISBN: | 9781788738118 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046836284 | ||
003 | DE-604 | ||
005 | 20250204 | ||
007 | t| | ||
008 | 200804s2020 xx a||| |||| 00||| eng d | ||
020 | |a 9781788738118 |c (hbk.) |9 978-1-78873-811-8 | ||
035 | |a (OCoLC)1197704682 | ||
035 | |a (DE-599)BVBBV046836284 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-188 |a DE-355 |a DE-20 | ||
084 | |a LH 60240 |0 (DE-625)94184: |2 rvk | ||
100 | 1 | |a Foster, Hal |d 1955- |e Verfasser |0 (DE-588)123940362 |4 aut | |
245 | 1 | 0 | |a What comes after farce? |b art and criticism at a time of debacle |c Hal Foster |
264 | 1 | |a London ; New York |b Verso |c 2020 | |
300 | |a x, 205 Seiten |b Illustrationen |c 22 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the Left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second group reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface), "operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives." | |
600 | 1 | 7 | |a Foster, Hal |d 1955- |0 (DE-588)123940362 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Farce |0 (DE-588)4153738-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Gesellschaft |0 (DE-588)4020588-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Politische Kunst |0 (DE-588)4175029-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturkritik |0 (DE-588)4033572-0 |2 gnd |9 rswk-swf |
653 | 0 | |a Arts / Political aspects / History / 21st century | |
653 | 0 | |a Arts and society / History / 21st century | |
653 | 0 | |a Arts and society | |
653 | 0 | |a Arts / Political aspects | |
653 | 4 | |a 2000-2099 | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Foster, Hal |d 1955- |0 (DE-588)123940362 |D p |
689 | 0 | 1 | |a Politische Kunst |0 (DE-588)4175029-9 |D s |
689 | 0 | 2 | |a Farce |0 (DE-588)4153738-5 |D s |
689 | 0 | 3 | |a Gesellschaft |0 (DE-588)4020588-5 |D s |
689 | 0 | 4 | |a Kulturkritik |0 (DE-588)4033572-0 |D s |
689 | 0 | |5 DE-604 | |
775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Paperback |d 2024 |z 978-1-80429-593-9 |w (DE-604)BV050115053 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, US EBK |z 978-1-78873-813-2 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, UK EBK |z 978-1-78873-812-5 |
856 | 4 | 2 | |u https://www.gbv.de/dms/bowker/toc/9781788738118.pdf |v 2020-10-19 |x Aggregator |3 Inhaltsverzeichnis |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032245358 |
Datensatz im Suchindex
_version_ | 1823124394656923648 |
---|---|
adam_text | |
any_adam_object | |
author | Foster, Hal 1955- |
author_GND | (DE-588)123940362 |
author_facet | Foster, Hal 1955- |
author_role | aut |
author_sort | Foster, Hal 1955- |
author_variant | h f hf |
building | Verbundindex |
bvnumber | BV046836284 |
classification_rvk | LH 60240 |
ctrlnum | (OCoLC)1197704682 (DE-599)BVBBV046836284 |
discipline | Kunstgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046836284</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250204</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200804s2020 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781788738118</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-1-78873-811-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1197704682</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046836284</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60240</subfield><subfield code="0">(DE-625)94184:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Foster, Hal</subfield><subfield code="d">1955-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123940362</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">What comes after farce?</subfield><subfield code="b">art and criticism at a time of debacle</subfield><subfield code="c">Hal Foster</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Verso</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 205 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the Left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second group reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface), "operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Foster, Hal</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)123940362</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Farce</subfield><subfield code="0">(DE-588)4153738-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politische Kunst</subfield><subfield code="0">(DE-588)4175029-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturkritik</subfield><subfield