Innovation in music: performance, production, technology, and business
Saved in:
| Other Authors: | , , , |
|---|---|
| Format: | Musical Score Book |
| Language: | English |
| Published: |
New York ; London
Routledge, Taylor & Francis Group
2019
|
| Series: | Perspectives on music production series
|
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Item Description: | "A Focal Press book"--cover |
| Physical Description: | ix, 529 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9781138498198 9781138498211 |
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MARC
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| 505 | 8 | |a Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- | |
| 505 | 8 | |a Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- | |
| 505 | 8 | |a Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- | |
| 505 | 8 | |a (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm | |
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Record in the Search Index
| _version_ | 1819367822359265280 |
|---|---|
| adam_text | Contents Preface ix PART ONE PERFORMANCE 1 Transforming Musical Performance: The Audience as Performer 3 ADRIAN YORK 2 Using Electroencephalography to Explore Cognitive-Cultural Networks and Ecosystemic Performance Environments for Improvisation 24 TIM SAYER 3 Press Play on Tape: 8-Bit Composition on the Commodore 64 37 KENNY MCALPINE 4 Composing With Microsound: An Approach to Structure and Form When Composing for Acoustic Instruments With Electronics 52 MARC ESTIBEIRO 5 Defining and Evaluating the Performance of Electronic Music 77 JENN KIRBY 6 Perspectives on Musical Time and Human-Machine Agency in the Development of Performance Systems for Live Electronic Music 87 PAUL VANDEMAST-BELL AND JOHN FERGUSON 7 Visual Agency and Liveness in the Performance of Electronic Music TIM CANFER 100
Contents VI 8 Liveness and Interactivity in Popular Music 113 SI WAITE 9 How Algorithmic Composition Prompts Innovative Movement Design in Full-Body Taiko Drumming 129 STU LAMBERT PART TWO PRODUCTION 10 Collective Creativity: A ‘Service’ Model of Commercial Pop Music Production at PWL in the 1980s 143 PAUL THOMPSON AND PHIL HARDING 11 Mix and Persona:Analyzing Rejected Mixes 160 DAN SANDERS 12 Mixing Beyond the Box: Analyzing Contemporary Mixing Practice 173 ALEX STEVENSON 13 Optimizing Vocal Clarityin the Mix 191 KIRSTEN HERMES 14 Plugging In: Exploring Innovation in Plugin Design and Utilization 211 ANDREW BOURBON 15 Mixing and Recording a Small Orchestral Ensemble to Create a Large Orchestral Sound 226 JENNA DOYLE 16 Committing to Tape: Questioning Progress Narratives in Contemporary Studio Production 248 JOE WATSON PART THREE TECHNOLOGY 17 Harnessing Ancillary Microgestures in Piano Technique: Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument 269 NICCOLÒ GRANIER], JAMES DOOLEY AND TYCHONAS MICHAILIDIS 18 MAMIC Goes Live: A Music Programming System for Non-specialist Delivery MAT DALGLEISH AND CHRIS PAYNE 283
Contents 19 Interaction-Congruence in the Design of Exploratory Sonic Play Instruments With Young People on the Autistic Spectrum vii 301 JOE WRIGHT 20 Translating Mixed Multichannel Electroacoustic Music With Acoustic Soloist to the Personal Stereophonic Listening Space: A Case Study in Jorge Gregorio Garcia Moncada’s La Historia de Nosotros 323 SIMON HALL 21 Score Scroll: Replacing Page-Based Notation With a Technology-Enhanced Solution in Composition and Performance 338 BARTOSZ SZAFRAŃSKI 22 Everything Is Musical: Creating New Instruments for Musical Expression and Interaction With Accessible Open-Source Technology—The Laser Room and Other Devices 358 ALAYNA HUGHES AND PIERLUIGI BARBERIS FIGUEROA 23 The Impact of a Prototype Acoustically Transparent Headphone System on the Recording Studio Performances of