The Courtauld collection: a vision for impressionism
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London, England
The Courteauld Gallery
[2019]
|
| Schlagwörter: | |
| Abstract: | The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years.0One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London |
| Beschreibung: | Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019 |
| Umfang: | xxi, 346 Seiten Illustrationen [überwiegend farig), Portraits 28 cm |
| ISBN: | 9781911300588 |
Internformat
MARC
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| 245 | 1 | 0 | |a The Courtauld collection |b a vision for impressionism |c edited by Karen Serres |
| 246 | 1 | 3 | |a Vision for impressionism |
| 246 | 1 | 0 | |a Vision for impressionism |
| 264 | 1 | |a London, England |b The Courteauld Gallery |c [2019] | |
| 264 | 2 | |b Fondation Louis Vuitton and Paul Holberton Publishing |c [2019] | |
| 264 | 3 | |a Verona, Italy |b e-Graphic Srl |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a xxi, 346 Seiten |b Illustrationen [überwiegend farig), Portraits |c 28 cm | ||
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| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019 | ||
| 505 | 8 | 0 | |t Introduction : Samuel Courtauld, champion of impressionism |r Karen Serres |t Samuel Courtauld : Beyond the collection |r Ernst Vegelin van Claerbergen |t Courtauld and the national gallery : 'An assault on a big scale' |r Anne Robbins |t Silver, silk and industry : The Courtauld businesses, 1708 to 1946 |r Alexandra Gerstein |t Impressionism and post-impressionism in Britain before Samuel Courtauld |r Barnaby Wright |t 'Perhaps Courtauld's most trusted advistor' : Percy Moore Turner |r Dimitri Salmon |t Competing for masterpieces : Seurat in the collection of Samuel Courtauld |r Sébastien Chauffour |t Encounters : Bridget Riley, Richard Serra and Jeff Wall |r Angeline Scherf |r Rosamund Garrett, Alexandra Gerstein, Ketty Gottardo, Karen Serres, Rachel Sloan and Barnaby Wright |
| 520 | 3 | |a The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years.0One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London | |
| 546 | |a "Translations, Jane MacAvock, Charles Penwarden, Ian Peisch, Trista Selous."--Title page verso | ||
| 610 | 2 | 7 | |a Courtauld Institute of Art |b Courtauld Collection |0 (DE-588)5286007-3 |2 gnd |9 rswk-swf |
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| 653 | 1 | |a Courtauld, Samuel / 1876-1947 / Art collections / Exhibitions | |
| 653 | 1 | |a Courtauld, Samuel / 1876-1947 | |
| 653 | 1 | |a Courtauld, Samuel / 1876-1947 | |
| 653 | 2 | |a Courtauld (Samuel) Collection / (Priv.) | |
| 653 | 2 | |a Courtauld (Stephen) Collection / (Priv.) | |
| 653 | 2 | |a Courtauld Institute Gallery (London) / (Perm.) | |
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| 653 | 0 | |a Impressionism (Art) | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Essays | |
| 653 | 6 | |a Illustrated works | |
| 653 | 6 | |a Exhibition catalogs | |
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Datensatz im Suchindex
| _version_ | 1820951516792487936 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Serres, Karen Scherf, Angéline 19XX- |
| author2_role | edt edt |
| author2_variant | k s ks a s as |
| author_GND | (DE-588)1056652756 |
| author_additional | Karen Serres Ernst Vegelin van Claerbergen Anne Robbins Alexandra Gerstein Barnaby Wright Dimitri Salmon Sébastien Chauffour Angeline Scherf Rosamund Garrett, Alexandra Gerstein, Ketty Gottardo, Karen Serres, Rachel Sloan and Barnaby Wright |
| author_facet | Serres, Karen Scherf, Angéline 19XX- |
| building | Verbundindex |
| bvnumber | BV045944435 |
| contents | Introduction : Samuel Courtauld, champion of impressionism Samuel Courtauld : Beyond the collection Courtauld and the national gallery : 'An assault on a big scale' Silver, silk and industry : The Courtauld businesses, 1708 to 1946 Impressionism and post-impressionism in Britain before Samuel Courtauld 'Perhaps Courtauld's most trusted advistor' : Percy Moore Turner Competing for masterpieces : Seurat in the collection of Samuel Courtauld Encounters : Bridget Riley, Richard Serra and Jeff Wall |
| ctrlnum | (OCoLC)1097582003 (DE-599)BVBBV045944435 |
| era | Geschichte 1860-1900 gnd |
| era_facet | Geschichte 1860-1900 |
| format | Book |
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| genre_facet | Ausstellungskatalog Courtauld Gallery 20.02.2019-17.06.2019 London |
| geographic | Frankreich (DE-588)4018145-5 gnd |
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| id | DE-604.BV045944435 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T11:24:52Z |
| institution | BVB |
| institution_GND | (DE-588)5018948-7 (DE-588)1063923867 |
| isbn | 9781911300588 |
| language | English |
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| physical | xxi, 346 Seiten Illustrationen [überwiegend farig), Portraits 28 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | The Courteauld Gallery |
