Sensational things: souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis/Dissertation Book |
| Language: | English |
| Published: |
Heidelberg, Neckar
Universitätsverlag Winter
[2019]
|
| Series: | Anglistische Forschungen
Band 464 |
| Subjects: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=6dfdaeff3cdb486aa9b411803e1f792b&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031266686&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | xi, 259 Seiten Illustrationen |
| ISBN: | 9783825369132 3825369137 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1819323647479775232 |
|---|---|
| adam_text | LIST
OF
ABBREVIATIONS
.............................................................................................................
IX
ILLUSTRATIONS
............................................................................................................................XI
1
INTRODUCTION
........................................................................................................
1
1.1
MATERIAL
CULTURE
STUDIES
...................................................................................
14
1.2
VICTORIAN
MATERIAL
CULTURE:
*
OBJECT
LESSONS
*
AT
THE
CRYSTAL
PALACE
AND
AT
HOME
................................................................................................................
22
1.3
OVERVIEW
OF
CRITICISM:
MATERIAL
CULTURE
AND
VICTORIAN
LITERATURE
..............
30
1.4
SENSATION
FICTION
AND
KEEPSAKES
.....................................................................
37
2
*
THE
MOST
CASUAL
NOTICE
[...]
OF
SOME
VERY
UNPROMISING
OBJECT
*
:
KEEPSAKES
AS
*
NARRATIVE-MATTER
*
IN
AFTER
DARK
...............................................................
45
2.1
*
I
RESOLVED
TO
IMITATE
THE
FRENCH
AUTHOR
*
:
DISCOVERING
THINGS
....................
48
2.2
METONYMIC
OBJECTS
.........................................................................................
56
2.2.1
*
I
SHOULD
LIKE
IT
PUT
INTO
MY
PORTRAIT,
SIR
*
:
FRAMED
KEEPSAKES
....................
58
2.2.2
*
THE
OWNER
OF
THESE
POSSESSIONS
LIVED
IN
THE
BYGONE
TIME
*
:
THE
PAST
AS
COLLECTION
.........................................................................................................60
2.2.3
CURIOSITIES
.........................................................................................................
65
2.3
METONYMIC
OBJECTS
AS
TELLING
THINGS
...........................................................
67
3
*
I
*
VE
GOT
A
DESIGN
AGAINST
ALL
YOUR
HEADS
*
:
CONNECTING
AND
COLLECTING
HAIR
IN
HIDE
AND
SEEK
..............................................................................................
69
3.1
STRONG
METONYMIC
READING
AND
THE
BIOGRAPHY
OF
THINGS
............................
71
3.2
VICTORIAN
HAIR
IN
HIDE
AND
SEEK
.....................................................................
75
3.2.1
THE
HAIR
MARKET
AND
THE
*
TRAFFIC
*
IN
HAIR
....................................................
80
3.2.2
MARY
*
S
HAIR
BRACELET:
A
BIOGRAPHY
...............................................................
83
3.2.3
SCALPS,
SCALPING,
AND
HEAD
HUNTING
...............................................................
92
3.3
*
THE
SAMSON
OF
KIRK
STREET
*
:
MAT
AS
DETECTIVE
...........................................
102
3.4
THE
SCALP
AND
THE
HAIR
KEEPSAKE
AS
UNEASY
TWINS
...................................
106
4
*
LET
THESE
TRIFLES
SPEAK
FOR
HER
*
:
KEEPSAKES
AND
THE
LETTER
AS
BEQUESTS
IN
THE
DEAD
SECRET
.............................................................................................
109
4.1
READING/WRITING
THE
LETTER
AND
*
TOUCHING
*
THINGS
...................................
112
4.1.1
HIDDEN
LETTERS
AND
BURIED
WRITING
IN
COLLINS
*
S
FICTION
.............................
112
4.1.2
SARAH
LEESON
AMONG
THINGS
.......................................................................
116
4.1.3
HANDS
AND
TOUCH
IN
THE
CHARACTERISATION
OF
SARAH
LEESON
.........................
126
4.2
RECORDING
THE
SECRET
........................................................................................
129
4.2.1
THE
WRITING
OF
THE
LETTER
...............................................................................
129
4.2.2
SARAH
LEESON
*
S
COLLECTIONS
..........................................................................
131
4.3
THE
LETTER
AND
THINGS
AS
MEDIA
OF
TRANSMISSION
........................................