Professional Trumpet Players 368 ANDY COOPER AND NEIL MARTIN 24 Evaluating Analog Reconstruction Performance of Transient Digital Audio Workstation Signals at Highand Standard-Resolution Sample Frequencies 385 ROB TOULSON 25 Acoustic Transmission of Metadata in Audio Files Using Sonic Quick Response Codes (SQRC) 399 MARK SHEPPARD, ROB TOULSON AND JÖRG FACHNER PART FOUR BUSINESS 26 Can Music Samples Be Cleared More Easily? Development of an Automated Process to Clear Music Samples for Legal Creative Reuse 411 STEPHEN PARTRIDGE 27 (Re)Engineering the Cultural Object: Sonic Pasts in Hip-Hop’s Future MICHAIL EXARCHOS (A.K.A. STEREO MIKE) 437
viii Contents 28 Anticipating the Cryptopirate: “Don’t Bury Treasure” and Other Potential Preventative Measures 455 PATRICK TWADDLE 29 Disruption as Contingency: Music, Blockchain, Wtf? 467 MATTHEW LOVETT 30 Can I Get a Witness? The Significance of Contracts in an Age of Musical Abundance 481 SALLYÄNNE GROSS 31 The End of a Golden Era of British Music? Exploration of Educational Gaps in the Current UK Creative Industry Strategy 494 CAROLA BOEHM Index 512
|
| any_adam_object | 1 |
| author2 | Hepworth-Sawyer, Russ Hodgson, Jay Paterson, Justin ca. 20./21. Jh Toulson, Rob |
| author2_role | edt edt edt edt |
| author2_variant | r h s rhs j h jh j p jp r t rt |
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| author_facet | Hepworth-Sawyer, Russ Hodgson, Jay Paterson, Justin ca. 20./21. Jh Toulson, Rob |
| building | Verbundindex |
| bvnumber | BV046154880 |
| contents | Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm |
| ctrlnum | (OCoLC)1124787235 (DE-599)BVBBV046154880 |
| format | Musical Score Book |
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| owner | DE-12 DE-Po75 |
| owner_facet | DE-12 DE-Po75 |
| physical | ix, 529 Seiten Illustrationen, Diagramme, Notenbeispiele |
| psigel | BSB_NED_20191017 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Perspectives on music production series |
| spellingShingle | Innovation in music performance, production, technology, and business Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm Musikproduktion (DE-588)4235850-4 gnd Technologie (DE-588)4059276-5 gnd Innovation (DE-588)4027089-0 gnd Aufführungspraxis (DE-588)4141464-0 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4235850-4 (DE-588)4059276-5 (DE-588)4027089-0 (DE-588)4141464-0 (DE-588)4268614-3 (DE-588)1071861417 (DE-588)4143413-4 |
| title | Innovation in music performance, production, technology, and business |
| title_auth | Innovation in music performance, production, technology, and business |
| title_exact_search | Innovation in music performance, production, technology, and business |
| title_full | Innovation in music performance, production, technology, and business edited by Russ Hepworth-Sawyer, Jay Hodgson, Justin Paterson, and Rob Toulson |
| title_fullStr | Innovation in music performance, production, technology, and business edited by Russ Hepworth-Sawyer, Jay Hodgson, Justin Paterson, and Rob Toulson |
| title_full_unstemmed | Innovation in music performance, production, technology, and business edited by Russ Hepworth-Sawyer, Jay Hodgson, Justin Paterson, and Rob Toulson |
| title_short | Innovation in music |
| title_sort | innovation in music performance production technology and business |
| title_sub | performance, production, technology, and business |
| topic | Musikproduktion (DE-588)4235850-4 gnd Technologie (DE-588)4059276-5 gnd Innovation (DE-588)4027089-0 gnd Aufführungspraxis (DE-588)4141464-0 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Musikproduktion Technologie Innovation Aufführungspraxis Musikwirtschaft Konferenzschrift University of Westminster 2017 London Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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