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| spelling | The Courtauld collection a vision for impressionism edited by Karen Serres Vision for impressionism London, England The Courteauld Gallery [2019] Fondation Louis Vuitton and Paul Holberton Publishing [2019] Verona, Italy e-Graphic Srl [2019] © 2019 xxi, 346 Seiten Illustrationen [überwiegend farig), Portraits 28 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Published on the occasion of the exhibition held at the Foundation Louis Vuitton, Paris, France, February 20-June 17, 2019 Introduction : Samuel Courtauld, champion of impressionism Karen Serres Samuel Courtauld : Beyond the collection Ernst Vegelin van Claerbergen Courtauld and the national gallery : 'An assault on a big scale' Anne Robbins Silver, silk and industry : The Courtauld businesses, 1708 to 1946 Alexandra Gerstein Impressionism and post-impressionism in Britain before Samuel Courtauld Barnaby Wright 'Perhaps Courtauld's most trusted advistor' : Percy Moore Turner Dimitri Salmon Competing for masterpieces : Seurat in the collection of Samuel Courtauld Sébastien Chauffour Encounters : Bridget Riley, Richard Serra and Jeff Wall Angeline Scherf Rosamund Garrett, Alexandra Gerstein, Ketty Gottardo, Karen Serres, Rachel Sloan and Barnaby Wright The Courtauld Collection: A Vision for Impressionism' accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld's role as one of the great collectors of the twentieth century. The catalogue and exhibition showcase Courtauld's extraordinary collection, which will be on display in Paris for the first time in over sixty years.0One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Samuel Courtauld (1876-1947). During the 1920s, Courtauld acquired seminal works by all of the major Impressionists, from Renoir's early masterpiece La Loge to Manet's last great work, A Bar at the Folies-Bergere. His collection grew to include such iconic works as Gauguin's great Tahitian nude Nevermore and one of Van Gogh's most famous paintings, Self-Portrait with Bandaged Ear. Courtauld was particularly devoted to Cezanne and put together the largest collection of his work in the United Kingdom, including the epic Montagne Sainte-Victoire with Large Pine and one of the celebrated Card Players. After a decade of collecting, Courtauld gave the majority of these remarkable works to establish The Courtauld Institute of Art and Gallery in London "Translations, Jane MacAvock, Charles Penwarden, Ian Peisch, Trista Selous."--Title page verso Courtauld Institute of Art Courtauld Collection (DE-588)5286007-3 gnd rswk-swf Geschichte 1860-1900 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Courtauld, Samuel / 1876-1947 / Art collections / Exhibitions Courtauld, Samuel / 1876-1947 Courtauld (Samuel) Collection / (Priv.) Courtauld (Stephen) Collection / (Priv.) Courtauld Institute Gallery (London) / (Perm.) Art / Private collections / England / London / 20th century / Exhibitions Impressionism (Art) / Exhibitions Art / Private collections Impressionism (Art) Exhibition catalogs Essays Illustrated works (DE-588)4135467-9 Ausstellungskatalog Courtauld Gallery 20.02.2019-17.06.2019 London gnd-content Courtauld Institute of Art Courtauld Collection (DE-588)5286007-3 b Frankreich (DE-588)4018145-5 g Malerei (DE-588)4037220-0 s Plastik (DE-588)4046277-8 s Geschichte 1860-1900 z DE-604 Serres, Karen edt Scherf, Angéline 19XX- (DE-588)1056652756 edt Courtauld Institute Galleries (DE-588)5018948-7 isb Fondation Louis Vuitton (DE-588)1063923867 his |
| spellingShingle | The Courtauld collection a vision for impressionism Introduction : Samuel Courtauld, champion of impressionism Samuel Courtauld : Beyond the collection Courtauld and the national gallery : 'An assault on a big scale' Silver, silk and industry : The Courtauld businesses, 1708 to 1946 Impressionism and post-impressionism in Britain before Samuel Courtauld 'Perhaps Courtauld's most trusted advistor' : Percy Moore Turner Competing for masterpieces : Seurat in the collection of Samuel Courtauld Encounters : Bridget Riley, Richard Serra and Jeff Wall Courtauld Institute of Art Courtauld Collection (DE-588)5286007-3 gnd Malerei (DE-588)4037220-0 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)5286007-3 (DE-588)4037220-0 (DE-588)4046277-8 (DE-588)4018145-5 (DE-588)4135467-9 |
| title | The Courtauld collection a vision for impressionism |
| title_alt | Vision for impressionism Introduction : Samuel Courtauld, champion of impressionism Samuel Courtauld : Beyond the collection Courtauld and the national gallery : 'An assault on a big scale' Silver, silk and industry : The Courtauld businesses, 1708 to 1946 Impressionism and post-impressionism in Britain before Samuel Courtauld 'Perhaps Courtauld's most trusted advistor' : Percy Moore Turner Competing for masterpieces : Seurat in the collection of Samuel Courtauld Encounters : Bridget Riley, Richard Serra and Jeff Wall |
| title_auth | The Courtauld collection a vision for impressionism |
| title_exact_search | The Courtauld collection a vision for impressionism |
| title_full | The Courtauld collection a vision for impressionism edited by Karen Serres |
| title_fullStr | The Courtauld collection a vision for impressionism edited by Karen Serres |
| title_full_unstemmed | The Courtauld collection a vision for impressionism edited by Karen Serres |
| title_short | The Courtauld collection |
| title_sort | the courtauld collection a vision for impressionism |
| title_sub | a vision for impressionism |
| topic | Courtauld Institute of Art Courtauld Collection (DE-588)5286007-3 gnd Malerei (DE-588)4037220-0 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Courtauld Institute of Art Courtauld Collection Malerei Plastik Frankreich Ausstellungskatalog Courtauld Gallery 20.02.2019-17.06.2019 London |
| work_keys_str_mv | AT serreskaren thecourtauldcollectionavisionforimpressionism AT scherfangeline thecourtauldcollectionavisionforimpressionism AT courtauldinstitutegalleries thecourtauldcollectionavisionforimpressionism AT fondationlouisvuitton thecourtauldcollectionavisionforimpressionism AT serreskaren visionforimpressionism AT scherfangeline visionforimpressionism AT courtauldinstitutegalleries visionforimpressionism AT fondationlouisvuitton visionforimpressionism |