Ambiguity in Charlotte Brontë's "Villette":
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Göttingen
V&R unipress
[2020]
|
| Schriftenreihe: | Close reading
volume 3 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Charlotte Brontë’s final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator’s ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy’s signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity |
| Umfang: | 283 Seiten 23.2 cm x 15.5 cm |
| ISBN: | 9783847111191 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV046634701 | ||
| 003 | DE-604 | ||
| 005 | 20201113 | ||
| 007 | t| | ||
| 008 | 200320s2020 gw m||| 00||| eng d | ||
| 015 | |a 19,N47 |2 dnb | ||
| 016 | 7 | |a 1199716723 |2 DE-101 | |
| 020 | |a 9783847111191 |c (Festeinband : circa EUR 50.00 (DE), circa EUR 52.00 (AT)) |9 978-3-8471-1119-1 | ||
| 035 | |a (OCoLC)1164604152 | ||
| 035 | |a (DE-599)DNB1199716723 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a gw |c XA-DE-NI | ||
| 049 | |a DE-384 |a DE-824 |a DE-739 |a DE-12 |a DE-11 | ||
| 084 | |a HL 2045 |0 (DE-625)50508:11852 |2 rvk | ||
| 100 | 1 | |a Springer, Olga |d 1983- |e Verfasser |0 (DE-588)1204014094 |4 aut | |
| 245 | 1 | 0 | |a Ambiguity in Charlotte Brontë's "Villette" |c Olga Springer |
| 264 | 1 | |a Göttingen |b V&R unipress |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 283 Seiten |c 23.2 cm x 15.5 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Close reading |v volume 3 | |
| 502 | |b Dissertation |c Philosophische Fakultät der Eberhard Karls Universität Tübingen |d 2017 | ||
| 520 | 3 | |a Charlotte Brontë’s final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator’s ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy’s signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity | |
| 600 | 1 | 7 | |a Brontë, Charlotte |d 1816-1855 |t Villette |0 (DE-588)4323068-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ambiguität |0 (DE-588)4138525-1 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Brontë, Charlotte |d 1816-1855 |t Villette |0 (DE-588)4323068-4 |D u |
| 689 | 0 | 1 | |a Ambiguität |0 (DE-588)4138525-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 751 | |a Tübingen |0 (DE-588)4061147-4 |2 gnd |4 uvp | ||
| 830 | 0 | |a Close reading |v volume 3 |w (DE-604)BV042162972 |9 3 | |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032046183 | |
Datensatz im Suchindex
| _version_ | 1819342765588217856 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS
......................................................................................
9
I.
INTRODUCTION
............................................................................................
11
1.
VILLETTE
AND
AMBIGUITY:
STARTING
POINTS
........................................
11
2.
READING
(THE
CHAPTER)
*
VILLETTE
*
....................................................
16
3.
AN
IMAGE
OF
AMBIGUITY
.................................................................
23
4.
THE
METAMORPHOSES
OF
VILLETTE
....................................................
29
5.
CRITICAL
REFLECTIONS
ON
AMBIGUITY
IN
VILLETTE
...............................
32
II.
THE
SIGNATURE
OF
AMBIGUITY:
I
KNOW
NOT
*
........................................
37
1.
*
I
KNOW
NOT
*
-
AN
AMBIGUOUS
PHRASE
IN
VILLETTE
.........................
37
2.
KNOWING
IN
LUCY
AND
M.
PAUL
*
S
RELATIONSHIP
...............................
43
3.
THE
FIRST
INSTANCES
OF
*
I
KNOW
NOT
*
..............................................
46
4.
UNCERTAINTY,
SELF-RELIANCE
AND
THE
CITY
........................................
48
5.
THE
UNCERTAINTY
OF
FOREIGN
SURROUNDINGS
..................................
51
6.
SELF-KNOWLEDGE
AND
RECOGNITION
.................................................
52
7.
I
KNOW
NOT
*
AND
SURVEILLANCE
.......................................................
58
8.
DESPAIR
AND
HOPE
.............................................................................
60
9.
UNCERTAINTY
AND
AMBIGUITY
...........................................................
64
10.
SUSPENSE:
A
WORSE
BOON
THAN
DESPAIR
*
........................................
67
11.
LIGHT-HEARTEDNESS
IN
UNCERTAINTY
.................................................
72
12.
THE
UNCERTAINTY
OF
LOVE
.................................................................
74
13.
SCEPTICISM
.........................................................................................
81
14.
FANCYING,
KNOWING
AND
BELIEVING
.................................................
83
III.
WHO
IS
LUCY
SNOWE?
.............................................................................
89
1.
KNOWING
ONESELF
AND
KNOWING
OTHERS
........................................
89
2.
*
*
WHO
ARE
YOU,
MISS
SNOWE?
*
*
.......................................................
91
3.
THE
DICHOTOMY
OF
INSIDE
AND
OUTSIDE:
THE
MIRROR
..................
98
4.
LUCY
IN
THE
EYES
OF
OTHERS
..............................................................
102
6
CONTENTS
5.