148
5
*
SUSPICIOUS
CIRCUMSTANCES
HAVE
NOT
BEEN
INVESTIGATED
*
:
HAIR
KEEPSAKES
AND
PHOTOGRAPHY
IN
THE
LAW
AND
THE
LADY
.................................................
151
5.1
*
HOW
COMES
THE
TEACUP
TO
BE
BROKEN?
*
:
THINGS
AS
EVIDENCE
....................
154
5.2
*
DISINTERRING
THE
MAJOR
*
S
TREASURES
*
:
THE
SEARCH
OF
THE
ROOM
...................
159
5.2.1
THE
ALBUM
.......................................................................................................
160
5.2.2
HAIR
SOUVENIRS
AND
PHOTOGRAPHS
...................................................................
163
5.3
THE
CONTEXT
OF
CARTE-DE-VISITE
PHOTOGRAPHY
...............................................
167
5.3.1
*
THERE
WAS
THE
ORIGINAL
*
:
THE
PHOTOGRAPH
AND
IDENTIFICATION
...................
167
5.3.2
THE
CARTE
AS
REPRODUCIBLE
IMAGE
..................................................................
168
5.3.3
THE
CARTE
AS
A
*
DEVICE
OF
TRUTH
*
...................................................................
171
5.4
KEEPSAKES
AS
MODEM
MATERIALS
AND
SENSATIONAL
AFFECT
............................
175
5.4.1
THE
MATERIAL
OF
*
THE
NEW
AGE
*
......................................................................
175
5.4.2
THE
HAIR
KEEPSAKES,
AFFECT,
AND
INFECTION
..................................................
181
5.5
DETECTION
AND
AFFECT
IN
HAIR
MEMENTOS
AND
PHOTOGRAPHS
.........................
187
6
*
THE
LAST
RELIC
OF
MARY
*
:
THE
KEEPSAKE
AND
THE
BODY
IN
THE
TWO
DESTINIES
189
6.1
*
DISGUISED
FROM
EACH
OTHER
*
:
THE
PROBLEM
OF
REMEMBRANCE
..................
195
6.2
MEMORY
AND
*
RECOGNITION
*
IN
THINGS
.........................................................
204
6.2.1
*
DO
YOU
PRIZE
THAT
TOY?
*
:
THE
MATERIAL
AND
MEANING
OF
THE
GREEN
FLAG
.204
6.2.2
FRAMING
THE
SOUVENIRS
*
*
INFLUENCE
*
............................................................
213
6.3
*THE
OLD
WOUND
OPENS
AGAIN
*
:
THE
BODY
AND
REMEMBERING
...................
221
6.4
DISTRIBUTED
REMEMBRANCE
.............................................................................
227
7
SENSATIONAL
THINGS
.........................................................................................
231
8
WORKS
CITED
....................................................................................................
243
|
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| discipline | Anglistik / Amerikanistik |
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| genre_facet | Hochschulschrift |
| id | DE-604.BV045883565 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:37:30Z |
| institution | BVB |
| institution_GND | (DE-588)2006799-9 |
| isbn | 9783825369132 3825369137 |
| language | English |
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| oclc_num | 1103476697 |
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| owner_facet | DE-473 DE-BY-UBG DE-11 DE-12 DE-188 DE-355 DE-BY-UBR |
| physical | xi, 259 Seiten Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Universitätsverlag Winter |
| record_format | marc |
| series | Anglistische Forschungen |
| series2 | Anglistische Forschungen |
| spellingShingle | Fazli, Sabina 1982- Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction Anglistische Forschungen Collins, Wilkie 1824-1889 (DE-588)118638432 gnd Ding Motiv (DE-588)7587357-6 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)118638432 (DE-588)7587357-6 (DE-588)4050479-7 (DE-588)4113937-9 |
| title | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction |
| title_auth | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction |
| title_exact_search | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction |
| title_full | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction Sabina Fazli |
| title_fullStr | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction Sabina Fazli |
| title_full_unstemmed | Sensational things souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction Sabina Fazli |
| title_short | Sensational things |
| title_sort | sensational things souvenirs keepsakes and mementos in wilkie collins s fiction |
| title_sub | souvenirs, keepsakes, and mementos in Wilkie Collins’s fiction |
| topic | Collins, Wilkie 1824-1889 (DE-588)118638432 gnd Ding Motiv (DE-588)7587357-6 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Collins, Wilkie 1824-1889 Ding Motiv Roman Hochschulschrift |
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| volume_link | (DE-604)BV000001028 |
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