The final spectacle: military painting under the Second Empire, 1855-1867
The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war re...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2019]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=5525729 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 https://doi.org/10.1515/9783110497489 |
| Zusammenfassung: | The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war |
| Umfang: | 1 Online-Ressource (X, 358 Seiten) Illustrationen |
| ISBN: | 9783110497489 9783110495096 |
| DOI: | 10.1515/9783110497489 |
Internformat
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| 520 | |a The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war | ||
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Datensatz im Suchindex
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| era | Geschichte 1855-1867 gnd |
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| format | Electronic eBook |
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| indexdate | 2025-02-18T17:11:11Z |
| institution | BVB |
| isbn | 9783110497489 9783110495096 |
| language | English |
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| physical | 1 Online-Ressource (X, 358 Seiten) Illustrationen |
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| spelling | Thoma, Julia ca. 20. Jh. Verfasser (DE-588)1182043992 aut The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma Berlin ; Boston De Gruyter [2019] © 2019 1 Online-Ressource (X, 358 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war Geschichte 1855-1867 gnd rswk-swf France Frankreich Militärmalerei military painting ART / History / Modern (late 19th Century to 1945) bisacsh Militärmalerei (DE-588)4169958-0 gnd rswk-swf Schlachtenbild (DE-588)4203238-6 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Frankreich (DE-588)4018145-5 g Militärmalerei (DE-588)4169958-0 s Schlachtenbild (DE-588)4203238-6 s Geschichte 1855-1867 z DE-604 Erscheint auch als Druck-Ausgabe 978-3-11-048668-1 (DE-604)BV045950148 https://doi.org/10.1515/9783110497489 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thoma, Julia ca. 20. Jh The final spectacle military painting under the Second Empire, 1855-1867 France Frankreich Militärmalerei military painting ART / History / Modern (late 19th Century to 1945) bisacsh Militärmalerei (DE-588)4169958-0 gnd Schlachtenbild (DE-588)4203238-6 gnd |
| subject_GND | (DE-588)4169958-0 (DE-588)4203238-6 (DE-588)4018145-5 (DE-588)4113937-9 |
| title | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_auth | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_exact_search | The final spectacle military painting under the Second Empire, 1855-1867 |
| title_full | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_fullStr | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_full_unstemmed | The final spectacle military painting under the Second Empire, 1855-1867 Julia Thoma |
| title_short | The final spectacle |
| title_sort | the final spectacle military painting under the second empire 1855 1867 |
| title_sub | military painting under the Second Empire, 1855-1867 |
| topic | France Frankreich Militärmalerei military painting ART / History / Modern (late 19th Century to 1945) bisacsh Militärmalerei (DE-588)4169958-0 gnd Schlachtenbild (DE-588)4203238-6 gnd |
| topic_facet | France Frankreich Militärmalerei military painting ART / History / Modern (late 19th Century to 1945) Schlachtenbild Hochschulschrift |
| url | https://doi.org/10.1515/9783110497489 |
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