Duchamp is my lawyer: the polemics, pragmatics, and poetics of UbuWeb
In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-gard...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Columbia University Press
[2020]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 https://doi.org/10.7312/gold18694 |
| Zusammenfassung: | In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify |
| Umfang: | 1 Online-Ressource (x, 318 Seiten) |
| ISBN: | 9780231546911 |
| DOI: | 10.7312/gold18694 |
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| 520 | |a In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify | ||
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| doi_str_mv | 10.7312/gold18694 |
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| spelling | Goldsmith, Kenneth 1961- Verfasser (DE-588)131609696 aut Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb Kenneth Goldsmith New York Columbia University Press [2020] © 2020 1 Online-Ressource (x, 318 Seiten) txt rdacontent c rdamedia cr rdacarrier In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arts Experimental methods Computer network resources UbuWeb (DE-588)7845076-7 gnd rswk-swf Experimentelle Lyrik (DE-588)4153364-1 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf UbuWeb (DE-588)7845076-7 s Medienkunst (DE-588)4113418-7 s Experimentelle Lyrik (DE-588)4153364-1 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-18694-0 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-18695-7 https://doi.org/10.7312/gold18694 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Goldsmith, Kenneth 1961- Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arts Experimental methods Computer network resources UbuWeb (DE-588)7845076-7 gnd Experimentelle Lyrik (DE-588)4153364-1 gnd Medienkunst (DE-588)4113418-7 gnd |
| subject_GND | (DE-588)7845076-7 (DE-588)4153364-1 (DE-588)4113418-7 |
| title | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb |
| title_auth | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb |
| title_exact_search | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb |
| title_full | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb Kenneth Goldsmith |
| title_fullStr | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb Kenneth Goldsmith |
| title_full_unstemmed | Duchamp is my lawyer the polemics, pragmatics, and poetics of UbuWeb Kenneth Goldsmith |
| title_short | Duchamp is my lawyer |
| title_sort | duchamp is my lawyer the polemics pragmatics and poetics of ubuweb |
| title_sub | the polemics, pragmatics, and poetics of UbuWeb |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arts Experimental methods Computer network resources UbuWeb (DE-588)7845076-7 gnd Experimentelle Lyrik (DE-588)4153364-1 gnd Medienkunst (DE-588)4113418-7 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Arts Experimental methods Computer network resources UbuWeb Experimentelle Lyrik Medienkunst |
| url | https://doi.org/10.7312/gold18694 |
| work_keys_str_mv | AT goldsmithkenneth duchampismylawyerthepolemicspragmaticsandpoeticsofubuweb |