code="0">(DE-588)4033572-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Political aspects / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts and society / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">2000-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Foster, Hal</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)123940362</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Politische Kunst</subfield><subfield code="0">(DE-588)4175029-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Farce</subfield><subfield code="0">(DE-588)4153738-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kulturkritik</subfield><subfield code="0">(DE-588)4033572-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="d">2024</subfield><subfield code="z">978-1-80429-593-9</subfield><subfield code="w">(DE-604)BV050115053</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, US EBK</subfield><subfield code="z">978-1-78873-813-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, UK EBK</subfield><subfield code="z">978-1-78873-812-5</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.gbv.de/dms/bowker/toc/9781788738118.pdf</subfield><subfield code="v">2020-10-19</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032245358</subfield></datafield></record></collection> |
id | DE-604.BV046836284 |
illustrated | Illustrated |
indexdate | 2025-02-04T11:01:50Z |
institution | BVB |
isbn | 9781788738118 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032245358 |
oclc_num | 1197704682 |
open_access_boolean | |
owner | DE-12 DE-188 DE-355 DE-BY-UBR DE-20 |
owner_facet | DE-12 DE-188 DE-355 DE-BY-UBR DE-20 |
physical | x, 205 Seiten Illustrationen 22 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Verso |
record_format | marc |
spelling | Foster, Hal 1955- Verfasser (DE-588)123940362 aut What comes after farce? art and criticism at a time of debacle Hal Foster London ; New York Verso 2020 x, 205 Seiten Illustrationen 22 cm txt rdacontent n rdamedia nc rdacarrier "If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the Left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second group reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface), "operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives." Foster, Hal 1955- (DE-588)123940362 gnd rswk-swf Farce (DE-588)4153738-5 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Kulturkritik (DE-588)4033572-0 gnd rswk-swf Arts / Political aspects / History / 21st century Arts and society / History / 21st century Arts and society Arts / Political aspects 2000-2099 History Foster, Hal 1955- (DE-588)123940362 p Politische Kunst (DE-588)4175029-9 s Farce (DE-588)4153738-5 s Gesellschaft (DE-588)4020588-5 s Kulturkritik (DE-588)4033572-0 s DE-604 Äquivalent Druck-Ausgabe, Paperback 2024 978-1-80429-593-9 (DE-604)BV050115053 Erscheint auch als Online-Ausgabe, US EBK 978-1-78873-813-2 Erscheint auch als Online-Ausgabe, UK EBK 978-1-78873-812-5 https://www.gbv.de/dms/bowker/toc/9781788738118.pdf 2020-10-19 Aggregator Inhaltsverzeichnis |
spellingShingle | Foster, Hal 1955- What comes after farce? art and criticism at a time of debacle Foster, Hal 1955- (DE-588)123940362 gnd Farce (DE-588)4153738-5 gnd Gesellschaft (DE-588)4020588-5 gnd Politische Kunst (DE-588)4175029-9 gnd Kulturkritik (DE-588)4033572-0 gnd |
subject_GND | (DE-588)123940362 (DE-588)4153738-5 (DE-588)4020588-5 (DE-588)4175029-9 (DE-588)4033572-0 |
title | What comes after farce? art and criticism at a time of debacle |
title_auth | What comes after farce? art and criticism at a time of debacle |
title_exact_search | What comes after farce? art and criticism at a time of debacle |
title_full | What comes after farce? art and criticism at a time of debacle Hal Foster |
title_fullStr | What comes after farce? art and criticism at a time of debacle Hal Foster |
title_full_unstemmed | What comes after farce? art and criticism at a time of debacle Hal Foster |
title_short | What comes after farce? |
title_sort | what comes after farce art and criticism at a time of debacle |
title_sub | art and criticism at a time of debacle |
topic | Foster, Hal 1955- (DE-588)123940362 gnd Farce (DE-588)4153738-5 gnd Gesellschaft (DE-588)4020588-5 gnd Politische Kunst (DE-588)4175029-9 gnd Kulturkritik (DE-588)4033572-0 gnd |
topic_facet | Foster, Hal 1955- Farce Gesellschaft Politische Kunst Kulturkritik |
url | https://www.gbv.de/dms/bowker/toc/9781788738118.pdf |
work_keys_str_mv | AT fosterhal whatcomesafterfarceartandcriticismatatimeofdebacle |