*
I
WILL
PERMIT
THE
READER
TO
PICTURE
ME
*
-
LUCY
*
S
RELATIONSHIP
WITH
THE
READER
................................................................................
105
6.
LUCY
*
S
SELF-CHARACTERIZATIONS
........................................................
109
7.
THE
WRITING-DESK
AS
A
METAPHOR
OF
LUCY
*
S
MIND
.........................
ILL
8.
THE
NUN
AS
LUCY
*
S
ALTER
EGO
...........................................................
120
9.
INDEPENDENCE:
*
I
WAS
NO
BRIGHT
LADY
*
S
SHADOW
*
.........................
122
10.
THE
ONLOOKER
AT
LIFE
AND
THE
THEATRICALITY
OF
THE
SELF
...............
127
10.1
EXPERIENCING
AND
NARRATING
..................................................
129
10.2
*
I
MIGHT
HAVE
TAKEN
THIS
DISCOVERY
AS
A
THUNDERCLAP
*
:
THE
MIXING
OF
NARRATIVE
PERSPECTIVES
..................................
130
10.3
LUCY
AS
SPECTATOR:
THE
*
CLEOPATRA
*
AND
VASHTI
...................
135
11.
*
I
BELIEVED
MYSELF
SELF-BETRAYED
*
.....................................................
143
12.
A
LATER
INSTANCE
OF
*
WHO
ARE
YOU?
*
:
THE
SELF
IN
THE
NOVEL
FRAGMENT
EMMA
.............................................................................
144
13.
SELF
AND
INTERPRETATION
....................................................................
146
IV.
*
*
BAD
OR
GOOD?
*
*
-
ENDEAVOURS
AT
ORACULAR
PREDICTION
......................
147
1.
THE
AMBIGUITY
OF
INTERPRETATION:
ORACLES
.....................................
147
2.
THE
ORACLES
IN
VILLETTE
....................................................................
151
2.1
*
*
MAIS
-
BIEN
DES
CHOSES
*
*
:
THE
FIRST
ORACLE
.........................
151
2.2
AN
ORACLE
ABOUT
THE
PAST
........................................................
156
2.3
*
[A]
STRANGE
HUM
OF
ORACLES
*
-
THE
AMBIGUITY
OF
THE
CREATIVE
IMPULSE
....................................................................
158
2.4
*
*
[Y]OU
SHALL
BE
WHAT
YOU
SHALL
BE!
*
*
.....................................
163
2.5
LUCY
AND
M.
PAUL:
THE
INTIMACY
OF
INTERPRETATION
............
174
2.6
THE
DECEPTIVE
ORACLE
..............................................................
178
2.7
THE
FINAL
ORACLE
.......................................................................
185
3.
LUCY
SNOWE
*
S
PROVIDENCE
AND
FATE:
VILLETTE
IN
THE
TRADITION
OF
THE
SPIRITUAL
AUTOBIOGRAPHY
...........................................................
187
4.
CONCLUSION
......................................................................................
192
V.
*
[CJOVERED
WITH
A
CLOUD*
:
ALLEGORY
.....................................................
193
1.
BETWEEN
REVELATION
AND
CONCEALMENT
...........................................
193
1.1
ALLEGORY
AND
AMBIGUITY
........................................................
195
2.
SHIPWRECK
.........................................................................................
202
2.1
LUCY
*
S
SHIPWRECK
....................................................................
203
2.2
M.
PAUL
*
S
SHIPWRECK
..........................................................
210
2.3
THE
AMBIGUITY
OF
CATASTROPHE
..............................................
217
3.
LUCY
*
S
DIALOGUE
WITH
REASON
...........................................................
219
3.1
DIGRESSION:
THE
BATTLE
MOTIF
.................................................
224
3.2
IMAGINATION
.............................................................................
227
CONTENTS
7
4.
THE
PATH
AS
METAPHOR
....................................................................
233
4.1
THE
ROAD
NOT
TAKEN
-
LUCY
*
S
CONFESSION
AND
THE
POSSIBILITY
OF
BECOMING
A
NUN
..............................................
234
4.2
THE
*
TRACE
OF
WHITE
*
AND
THE
*
DIM
PATH
*
-
PATH
ALLEGORIES
IN
JANE
EYRE
AND
VILLETTE
........................................................
239
4.3
HOME
AND
TELOS
.......................................................................
243
5.
INNER
AND
OUTER
WORLDS
:
THE
ALLEGORISATION
OF
LUCY
*
S
SURROUNDINGS
...................................................................................
245
6.
CONCLUSION:
ALLEGORY
AS
NARRATIVE
DEVICE
AND
ARTISTIC
SELF-REFLECTION
...................................................................................
249
VI.
CONCLUSION:
THE
TREASURE
OF
LETTERS
AND
THE
AMBIGUITY
OF
HOPE
.
.
251
1.
THE
LETTERS
OF
VILLETTE
........................................................................
251
1.1
GRAHAM
*
S
LETTERS
......................................................................
253
2.
THE
BURIAL
OF
THE
LETTERS
.................................................................
