Staging personhood: costuming in early Qing drama
After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where...
Gespeichert in:
| Beteilige Person: | |
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Columbia University Press
[2020]
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| Schlagwörter: | |
| Links: | https://doi.org/10.7312/wang19190 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://www.degruyter.com/isbn/9780231549578 https://doi.org/10.7312/wang19190 |
| Zusammenfassung: | After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.Staging Personhood uncovers a hidden history of the Ming–Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, Staging Personhood provides a pathbreaking perspective on the cultural dynamics of early Qing China |
| Umfang: | 1 Online-Ressource (xii, 300 Seiten) Illustrationen |
| ISBN: | 9780231549578 |
| DOI: | 10.7312/wang19190 |
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Datensatz im Suchindex
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| discipline | Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
| doi_str_mv | 10.7312/wang19190 |
| era | Geschichte 1650-1700 gnd |
| era_facet | Geschichte 1650-1700 |
| format | Electronic eBook |
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| spelling | Wang, Guojun 1982- Verfasser (DE-588)1214446396 aut Staging personhood costuming in early Qing drama Guojun Wang New York Columbia University Press [2020] © 2019 1 Online-Ressource (xii, 300 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.Staging Personhood uncovers a hidden history of the Ming–Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, Staging Personhood provides a pathbreaking perspective on the cultural dynamics of early Qing China Geschichte 1650-1700 gnd rswk-swf LITERARY CRITICISM / Drama bisacsh Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Theaterkostüm (DE-588)4136979-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content China (DE-588)4009937-4 g Theaterkostüm (DE-588)4136979-8 s Ethnische Identität (DE-588)4153096-2 s Geschichte 1650-1700 z DE-604 Erscheint auch als Druck-Ausgabe 978-0-231-19190-6 https://doi.org/10.7312/wang19190 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wang, Guojun 1982- Staging personhood costuming in early Qing drama LITERARY CRITICISM / Drama bisacsh Ethnische Identität (DE-588)4153096-2 gnd Theaterkostüm (DE-588)4136979-8 gnd |
| subject_GND | (DE-588)4153096-2 (DE-588)4136979-8 (DE-588)4009937-4 (DE-588)4113937-9 |
| title | Staging personhood costuming in early Qing drama |
| title_auth | Staging personhood costuming in early Qing drama |
| title_exact_search | Staging personhood costuming in early Qing drama |
| title_full | Staging personhood costuming in early Qing drama Guojun Wang |
| title_fullStr | Staging personhood costuming in early Qing drama Guojun Wang |
| title_full_unstemmed | Staging personhood costuming in early Qing drama Guojun Wang |
| title_short | Staging personhood |
| title_sort | staging personhood costuming in early qing drama |
| title_sub | costuming in early Qing drama |
| topic | LITERARY CRITICISM / Drama bisacsh Ethnische Identität (DE-588)4153096-2 gnd Theaterkostüm (DE-588)4136979-8 gnd |
| topic_facet | LITERARY CRITICISM / Drama Ethnische Identität Theaterkostüm China Hochschulschrift |
| url | https://doi.org/10.7312/wang19190 |
| work_keys_str_mv | AT wangguojun stagingpersonhoodcostuminginearlyqingdrama |