Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture
Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex an...
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| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2016]
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| Schlagwörter: | |
| Links: | https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 https://www.degruyter.com/isbn/9780813576527 |
| Zusammenfassung: | Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Umfang: | 1 online resource 25 photographs, 3 tables |
| ISBN: | 9780813576527 |
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| 520 | |a Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation | ||
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Datensatz im Suchindex
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| author | Frey, Mattias |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Frey, Mattias Verfasser aut Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture Mattias Frey New Brunswick, NJ Rutgers University Press [2016] © 2016 1 online resource 25 photographs, 3 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation In English PERFORMING ARTS / General bisacsh Art in motion pictures Experimental films Motion picture industry Marketing Motion pictures Production and direction Marketing (DE-588)4037589-4 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Provokation (DE-588)4316888-7 gnd rswk-swf Film (DE-588)4017102-4 s Gewalt Motiv (DE-588)4113748-6 s Erotik Motiv (DE-588)4123157-0 s Provokation (DE-588)4316888-7 s Marketing (DE-588)4037589-4 s 1\p DE-604 https://www.degruyter.com/isbn/9780813576527 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Frey, Mattias Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture PERFORMING ARTS / General bisacsh Art in motion pictures Experimental films Motion picture industry Marketing Motion pictures Production and direction Marketing (DE-588)4037589-4 gnd Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd Provokation (DE-588)4316888-7 gnd |
| subject_GND | (DE-588)4037589-4 (DE-588)4113748-6 (DE-588)4123157-0 (DE-588)4017102-4 (DE-588)4316888-7 |
| title | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture |
| title_auth | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture |
| title_exact_search | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture |
| title_full | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture Mattias Frey |
| title_fullStr | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture Mattias Frey |
| title_full_unstemmed | Extreme Cinema The Transgressive Rhetoric of Today's Art Film Culture Mattias Frey |
| title_short | Extreme Cinema |
| title_sort | extreme cinema the transgressive rhetoric of today s art film culture |
| title_sub | The Transgressive Rhetoric of Today's Art Film Culture |
| topic | PERFORMING ARTS / General bisacsh Art in motion pictures Experimental films Motion picture industry Marketing Motion pictures Production and direction Marketing (DE-588)4037589-4 gnd Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd Provokation (DE-588)4316888-7 gnd |
| topic_facet | PERFORMING ARTS / General Art in motion pictures Experimental films Motion picture industry Marketing Motion pictures Production and direction Marketing Gewalt Motiv Erotik Motiv Film Provokation |
| url | https://www.degruyter.com/isbn/9780813576527 |
| work_keys_str_mv | AT freymattias extremecinemathetransgressiverhetoricoftodaysartfilmculture |