Glitter up the dark: how pop music broke the binary
"Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Austin
University of Texas Press
© 2020
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| Schlagwörter: | |
| Zusammenfassung: | "Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- |
| Umfang: | viii, 254 Seiten 22 cm |
Internformat
MARC
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| 264 | 1 | |a Austin |b University of Texas Press |c © 2020 | |
| 300 | |a viii, 254 Seiten |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction. An Alternate Ribbon of Time -- Screaming the Beatles: The First Boy Band Breaks the Gender Mold -- Oh! You Pretty Things: The Glitter Revolution -- Whining Is Gender Neutral: Punk's Adolescent Escapism -- Wreckers of Civilization: Post-punk, Goth, and Industrial -- Soft Machines: Women, Cyborgs, and Electronic Music -- Not a Woman, Not a Man: Prince's Sapphic Androgyny -- The Fake Makes It Real: Synthpop and MTV -- Infinite Utopia: Queer Time in Disco and House -- Funky Cyborgs: Time, Technology, and Gender in Hip-Hop -- Butch Throats: Women's Music and Riot Grrrl -- God Is Gay: The Grunge Eruption -- No Shape: The Formless Internet -- Coda. Whole New World | |
| 520 | |a "Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- | ||
| 650 | 4 | |a Gender identity in music | |
| 650 | 4 | |a Sex role in music | |
| 650 | 4 | |a Popular music / History and criticism | |
| 650 | 7 | |a Gender identity in music |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Sex role in music |2 fast | |
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Datensatz im Suchindex
| _version_ | 1818986979845472256 |
|---|---|
| any_adam_object | |
| author | Geffen, Sasha 1989- |
| author_GND | (DE-588)1212291603 |
| author_facet | Geffen, Sasha 1989- |
| author_role | aut |
| author_sort | Geffen, Sasha 1989- |
| author_variant | s g sg |
| building | Verbundindex |
| bvnumber | BV046733274 |
| contents | Introduction. An Alternate Ribbon of Time -- Screaming the Beatles: The First Boy Band Breaks the Gender Mold -- Oh! You Pretty Things: The Glitter Revolution -- Whining Is Gender Neutral: Punk's Adolescent Escapism -- Wreckers of Civilization: Post-punk, Goth, and Industrial -- Soft Machines: Women, Cyborgs, and Electronic Music -- Not a Woman, Not a Man: Prince's Sapphic Androgyny -- The Fake Makes It Real: Synthpop and MTV -- Infinite Utopia: Queer Time in Disco and House -- Funky Cyborgs: Time, Technology, and Gender in Hip-Hop -- Butch Throats: Women's Music and Riot Grrrl -- God Is Gay: The Grunge Eruption -- No Shape: The Formless Internet -- Coda. Whole New World |
| ctrlnum | (OCoLC)1164644218 (DE-599)BVBBV046733274 |
| format | Book |
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| id | DE-604.BV046733274 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:59:24Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032143318 |
| oclc_num | 1164644218 |
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| owner_facet | DE-12 |
| physical | viii, 254 Seiten 22 cm |
| psigel | BSB_NED_20200710 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Texas Press |
| record_format | marc |
| spelling | Geffen, Sasha 1989- Verfasser (DE-588)1212291603 aut Glitter up the dark how pop music broke the binary Sasha Geffen Austin University of Texas Press © 2020 viii, 254 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Introduction. An Alternate Ribbon of Time -- Screaming the Beatles: The First Boy Band Breaks the Gender Mold -- Oh! You Pretty Things: The Glitter Revolution -- Whining Is Gender Neutral: Punk's Adolescent Escapism -- Wreckers of Civilization: Post-punk, Goth, and Industrial -- Soft Machines: Women, Cyborgs, and Electronic Music -- Not a Woman, Not a Man: Prince's Sapphic Androgyny -- The Fake Makes It Real: Synthpop and MTV -- Infinite Utopia: Queer Time in Disco and House -- Funky Cyborgs: Time, Technology, and Gender in Hip-Hop -- Butch Throats: Women's Music and Riot Grrrl -- God Is Gay: The Grunge Eruption -- No Shape: The Formless Internet -- Coda. Whole New World "Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- Gender identity in music Sex role in music Popular music / History and criticism Gender identity in music fast Popular music fast Sex role in music fast Geschlechtsidentität (DE-588)4181116-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Popmusiker (DE-588)4046783-1 gnd rswk-swf Popmusik (DE-588)4046781-8 s Popmusiker (DE-588)4046783-1 s Geschlechtsidentität (DE-588)4181116-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4773-2083-9 |
| spellingShingle | Geffen, Sasha 1989- Glitter up the dark how pop music broke the binary Introduction. An Alternate Ribbon of Time -- Screaming the Beatles: The First Boy Band Breaks the Gender Mold -- Oh! You Pretty Things: The Glitter Revolution -- Whining Is Gender Neutral: Punk's Adolescent Escapism -- Wreckers of Civilization: Post-punk, Goth, and Industrial -- Soft Machines: Women, Cyborgs, and Electronic Music -- Not a Woman, Not a Man: Prince's Sapphic Androgyny -- The Fake Makes It Real: Synthpop and MTV -- Infinite Utopia: Queer Time in Disco and House -- Funky Cyborgs: Time, Technology, and Gender in Hip-Hop -- Butch Throats: Women's Music and Riot Grrrl -- God Is Gay: The Grunge Eruption -- No Shape: The Formless Internet -- Coda. Whole New World Gender identity in music Sex role in music Popular music / History and criticism Gender identity in music fast Popular music fast Sex role in music fast Geschlechtsidentität (DE-588)4181116-1 gnd Popmusik (DE-588)4046781-8 gnd Popmusiker (DE-588)4046783-1 gnd |
| subject_GND | (DE-588)4181116-1 (DE-588)4046781-8 (DE-588)4046783-1 |
| title | Glitter up the dark how pop music broke the binary |
| title_auth | Glitter up the dark how pop music broke the binary |
| title_exact_search | Glitter up the dark how pop music broke the binary |
| title_full | Glitter up the dark how pop music broke the binary Sasha Geffen |
| title_fullStr | Glitter up the dark how pop music broke the binary Sasha Geffen |
| title_full_unstemmed | Glitter up the dark how pop music broke the binary Sasha Geffen |
| title_short | Glitter up the dark |
| title_sort | glitter up the dark how pop music broke the binary |
| title_sub | how pop music broke the binary |
| topic | Gender identity in music Sex role in music Popular music / History and criticism Gender identity in music fast Popular music fast Sex role in music fast Geschlechtsidentität (DE-588)4181116-1 gnd Popmusik (DE-588)4046781-8 gnd Popmusiker (DE-588)4046783-1 gnd |
| topic_facet | Gender identity in music Sex role in music Popular music / History and criticism Popular music Geschlechtsidentität Popmusik Popmusiker |
| work_keys_str_mv | AT geffensasha glitterupthedarkhowpopmusicbrokethebinary |