Saved in:
Main Author: | |
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Other Authors: | |
Format: | Book |
Language: | English |
Published: |
Victoria, Australia
Peleus Press
[2004]
|
Subjects: | |
Links: | http://swbplus.bsz-bw.de/bsz312306768inh.htm |
Abstract: | "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET. |
Item Description: | Includes bibliographical references (p. 192-198) and index |
Physical Description: | 208 Seiten Illustrationen 29 cm |
ISBN: | 1920744568 |
Staff View
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520 | 3 | |a "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET | |
520 | 3 | |a "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET. | |
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Record in the Search Index
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any_adam_object | |
author | Brown, Isobel |
author2 | Dupain, Max 1911-1992 |
author2_role | pht |
author2_variant | m d md |
author_GND | (DE-588)1055085149 (DE-588)129887072 |
author_facet | Brown, Isobel Dupain, Max 1911-1992 |
author_role | aut |
author_sort | Brown, Isobel |
author_variant | i b ib |
building | Verbundindex |
bvnumber | BV046053189 |
ctrlnum | (DE-599)GBV487360117 |
era | Geschichte 1919-1939 gnd |
era_facet | Geschichte 1919-1939 |
format | Book |
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indexdate | 2024-12-20T18:41:55Z |
institution | BVB |
institution_GND | (DE-588)505046-7 |
isbn | 1920744568 |
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physical | 208 Seiten Illustrationen 29 cm |
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spelling | Brown, Isobel Verfasser (DE-588)1055085149 aut Body culture Max Dupain, photography and Australian culture, 1919 - 1939 Isobel Crombie ; published in association with the National Gallery of Victoria Max Dupain, photography and Australian culture Victoria, Australia Peleus Press [2004] 208 Seiten Illustrationen 29 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 192-198) and index "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET "Max Dupain is regarded as one of Australia's most significant photographers. For the first time, this book details how Dupain's formative early work was created in response to the 'body culture' movement of the interwar period. As Dr. Crombie shows, after World War One many western countries enthusiastically subscribed to schemes designed to control, regulate and develop the body as a means of building individual health and fitness and assisting communal regeneration. Drawing on the pseudo-scientific theories of eugenics, ideas and methods concerning the revitalisation of the body became popular among a diverse range of groups. As part of this study, Dr. Crombie reveals how Australia's most distinctive contribution to 'body culture' was through the development of two physical archetypes associated with the beach - namely, the lifesaver and the surfer - and that the popularity of these icons was largely enabled through photography by Dupain and others."--BOOK JACKET. Dupain, Max 1911-1992 (DE-588)129887072 gnd rswk-swf Geschichte 1919-1939 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf Menschenbild (DE-588)4074722-0 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Dupain, Max / 1911-1992 Dupain, Max Body image / Social aspects / Australia / History / 20th century Human body / Social aspects / Australia / History / 20th century Body image in art Photography / Australia / History / 20th century Body, Human / Social aspects / Australia / History / 20th century Dupain, Max 1911-1992 (DE-588)129887072 p Australien (DE-588)4003900-6 g Fotografie (DE-588)4045895-7 s Körper (DE-588)4031575-7 s Menschenbild (DE-588)4074722-0 s Geschichte 1919-1939 z DE-604 Dupain, Max 1911-1992 (DE-588)129887072 pht National Gallery of Victoria (DE-588)505046-7 oth DE-576;DE-14 application/pdf http://swbplus.bsz-bw.de/bsz312306768inh.htm 20091215110808 Inhaltsverzeichnis |
spellingShingle | Brown, Isobel Body culture Max Dupain, photography and Australian culture, 1919 - 1939 Dupain, Max 1911-1992 (DE-588)129887072 gnd Fotografie (DE-588)4045895-7 gnd Körper (DE-588)4031575-7 gnd Menschenbild (DE-588)4074722-0 gnd |
subject_GND | (DE-588)129887072 (DE-588)4045895-7 (DE-588)4031575-7 (DE-588)4074722-0 (DE-588)4003900-6 |
title | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 |
title_alt | Max Dupain, photography and Australian culture |
title_auth | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 |
title_exact_search | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 |
title_full | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 Isobel Crombie ; published in association with the National Gallery of Victoria |
title_fullStr | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 Isobel Crombie ; published in association with the National Gallery of Victoria |
title_full_unstemmed | Body culture Max Dupain, photography and Australian culture, 1919 - 1939 Isobel Crombie ; published in association with the National Gallery of Victoria |
title_short | Body culture |
title_sort | body culture max dupain photography and australian culture 1919 1939 |
title_sub | Max Dupain, photography and Australian culture, 1919 - 1939 |
topic | Dupain, Max 1911-1992 (DE-588)129887072 gnd Fotografie (DE-588)4045895-7 gnd Körper (DE-588)4031575-7 gnd Menschenbild (DE-588)4074722-0 gnd |
topic_facet | Dupain, Max 1911-1992 Fotografie Körper Menschenbild Australien |
url | http://swbplus.bsz-bw.de/bsz312306768inh.htm |
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