Time and performer training:
Saved in:
Other Authors: | , , |
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Format: | Book |
Language: | English |
Published: |
London ; New York
Routledge Taylor and Francis Group
[2019]
|
Edition: | First published |
Subjects: | |
Abstract: | "Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: - age/aging and children in the training context - how training impacts over a lifetime - the duration of training and the impact of training regimes over time - concepts of timing and the 'right' time - how time is viewed from a range of international training perspectives - collectives, ensembles and fashions in training, their decay, or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance"-- |
Item Description: | Literaturangaben |
Physical Description: | XVIII, 232 Seiten Illustrationen 24 cm |
ISBN: | 9780815396277 0815396279 9780815396284 0815396287 |
Staff View
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245 | 1 | 0 | |a Time and performer training |c edited by Mark Evans, Konstantinos Thomaidis and Libby Worth ; contributors: Anne Bogart, Patrick Campbell, Kate Craddock, Mark Evans, Mark Hamilton, Jennifer Jackson, Tim Jones, Chan E. Park, Eugénie Pastor, Diego Pallecchia, Jonathan Pitches, Gyllian Raby, Adriana La Selva, Evi Stamatiou, Tiffany Strawson, Jenny Swingler, Udaka Tatsushige, Konstantinos Thomaidis, Darren Tunstall, Jane Tuner, Laura Vorwerg, David Willes, Libby Worth |
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505 | 8 | |a Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- | |
505 | 8 | |a The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- | |
505 | 8 | |a Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth | |
520 | 3 | |a "Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: - age/aging and children in the training context - how training impacts over a lifetime - the duration of training and the impact of training regimes over time - concepts of timing and the 'right' time - how time is viewed from a range of international training perspectives - collectives, ensembles and fashions in training, their decay, or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance"-- | |
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any_adam_object | |
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bvnumber | BV045932745 |
contents | Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth |
ctrlnum | (OCoLC)1111851499 (DE-599)BVBBV045932745 |
edition | First published |
format | Book |
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indexdate | 2024-12-20T18:38:57Z |
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physical | XVIII, 232 Seiten Illustrationen 24 cm |
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spelling | Time and performer training edited by Mark Evans, Konstantinos Thomaidis and Libby Worth ; contributors: Anne Bogart, Patrick Campbell, Kate Craddock, Mark Evans, Mark Hamilton, Jennifer Jackson, Tim Jones, Chan E. Park, Eugénie Pastor, Diego Pallecchia, Jonathan Pitches, Gyllian Raby, Adriana La Selva, Evi Stamatiou, Tiffany Strawson, Jenny Swingler, Udaka Tatsushige, Konstantinos Thomaidis, Darren Tunstall, Jane Tuner, Laura Vorwerg, David Willes, Libby Worth First published London ; New York Routledge Taylor and Francis Group [2019] © 2019 XVIII, 232 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Literaturangaben Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth "Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: - age/aging and children in the training context - how training impacts over a lifetime - the duration of training and the impact of training regimes over time - concepts of timing and the 'right' time - how time is viewed from a range of international training perspectives - collectives, ensembles and fashions in training, their decay, or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance"-- Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Timing (DE-588)4307946-5 gnd rswk-swf Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Acting Actors / Training of Space and time in the theater (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4151278-9 Einführung gnd-content Schauspielkunst (DE-588)4129090-2 s Timing (DE-588)4307946-5 s DE-604 Zeit Motiv (DE-588)4207564-6 s Evans, Mark 1957- (DE-588)1114892076 edt Thomaidis, Konstantinos (DE-588)1075739195 edt Worth, Libby 1955- (DE-588)101589884X edt ebook version 9781351180344 |
spellingShingle | Time and performer training Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth Zeit Motiv (DE-588)4207564-6 gnd Timing (DE-588)4307946-5 gnd Schauspielkunst (DE-588)4129090-2 gnd |
subject_GND | (DE-588)4207564-6 (DE-588)4307946-5 (DE-588)4129090-2 (DE-588)4143413-4 (DE-588)4151278-9 |
title | Time and performer training |
title_auth | Time and performer training |
title_exact_search | Time and performer training |
title_full | Time and performer training edited by Mark Evans, Konstantinos Thomaidis and Libby Worth ; contributors: Anne Bogart, Patrick Campbell, Kate Craddock, Mark Evans, Mark Hamilton, Jennifer Jackson, Tim Jones, Chan E. Park, Eugénie Pastor, Diego Pallecchia, Jonathan Pitches, Gyllian Raby, Adriana La Selva, Evi Stamatiou, Tiffany Strawson, Jenny Swingler, Udaka Tatsushige, Konstantinos Thomaidis, Darren Tunstall, Jane Tuner, Laura Vorwerg, David Willes, Libby Worth |
title_fullStr | Time and performer training edited by Mark Evans, Konstantinos Thomaidis and Libby Worth ; contributors: Anne Bogart, Patrick Campbell, Kate Craddock, Mark Evans, Mark Hamilton, Jennifer Jackson, Tim Jones, Chan E. Park, Eugénie Pastor, Diego Pallecchia, Jonathan Pitches, Gyllian Raby, Adriana La Selva, Evi Stamatiou, Tiffany Strawson, Jenny Swingler, Udaka Tatsushige, Konstantinos Thomaidis, Darren Tunstall, Jane Tuner, Laura Vorwerg, David Willes, Libby Worth |
title_full_unstemmed | Time and performer training edited by Mark Evans, Konstantinos Thomaidis and Libby Worth ; contributors: Anne Bogart, Patrick Campbell, Kate Craddock, Mark Evans, Mark Hamilton, Jennifer Jackson, Tim Jones, Chan E. Park, Eugénie Pastor, Diego Pallecchia, Jonathan Pitches, Gyllian Raby, Adriana La Selva, Evi Stamatiou, Tiffany Strawson, Jenny Swingler, Udaka Tatsushige, Konstantinos Thomaidis, Darren Tunstall, Jane Tuner, Laura Vorwerg, David Willes, Libby Worth |
title_short | Time and performer training |
title_sort | time and performer training |
topic | Zeit Motiv (DE-588)4207564-6 gnd Timing (DE-588)4307946-5 gnd Schauspielkunst (DE-588)4129090-2 gnd |
topic_facet | Zeit Motiv Timing Schauspielkunst Aufsatzsammlung Einführung |
work_keys_str_mv | AT evansmark timeandperformertraining AT thomaidiskonstantinos timeandperformertraining AT worthlibby timeandperformertraining |