Compositional artifice in the music of Henry Purcell:
Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside histor...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2020
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| Series: | Musical performance and reception
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| Subjects: | |
| Links: | https://doi.org/10.1017/9781139030458 https://doi.org/10.1017/9781139030458 https://doi.org/10.1017/9781139030458 https://doi.org/10.1017/9781139030458 |
| Summary: | Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular |
| Item Description: | Title from publisher's bibliographic system (viewed on 04 Oct 2019) |
| Physical Description: | 1 Online-Ressource (xxi, 292 Seiten) |
| ISBN: | 9781139030458 |
| DOI: | 10.1017/9781139030458 |
Staff View
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Record in the Search Index
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| isbn | 9781139030458 |
| language | English |
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| spelling | Howard, Alan 1979- (DE-588)1046574868 aut Compositional artifice in the music of Henry Purcell Alan Howard Cambridge Cambridge University Press 2020 1 Online-Ressource (xxi, 292 Seiten) txt rdacontent c rdamedia cr rdacarrier Musical performance and reception Title from publisher's bibliographic system (viewed on 04 Oct 2019) Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry 1659-1695 (DE-588)118742973 gnd rswk-swf Geschichte gnd rswk-swf Music / 17th century / Analysis, appreciaton Composition (Music) / History / 17th century Komposition Musik (DE-588)4133320-2 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Purcell, Henry 1659-1695 (DE-588)118742973 p Komposition Musik (DE-588)4133320-2 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-1-107-00666-9 https://doi.org/10.1017/9781139030458 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Howard, Alan 1979- Compositional artifice in the music of Henry Purcell Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry 1659-1695 (DE-588)118742973 gnd Music / 17th century / Analysis, appreciaton Composition (Music) / History / 17th century Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)118742973 (DE-588)4133320-2 (DE-588)4113937-9 |
| title | Compositional artifice in the music of Henry Purcell |
| title_auth | Compositional artifice in the music of Henry Purcell |
| title_exact_search | Compositional artifice in the music of Henry Purcell |
| title_full | Compositional artifice in the music of Henry Purcell Alan Howard |
| title_fullStr | Compositional artifice in the music of Henry Purcell Alan Howard |
| title_full_unstemmed | Compositional artifice in the music of Henry Purcell Alan Howard |
| title_short | Compositional artifice in the music of Henry Purcell |
| title_sort | compositional artifice in the music of henry purcell |
| topic | Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry 1659-1695 (DE-588)118742973 gnd Music / 17th century / Analysis, appreciaton Composition (Music) / History / 17th century Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry 1659-1695 Music / 17th century / Analysis, appreciaton Composition (Music) / History / 17th century Komposition Musik Hochschulschrift |
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