256
3.
HOPE
AS
A
LITERARY
TOPOS
.................................................................
260
4.
DIFFERENT
ROLES
OF
HOPE
....................................................................
263
5.
THE
HOPE
OF
A
LIFE
AFTER
DEATH
.....................................................
266
6.
THE
END
............................................................................................
267
VII.
WORKS
CITED
............................................................................................
269
1.
PRIMARY
SOURCES
.............................................................................
269
2.
SECONDARY
SOURCES
..........................................................................
272
Close Reading 3 Charlotte Bronte’s final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in vari ous ways. Among these is the narrator’s ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy’s signature phrase, “I know not,” expressive of her existen tial doubts and questioning attitude toward the world. The analy sis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity.
|
| any_adam_object | 1 |
| author | Springer, Olga 1983- |
| author_GND | (DE-588)1204014094 |
| author_facet | Springer, Olga 1983- |
| author_role | aut |
| author_sort | Springer, Olga 1983- |
| author_variant | o s os |
| building | Verbundindex |
| bvnumber | BV046634701 |
| classification_rvk | HL 2045 |
| ctrlnum | (OCoLC)1164604152 (DE-599)DNB1199716723 |
| discipline | Anglistik / Amerikanistik |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03172nam a2200469 cb4500</leader><controlfield tag="001">BV046634701</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201113 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200320s2020 gw m||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">19,N47</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">1199716723</subfield><subfield code="2">DE-101</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783847111191</subfield><subfield code="c">(Festeinband : circa EUR 50.00 (DE), circa EUR 52.00 (AT))</subfield><subfield code="9">978-3-8471-1119-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1164604152</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DNB1199716723</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">XA-DE-NI</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-384</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 2045</subfield><subfield code="0">(DE-625)50508:11852</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Springer, Olga</subfield><subfield code="d">1983-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1204014094</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ambiguity in Charlotte Brontë's "Villette"</subfield><subfield code="c">Olga Springer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Göttingen</subfield><subfield code="b">V&R unipress</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">283 Seiten</subfield><subfield code="c">23.2 cm x 15.5 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Close reading</subfield><subfield code="v">volume 3</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Philosophische Fakultät der Eberhard Karls Universität Tübingen</subfield><subfield code="d">2017</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Charlotte Brontë’s final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator’s ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy’s signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Brontë, Charlotte</subfield><subfield code="d">1816-1855</subfield><subfield code="t">Villette</subfield><subfield code="0">(DE-588)4323068-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ambiguität</subfield><subfield code="0">(DE-588)4138525-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Brontë, Charlotte</subfield><subfield code="d">1816-1855</subfield><subfield code="t">Villette</subfield><subfield code="0">(DE-588)4323068-4</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ambiguität</subfield><subfield code="0">(DE-588)4138525-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="751" ind1=" " ind2=" "><subfield code="a">Tübingen</subfield><subfield code="0">(DE-588)4061147-4</subfield><subfield code="2">gnd</subfield><subfield code="4">uvp</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Close reading</subfield><subfield code="v">volume 3</subfield><subfield code="w">(DE-604)BV042162972</subfield><subfield code="9">3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DNB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032046183</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV046634701 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:56:53Z |
| institution | BVB |
| isbn | 9783847111191 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032046183 |
| oclc_num | 1164604152 |
| open_access_boolean | |
| owner | DE-384 DE-824 DE-739 DE-12 DE-11 |
| owner_facet | DE-384 DE-824 DE-739 DE-12 DE-11 |
| physical | 283 Seiten 23.2 cm x 15.5 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | V&R unipress |
| record_format | marc |
| series | Close reading |
| series2 | Close reading |
| spellingShingle | Springer, Olga 1983- Ambiguity in Charlotte Brontë's "Villette" Close reading Brontë, Charlotte 1816-1855 Villette (DE-588)4323068-4 gnd Ambiguität (DE-588)4138525-1 gnd |
| subject_GND | (DE-588)4323068-4 (DE-588)4138525-1 (DE-588)4113937-9 |
| title | Ambiguity in Charlotte Brontë's "Villette" |
| title_auth | Ambiguity in Charlotte Brontë's "Villette" |
| title_exact_search | Ambiguity in Charlotte Brontë's "Villette" |
| title_full | Ambiguity in Charlotte Brontë's "Villette" Olga Springer |
| title_fullStr | Ambiguity in Charlotte Brontë's "Villette" Olga Springer |
| title_full_unstemmed | Ambiguity in Charlotte Brontë's "Villette" Olga Springer |
| title_short | Ambiguity in Charlotte Brontë's "Villette" |
| title_sort | ambiguity in charlotte bronte s villette |
| topic | Brontë, Charlotte 1816-1855 Villette (DE-588)4323068-4 gnd Ambiguität (DE-588)4138525-1 gnd |
| topic_facet | Brontë, Charlotte 1816-1855 Villette Ambiguität Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032046183&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042162972 |
| work_keys_str_mv | AT springerolga ambiguityincharlottebrontesvillette |