The Oxford handbook of Japanese cinema:
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Oxford University Press
2019
|
| Ausgabe: | First issued as an Oxford University Press paperback |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031245490&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031245490&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xii, 483 Seiten Illustrationen 25 cm |
| ISBN: | 9780190937355 9780199731664 |
Internformat
MARC
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| 245 | 1 | 0 | |a The Oxford handbook of Japanese cinema |c edited by Daisuke Miyao |
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Datensatz im Suchindex
| _version_ | 1819247502128316416 |
|---|---|
| adam_text | Contents List of Contributors Introduction Daisuke Miyao PART I WHAT IS JAPANESE CINEMA STUDIES?: JAPANESE CINEMA AND CINEMA STUDIES x. Japanese Film without Japan: Toward a Nondisciplined Film Studies Eric Cazdyn 2. Triangulating Japanese Film Style Ben Singer 3. Critical Reception: Historical Conceptions of Japanese Film Criticism Aaron Gerow 4. Creating the Audience: Cinema as Popular Recreation and Social Education in Modern Japan HlDEAKI FUJIKI PART II WHAT IS JAPANESE CINEMA? JAPANESE CINEMA AND THE TRANSNATIONAL NETWORK 5. Adaptation as “Transcultural Mimesis” in Japanese Cinema Michael Raine
VI CONTENTS 6. The Edge of Montage: A Case of ModernismIModanizumu in Japanese Cinema Chika Kinoshita 124 7. Nationalizing Madame Butterfly: The Formation of Female Stars in Japanese Cinema Daisuke Miyao 152 8. Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule Dong Hoon Kim 9. Outpost of Hybridity: Paramount’s Campaign in Japan, 1952-1962 Hiroshi Kitamura 10. Erasing China in Japan’s “Hong Kong Films” Kwai-Cheung Lo 172 188 209 11. The Emergence of the Asian Film Festival: Cold War Asia and Japans Reentrance to the Regional Film Industry in the 1950s 226 Sangjoon Lee 12. Yamagata-Asia-Europe: The International Film Festival Short Circuit Abé Mark Nornes 245 PART III WHAT JAPANESE CINEMA IS!: JAPANESE CINEMA AND THE INTERMEDIAL PRACTICES 13. Nitrate Film Production in Japan: A Historical Background of the Early Days HiDENORi Okada (Translated by Ayako Saito and Daisuke Miyao) 14. Sketches of Silent Film Sound in Japan: Theatrical Functions of Ballyhoo, Orchestras and Kabuki Ensembles Shuhei Hosokawa 265 288
CONTENTS Vii 15. The Jidaigeki Film: Twilight Samurai—A Salaryman-Producer’s Point of View Ichiro Yamamoto (Translated by Diane Wei Lewis) 306 16. Occupation and Memory: The Representation of Woman s Body in Postwar Japanese Cinema Ayako Saito 327 17. Reading Nishijin (1961) as Cinematic Memory MiTSUYO Wada-Marciano 363 18. By Other Hands: Environment and Apparatus in 1960s Intermedia Miryam Sas 383 19. Viral Contagion in the Ringu Intertext Carlos Rojas 416 20. Media Mix and the Metaphoric Economy of World Alexander Zahlten 43 8 Index 457
The Oxford Handbook of JAPANESE CINEMA • Challenges the culturalism of today’s film and media studies • Fosters a global dialogue on Japanese cinema • Fills a gap between Japanese and non-Japanese film studies A comprehensive volume that grasps Japanese cinema under the rubric of the global and also fills the gap between Japanese and non-Japanese film studies and between theories and practices, The Oxford Handbook of Japanese Cinema challenges and responds to the major developments underfoot in this rapidly changing field. Eric Cazdyn, Hideaki Fujiki, Aaron Gerow, Shuhei Hosokawa, Dong Hoon Kim, Chika Kinoshita, Hiroshi Kitamura, Sangjoon Lee, Diane Wei Lewis, Kwai-Cheung Lo, Daisuke Miyao, Abé Mark Nornes, Hidenori Okada, Michael Raine, Carlos Rojas, Ayako Saito, Miryam Sas, Ben Singer, Mitsuyo Wada-Marciano, Ichiro Yamamoto, Alexander Zahlten
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| any_adam_object | 1 |
| author2 | Miyao, Daisuke 1970- |
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| dewey-full | 791.430952 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430952 |
| dewey-search | 791.430952 |
| dewey-sort | 3791.430952 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | First issued as an Oxford University Press paperback |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV045862020 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:36:58Z |
| institution | BVB |
| isbn | 9780190937355 9780199731664 |
| language | English |
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| physical | xii, 483 Seiten Illustrationen 25 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Oxford University Press |
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| spellingShingle | The Oxford handbook of Japanese cinema Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4028495-5 (DE-588)4123623-3 |
| title | The Oxford handbook of Japanese cinema |
| title_alt | Handbook of Japanese cinema Japanese cinema |
| title_auth | The Oxford handbook of Japanese cinema |
| title_exact_search | The Oxford handbook of Japanese cinema |
| title_full | The Oxford handbook of Japanese cinema edited by Daisuke Miyao |
| title_fullStr | The Oxford handbook of Japanese cinema edited by Daisuke Miyao |
| title_full_unstemmed | The Oxford handbook of Japanese cinema edited by Daisuke Miyao |
| title_short | The Oxford handbook of Japanese cinema |
| title_sort | the oxford handbook of japanese cinema |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Japan Lehrbuch |
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