Book parts:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford University Press
2019
|
| Ausgabe: | First edition |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031297493&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031297493&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Umfang: | xix, 320 Seiten, 8 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9780198812463 0198812469 9780198885443 |
Internformat
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Datensatz im Suchindex
| _version_ | 1822792388852056064 |
|---|---|
| adam_text |
CONTENTS LIST OF FIGURES ix LIST OF PLATES xiii CONTRIBUTORS xv A NOTE ON THE TYPE xxi i INTRODUCTIONS Dennis Duncan and Adam Smyth i շ DUST JACKETS Gill Partington n 3 FRONTISPIECES 25 Luisa Calè 4 TITLE PAGES 39 Whitney Trettien 5 IMPRINTS, IMPRIMATURS, AND COPYRIGHT PAGES 51 Shef Rogers 6 TABLES OF CONTENTS 65 Joseph A. Howley 7 ADDRESSES TO THE READER 81 Meaghan J. Brown 8 ACKNOWLEDGEMENTS AND DEDICATIONS 95 Helen Smith 9 PRINTERS’ ORNAMENTS AND FLOWERS 109 Hazel Wilkinson 10 CHARACTER LISTS 123 Tamara Atkin ii PAGE NUMBERS, SIGNATURES, AND CATCHWORDS 137 Daniel Sawyer 12 CHAPTER HEADS 151 Nicholas Dames 13 EPIGRAPHS 165 Rachel Sagner Buurma 14 STAGE DIRECTIONS 177 Tiffany Stern 15 RUNNING TITLES Claire M. L. Bourne 191
viii vţf CONTENTS 16 WOODCUTS Alexandra Franklin 209 17 ENGRAVINGS Sean Roberts 223 18 FOOTNOTES Jenny Davidson 237 19 ERRATA LISTS Adam Smyth 251 20 INDEXES Dennis Duncan 263 21 ENDLEAVES Sidney E. Berger 275 22 BLURBS Abigail Williams 287 SELECT BIBLIOGRAPHY 301 INDEX 309
hat would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the fron back of the book, there are dozens of other texts—page numbers and running heads, copyright statements, and errata lists—each possessed of particular conventions, each with their own lively histories. To consider these paratexts—recalling them from the margins, letting them take centre stage—is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others—binders, librarians, lawyers—parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience’s ear-shot. W Book Parts is a bold and imaginative intervention in the fast-growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endpapers; from dust jackets to indexes—and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read. |
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| discipline | Allgemeines |
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