The Domain of Images:
In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Ithaca, NY
Cornell University Press
[2018]
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| Subjects: | |
| Links: | https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 https://doi.org/10.7591/9781501723902 |
| Summary: | In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019) |
| Physical Description: | 1 online resource 5 tables, 105 halftones, 48 line drawings |
| ISBN: | 9781501723902 |
| DOI: | 10.7591/9781501723902 |
Staff View
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| 520 | |a In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation | ||
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Record in the Search Index
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| author | Elkins, James 1955- |
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| discipline | Soziologie |
| doi_str_mv | 10.7591/9781501723902 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2025-02-18T17:09:53Z |
| institution | BVB |
| isbn | 9781501723902 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031307114 |
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| physical | 1 online resource 5 tables, 105 halftones, 48 line drawings |
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| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Cornell University Press |
| record_format | marc |
| spelling | Elkins, James 1955- Verfasser (DE-588)128713097 aut The Domain of Images James Elkins Ithaca, NY Cornell University Press [2018] © 2001 1 online resource 5 tables, 105 halftones, 48 line drawings txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019) In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation In English ART / Criticism bisacsh Visual communication Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Berufsbild (DE-588)4069340-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Visuelle Kommunikation (DE-588)4131112-7 s 1\p DE-604 Kunstwissenschaft (DE-588)4120632-0 s 2\p DE-604 Kunstgeschichte Fach (DE-588)4138803-3 s Berufsbild (DE-588)4069340-5 s 3\p DE-604 Methode (DE-588)4038971-6 s 4\p DE-604 https://doi.org/10.7591/9781501723902 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Elkins, James 1955- The Domain of Images ART / Criticism bisacsh Visual communication Visuelle Kommunikation (DE-588)4131112-7 gnd Methode (DE-588)4038971-6 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Berufsbild (DE-588)4069340-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4131112-7 (DE-588)4038971-6 (DE-588)4138803-3 (DE-588)4120632-0 (DE-588)4069340-5 (DE-588)4000626-8 |
| title | The Domain of Images |
| title_auth | The Domain of Images |
| title_exact_search | The Domain of Images |
| title_full | The Domain of Images James Elkins |
| title_fullStr | The Domain of Images James Elkins |
| title_full_unstemmed | The Domain of Images James Elkins |
| title_short | The Domain of Images |
| title_sort | the domain of images |
| topic | ART / Criticism bisacsh Visual communication Visuelle Kommunikation (DE-588)4131112-7 gnd Methode (DE-588)4038971-6 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Berufsbild (DE-588)4069340-5 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | ART / Criticism Visual communication Visuelle Kommunikation Methode Kunstgeschichte Fach Kunstwissenschaft Berufsbild Ästhetik |
| url | https://doi.org/10.7591/9781501723902 |
| work_keys_str_mv | AT elkinsjames thedomainofimages |