Heritage and debt: art in globalization
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2020]
|
| Schriftenreihe: | OCTOBER books
|
| Schlagwörter: | |
| Abstract: | How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new-on surpassing the past, often by assigning it to the "traditional" societies of the Global South-global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage-from literati ink painting in China to Aboriginal painting in Australia-in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms "the curatorial episteme," which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge-and can contribute to the dual projects of decolonization and deimperialization. |
| Umfang: | xxiv, 318 Seiten Illustrationen |
| ISBN: | 9780262043694 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046627375 | ||
| 003 | DE-604 | ||
| 005 | 20220616 | ||
| 007 | t| | ||
| 008 | 200312s2020 xx a||| |||| 00||| eng d | ||
| 020 | |a 9780262043694 |c hardback : £32.00 |9 978-0-262-04369-4 | ||
| 035 | |a (OCoLC)1153982898 | ||
| 035 | |a (DE-599)BVBBV046627375 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 |a DE-12 |a DE-255 |a DE-11 |a DE-Y3 |a DE-188 |a DE-91 |a DE-19 | ||
| 084 | |a LH 65880 |0 (DE-625)94564: |2 rvk | ||
| 084 | |a LH 65820 |0 (DE-625)94562:13104 |2 rvk | ||
| 084 | |a KUN 010 |2 stub | ||
| 100 | 1 | |a Joselit, David |d ca. 20. Jh. |e Verfasser |0 (DE-588)188395563 |4 aut | |
| 245 | 1 | 0 | |a Heritage and debt |b art in globalization |c David Joselit |
| 264 | 1 | |a Cambridge, Massachusetts ; London, England |b The MIT Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xxiv, 318 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a OCTOBER books | |
| 520 | 3 | |a How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new-on surpassing the past, often by assigning it to the "traditional" societies of the Global South-global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage-from literati ink painting in China to Aboriginal painting in Australia-in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms "the curatorial episteme," which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge-and can contribute to the dual projects of decolonization and deimperialization. | |
| 650 | 0 | 7 | |a Globalisierung |0 (DE-588)4557997-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Underground |g Kultur |0 (DE-588)4997921-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Eurozentrismus |0 (DE-588)4200132-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sozialismus |0 (DE-588)4055785-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Moderne |0 (DE-588)4039827-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Postkolonialismus |0 (DE-588)4566658-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Moderne |0 (DE-588)4039827-4 |D s |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 2 | |a Eurozentrismus |0 (DE-588)4200132-8 |D s |
| 689 | 0 | 3 | |a Postkolonialismus |0 (DE-588)4566658-1 |D s |
| 689 | 0 | 4 | |a Sozialismus |0 (DE-588)4055785-6 |D s |
| 689 | 0 | 5 | |a Underground |g Kultur |0 (DE-588)4997921-8 |D s |
| 689 | 0 | 6 | |a Globalisierung |0 (DE-588)4557997-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032038979 | |
Datensatz im Suchindex
| DE-BY-TUM_call_number | 0002 KUN 010 2021 A 3505 |
|---|---|
| DE-BY-TUM_katkey | 2582695 |
| DE-BY-TUM_location | 00 |
| DE-BY-TUM_media_number | 040009523008 |
| _version_ | 1821934458229489664 |
| any_adam_object | |
| author | Joselit, David ca. 20. Jh |
| author_GND | (DE-588)188395563 |
| author_facet | Joselit, David ca. 20. Jh |
| author_role | aut |
| author_sort | Joselit, David ca. 20. Jh |
| author_variant | d j dj |
| building | Verbundindex |
| bvnumber | BV046627375 |
| classification_rvk | LH 65880 LH 65820 |
| classification_tum | KUN 010 |
| ctrlnum | (OCoLC)1153982898 (DE-599)BVBBV046627375 |
| discipline | Kunstgeschichte Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03603nam a2200505 c 4500</leader><controlfield tag="001">BV046627375</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220616 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">200312s2020 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780262043694</subfield><subfield code="c">hardback : £32.00</subfield><subfield code="9">978-0-262-04369-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1153982898</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046627375</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65880</subfield><subfield code="0">(DE-625)94564:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65820</subfield><subfield code="0">(DE-625)94562:13104</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUN 010</subfield><subfield code="2">stub</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Joselit, David</subfield><subfield code="d">ca. 20. