Human Forms: The Novel in the Age of Evolution
A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton, NJ
Princeton University Press
[2019]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189?locatt=mode:legacy https://doi.org/10.1515/9780691194189 |
| Zusammenfassung: | A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) |
| Umfang: | 1 online resource (208 pages) |
| ISBN: | 9780691194189 |
| DOI: | 10.1515/9780691194189 |
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| 520 | |a A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel | ||
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| spelling | Duncan, Ian Verfasser aut Human Forms The Novel in the Age of Evolution Ian Duncan Princeton, NJ Princeton University Press [2019] © 2019 1 online resource (208 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019) A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel In English Geschichte 1740-1880 gnd rswk-swf LITERARY CRITICISM / European / General bisacsh European fiction 18th century History and criticism European fiction 19th century History and criticism Evolution (Biology) in literature Humanity in literature Englisch (DE-588)4014777-0 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Naturwissenschaften (DE-588)4041421-8 s Geschichte 1740-1880 z 1\p DE-604 https://doi.org/10.1515/9780691194189 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Duncan, Ian Human Forms The Novel in the Age of Evolution LITERARY CRITICISM / European / General bisacsh European fiction 18th century History and criticism European fiction 19th century History and criticism Evolution (Biology) in literature Humanity in literature Englisch (DE-588)4014777-0 gnd Naturwissenschaften (DE-588)4041421-8 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4041421-8 (DE-588)4050479-7 |
| title | Human Forms The Novel in the Age of Evolution |
| title_auth | Human Forms The Novel in the Age of Evolution |
| title_exact_search | Human Forms The Novel in the Age of Evolution |
| title_full | Human Forms The Novel in the Age of Evolution Ian Duncan |
| title_fullStr | Human Forms The Novel in the Age of Evolution Ian Duncan |
| title_full_unstemmed | Human Forms The Novel in the Age of Evolution Ian Duncan |
| title_short | Human Forms |
| title_sort | human forms the novel in the age of evolution |
| title_sub | The Novel in the Age of Evolution |
| topic | LITERARY CRITICISM / European / General bisacsh European fiction 18th century History and criticism European fiction 19th century History and criticism Evolution (Biology) in literature Humanity in literature Englisch (DE-588)4014777-0 gnd Naturwissenschaften (DE-588)4041421-8 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | LITERARY CRITICISM / European / General European fiction 18th century History and criticism European fiction 19th century History and criticism Evolution (Biology) in literature Humanity in literature Englisch Naturwissenschaften Roman |
| url | https://doi.org/10.1515/9780691194189 |
| work_keys_str_mv | AT duncanian humanformsthenovelintheageofevolution |