The Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)

Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Beteilige Person: Lameris, Bregt 1973- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: Amsterdam Amsterdam University Press [2017]
Schriftenreihe:Framing Film
Schlagwörter:
Links:https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
https://doi.org/10.1515/9789048526741
Zusammenfassung:Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Okt 2018)
Umfang:1 online resource 50 halftones
ISBN:9789048526741
DOI:10.1515/9789048526741