Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2012
|
| Beschreibung: | Part four. Genre and gender transnational |
| ISBN: | 978-0-252-03661-3 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046068392 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t| | ||
| 008 | 190726s2012 xx |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV046068392 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Bhaskar, Ira |0 (DE-588)1146851529 |4 aut | |
| 245 | 1 | 0 | |a Emotion, subjectivity, and the limits of desire |b melodrama and modernity in Bombay cinema, 1940s-'50s |c Ira Bhaskar |
| 264 | 1 | |c 2012 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part four. Genre and gender transnational | ||
| 773 | 1 | 8 | |g pages:161-176 |
| 773 | 0 | 8 | |t Gender meets genre in postwar cinemas / ed. by Christine Gledhill |d Urbana, 2012 |g Seiten 161-176 |w (DE-604)BV039914097 |z 978-0-252-03661-3 |
| 941 | |s 161-176 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-031449604 | |
Datensatz im Suchindex
| _version_ | 1818985906638422016 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV039914097 |
| author | Bhaskar, Ira |
| author_GND | (DE-588)1146851529 |
| author_facet | Bhaskar, Ira |
| author_role | aut |
| author_sort | Bhaskar, Ira |
| author_variant | i b ib |
| building | Verbundindex |
| bvnumber | BV046068392 |
| ctrlnum | (DE-599)BVBBV046068392 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00896naa a2200265 c 4500</leader><controlfield tag="001">BV046068392</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">190726s2012 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046068392</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bhaskar, Ira</subfield><subfield code="0">(DE-588)1146851529</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Emotion, subjectivity, and the limits of desire</subfield><subfield code="b">melodrama and modernity in Bombay cinema, 1940s-'50s</subfield><subfield code="c">Ira Bhaskar</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2012</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part four. Genre and gender transnational</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:161-176</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Gender meets genre in postwar cinemas / ed. by Christine Gledhill</subfield><subfield code="d">Urbana, 2012</subfield><subfield code="g">Seiten 161-176</subfield><subfield code="w">(DE-604)BV039914097</subfield><subfield code="z">978-0-252-03661-3</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">161-176</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031449604</subfield></datafield></record></collection> |
| id | DE-604.BV046068392 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:42:21Z |
| institution | BVB |
| isbn | 978-0-252-03661-3 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031449604 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| record_format | marc |
| spelling | Bhaskar, Ira (DE-588)1146851529 aut Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s Ira Bhaskar 2012 txt rdacontent n rdamedia nc rdacarrier Part four. Genre and gender transnational pages:161-176 Gender meets genre in postwar cinemas / ed. by Christine Gledhill Urbana, 2012 Seiten 161-176 (DE-604)BV039914097 978-0-252-03661-3 |
| spellingShingle | Bhaskar, Ira Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s |
| title | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s |
| title_auth | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s |
| title_exact_search | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s |
| title_full | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s Ira Bhaskar |
| title_fullStr | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s Ira Bhaskar |
| title_full_unstemmed | Emotion, subjectivity, and the limits of desire melodrama and modernity in Bombay cinema, 1940s-'50s Ira Bhaskar |
| title_short | Emotion, subjectivity, and the limits of desire |
| title_sort | emotion subjectivity and the limits of desire melodrama and modernity in bombay cinema 1940s 50s |
| title_sub | melodrama and modernity in Bombay cinema, 1940s-'50s |
| work_keys_str_mv | AT bhaskarira emotionsubjectivityandthelimitsofdesiremelodramaandmodernityinbombaycinema1940s50s |