More than one picture: an art history of the hyperimage
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch Deutsch |
| Veröffentlicht: |
Los Angeles
The Getty Research Institute
[2019]
|
| Ausgabe: | English edition |
| Schlagwörter: | |
| Abstract: | "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher |
| Umfang: | vii, 220 Seiten Illustrationen |
| ISBN: | 9781606066256 1606066250 |
Internformat
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| 100 | 1 | |a Thürlemann, Felix |d 1946- |e Verfasser |0 (DE-588)124300812 |4 aut | |
| 240 | 1 | 0 | |a Mehr als ein Bild |
| 245 | 1 | 0 | |a More than one picture |b an art history of the hyperimage |c Felix Thürlemann ; translated by Elizabeth Tucker |
| 250 | |a English edition | ||
| 264 | 1 | |a Los Angeles |b The Getty Research Institute |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a vii, 220 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters | |
| 520 | 3 | |a "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher | |
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Datensatz im Suchindex
| _version_ | 1820975740792864768 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Thürlemann, Felix 1946- |
| author2 | Tucker, Elizabeth 1948- |
| author2_role | trl |
| author2_variant | e t et |
| author_GND | (DE-588)124300812 (DE-588)1058204564 |
| author_facet | Thürlemann, Felix 1946- Tucker, Elizabeth 1948- |
| author_role | aut |
| author_sort | Thürlemann, Felix 1946- |
| author_variant | f t ft |
| building | Verbundindex |
| bvnumber | BV046212441 |
| classification_rvk | LH 39930 LH 60400 LH 61050 EC 2440 |
| contents | Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters |
| ctrlnum | (OCoLC)1137821704 (DE-599)BVBBV046212441 |
| discipline | Kunstgeschichte Literaturwissenschaft |
| edition | English edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV046212441 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T17:49:54Z |
| institution | BVB |
| isbn | 9781606066256 1606066250 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031591323 |
| oclc_num | 1137821704 |
| open_access_boolean | |
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| physical | vii, 220 Seiten Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | The Getty Research Institute |
| record_format | marc |
| spelling | Thürlemann, Felix 1946- Verfasser (DE-588)124300812 aut Mehr als ein Bild More than one picture an art history of the hyperimage Felix Thürlemann ; translated by Elizabeth Tucker English edition Los Angeles The Getty Research Institute [2019] © 2019 vii, 220 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters "In this volume, the author develops a theory of the hyperimage, arguing that constellations of images on walls or pages have played a major role in the history of art since the seventeenth century"--Provided by publisher Geschichte gnd rswk-swf Kombination (DE-588)4319923-9 gnd rswk-swf Präsentation (DE-588)4135231-2 gnd rswk-swf Bild (DE-588)4006568-6 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Ästhetisches Urteil (DE-588)4141539-5 gnd rswk-swf Visual communication in art Art / Exhibition techniques Art / Collectors and collecting Bild (DE-588)4006568-6 s Kombination (DE-588)4319923-9 s Präsentation (DE-588)4135231-2 s Geschichte z DE-604 Ästhetisches Urteil (DE-588)4141539-5 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Tucker, Elizabeth 1948- (DE-588)1058204564 trl Übersetzung von Mehr als ein Bild München : Fink, 2013 978-3-7705-5606-9 |
| spellingShingle | Thürlemann, Felix 1946- More than one picture an art history of the hyperimage Introduction: Practices of the Hyperimage -- Chapter 1. Collectors' Arrangements -- Frans Francken the Younger, circa 1620: En Route to the Pendant Hanging -- Vivant Denon, 1802: The Wall of Pictures as Didactic Showpiece -- Johann Valentin Prehn, ca. 1820: The Collector's Nightmare -- Chapter 2. Art Historians' Image Practice -- Heinrich Wölfflin-1915: Exemplary Pairs -- Aby Warburg, 1929: An Overview of the Whole -- André Malraux, 1947: A Dialogue of Cultures -- Chapter 3. Artists' Hyperimages -- Pablo Picasso, 1912: The Painter Photographs the Sounds of a Cardboard Guitar -- Pierre Bonnard, 1944/46: The Studio Wall as Aesthetic Repository -- Wolfgang Tillmans, 2000: If One Thing Matters, Everything Matters Kombination (DE-588)4319923-9 gnd Präsentation (DE-588)4135231-2 gnd Bild (DE-588)4006568-6 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Ästhetisches Urteil (DE-588)4141539-5 gnd |
| subject_GND | (DE-588)4319923-9 (DE-588)4135231-2 (DE-588)4006568-6 (DE-588)4033643-8 (DE-588)4141539-5 |
| title | More than one picture an art history of the hyperimage |
| title_alt | Mehr als ein Bild |
| title_auth | More than one picture an art history of the hyperimage |
| title_exact_search | More than one picture an art history of the hyperimage |
| title_full | More than one picture an art history of the hyperimage Felix Thürlemann ; translated by Elizabeth Tucker |
| title_fullStr | More than one picture an art history of the hyperimage Felix Thürlemann ; translated by Elizabeth Tucker |
| title_full_unstemmed | More than one picture an art history of the hyperimage Felix Thürlemann ; translated by Elizabeth Tucker |
| title_short | More than one picture |
| title_sort | more than one picture an art history of the hyperimage |
| title_sub | an art history of the hyperimage |
| topic | Kombination (DE-588)4319923-9 gnd Präsentation (DE-588)4135231-2 gnd Bild (DE-588)4006568-6 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Ästhetisches Urteil (DE-588)4141539-5 gnd |
| topic_facet | Kombination Präsentation Bild Kunstgeschichtsschreibung Ästhetisches Urteil |
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