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)188395563</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Heritage and debt</subfield><subfield code="b">art in globalization</subfield><subfield code="c">David Joselit</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Massachusetts ; London, England</subfield><subfield code="b">The MIT Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxiv, 318 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">OCTOBER books</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new-on surpassing the past, often by assigning it to the "traditional" societies of the Global South-global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage-from literati ink painting in China to Aboriginal painting in Australia-in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms "the curatorial episteme," which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge-and can contribute to the dual projects of decolonization and deimperialization.</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Underground</subfield><subfield code="g">Kultur</subfield><subfield code="0">(DE-588)4997921-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Eurozentrismus</subfield><subfield code="0">(DE-588)4200132-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sozialismus</subfield><subfield code="0">(DE-588)4055785-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postkolonialismus</subfield><subfield code="0">(DE-588)4566658-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Eurozentrismus</subfield><subfield code="0">(DE-588)4200132-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Postkolonialismus</subfield><subfield code="0">(DE-588)4566658-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Sozialismus</subfield><subfield code="0">(DE-588)4055785-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Underground</subfield><subfield code="g">Kultur</subfield><subfield code="0">(DE-588)4997921-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Globalisierung</subfield><subfield code="0">(DE-588)4557997-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032038979</subfield></datafield></record></collection> |
| id | DE-604.BV046627375 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:56:41Z |
| institution | BVB |
| isbn | 9780262043694 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032038979 |
| oclc_num | 1153982898 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-255 DE-11 DE-Y3 DE-188 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
| owner_facet | DE-29 DE-12 DE-255 DE-11 DE-Y3 DE-188 DE-91 DE-BY-TUM DE-19 DE-BY-UBM |
| physical | xxiv, 318 Seiten Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | The MIT Press |
| record_format | marc |
| series2 | OCTOBER books |
| spellingShingle | Joselit, David ca. 20. Jh Heritage and debt art in globalization Globalisierung (DE-588)4557997-0 gnd Underground Kultur (DE-588)4997921-8 gnd Eurozentrismus (DE-588)4200132-8 gnd Sozialismus (DE-588)4055785-6 gnd Moderne (DE-588)4039827-4 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4997921-8 (DE-588)4200132-8 (DE-588)4055785-6 (DE-588)4039827-4 (DE-588)4566658-1 (DE-588)4114333-4 |
| title | Heritage and debt art in globalization |
| title_auth | Heritage and debt art in globalization |
| title_exact_search | Heritage and debt art in globalization |
| title_full | Heritage and debt art in globalization David Joselit |
| title_fullStr | Heritage and debt art in globalization David Joselit |
| title_full_unstemmed | Heritage and debt art in globalization David Joselit |
| title_short | Heritage and debt |
| title_sort | heritage and debt art in globalization |
| title_sub | art in globalization |
| topic | Globalisierung (DE-588)4557997-0 gnd Underground Kultur (DE-588)4997921-8 gnd Eurozentrismus (DE-588)4200132-8 gnd Sozialismus (DE-588)4055785-6 gnd Moderne (DE-588)4039827-4 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Globalisierung Underground Kultur Eurozentrismus Sozialismus Moderne Postkolonialismus Kunst |
| work_keys_str_mv | AT joselitdavid heritageanddebtartinglobalization |
Paper/Kapitel scannen lassen
Teilbibliothek Stammgelände
| Signatur: |
0002 KUN 010 2021 A 3505 Lageplan |
|---|---|
| Exemplar 1 | Ausleihbar Am Standort |