Jacopo Strada and cultural patronage at the Imperial Court: the antique as innovation Volume 2 The Musaeum ; The antiquary and the agent of change ; Apparatus
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| Format: | Book |
| Language: | English |
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Leiden ; Boston
Brill
[2019]
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| Series: | Rulers & elites
volume 17/2 |
| Subjects: | |
| Links: | https://www.recensio.net/r/34be1380edcd40299a89ba341d1495ee https://www.recensio.net/r/3fc0027674104e34869d9ca0655ef3ac https://www.recensio.net/r/bf4240dfffa64e768a404e7dec443103 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030953196&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Item Description: | Literaturverzeichnis Seite [932]-985 |
| Physical Description: | XIV, Seite [547]-1069 Illustrationen |
| ISBN: | 9789004385221 |
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Record in the Search Index
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| adam_text | Contents VOLUME 2 Preface XV Acknowledgements xviii Acknowledgments of Financial Support Received List of Abbreviations xxii xxi Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car і o.i The Portraits of Jacopo and Ottavio Strada і 0.2 Why are These Portraits so Special? 4 0.3 Motions of the Mind 4 0.4 What is Known About Strada: Early Notices 9 0.5 Quellenkunde: Some Sources Published in the Nineteenth Century 15 0.6 Kulturgeschichte before World War 11 19 0.7 Romance: Josef Svátek and the Rudolfine Legend 21 0.8 A (Very) Modest Place in the History of Classical Scholarship 24 0.9 Contemporary Scholarship 25 0.10 What Has Not Been Written on Jacopo Strada 37 0.11 Weaving the Strands Together: The Purpose of this Study PART 1 Ά Puero Enutritum et iam OUm Exercitatum’: Education and Early Experience 1 Early Years: Family Background, Education, Giulio Romano 1.1 Family Background 45 1.2 Mantua and the Gonzaga 50 1.3 Formal Education 54 1.4 Artistic Training 57 1.5 Giulio’s Collections 60 1.6 Early Training as a Goldsmith? 63 1.7 Significance of his Mantuan Background for Strada’s Development 65
x CONTENTS շ Travel: Rome, Landshut, Nuremberg—Strada’s Connection with Wenzel Jamnitzer 67 2.1 Early Travels 67 2.2 Residence in Germany 69 2.3 The Landshut Hypothesis 71 2.4 Romance in Franconia: Strada’s Marriage and his Settling in Nuremberg 79 2.5 Strada and Wenzel Jamnitzer 83 3 In Hans Jakob Fuggers’s Service 107 3.1 Hans Jakob Fugger 107 3.2 Fugger as a Patron and Collector U4 3.3 Fugger’s Employment of Strada 121 3.4 Architectural Patronage for the Fuggers: The Donauwörth Studiolo 134 3.5 Strada’s Trips to Lyon 137 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149 3.7 C cvis Romanus: Strada’s Sojourn in Rome 156 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174 3.9 Departure from Rome 183 4 Antiquario Della Sacra Cesarea Mäestä: Strada’s Tasks at Court 188 4.1 Looking for Patronage: Strada’s Arrival at the Imperial Court 188 4.2 The Controversy with Wolfgang Lazius 200 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242 4.5 Conclusion 248 PART 2 ‘ inem Paumaister bey unnsem Gebeweri:Jacopo Strada as A an Imperial Architect 5 Jacopo Strada as an Imperial Architect: Background 251 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
CONTENTS 5.2 5.3 5.4 5.5 5.6 XI The Prince as Architect: Ferdinand 1 and Maximilian 11 as Amateurs and Patrons of Architecture 255 Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290 The Imperial Residence: Status quo at Strada’s Arrival 307 The Architectural Infrastructure at the Imperial Court 319 Strada’s Competence as an Architect 331 6 Strada’s Role in Projects Initiated by Emperor Ferdinand 1 6.1 The Hofspital 340 6.2 The Tomb of Maximilian 1 in Innsbruck 343 6.3 Interior Decoration 350 6.4 The Tanzhaus 352 6.5 The Stallburg 355 339 7 An Object Lesson: Strada’s House in Vienna 8 The Munich Antiquarium 383 8.1 The Commission 383 8.2 The Design of 1568 391 8.3 The Concept 393 8.4 Strada’s Project: The Drawings 398 8.5 Strada’s Project: The Building 401 8.6 The Interior Elevation 407 8.7 The Exterior Elevation and its Models 411 8.8 Conclusion: Strada’s Role in the Creation of the Antiquarium 421 9 The Neugebäude 430 9.1 The Tomb of Ferdinand 1 and Anna in Prague; Licinio’s Paintings in Pressburg 431 9.2 Kaiserebersdorf and Katterburg 432 9.3 Sobriety versus Conspicuous Consumption 437 9.4 Hans Jakob Fugger’s Letter 438 9.5 Description of the Complex 441 9.6 The Personal Involvement of Emperor Maximilian 11 455 9.7 Ottoman Influence? 463 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467 9.9 Classical Sources: Monuments of Ancient Rome 480 9.10 Contemporary Italian Architecture 489 367
XII 9.11 Strada’s Contribution 500 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 10 Other Patrons of Architecture 514 10.1 The Courtyard of the Landhaus in Graz 514 10.2 The Residence for Archduke Ernest 517 10.3 Other Patrons: Vilém z Rožmberk 520 10.4 Jan Šembera Černohorský z Boskovic and Bučovice Castle 524 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534 10.7 Conclusion 542 VOLUME 2 PART 3 TheMusaeum n The Musaeum: Strada’s Circle 547 ид Strada’s House 547 n.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554 11.4 Intellectual Associates 556 11.5 Strada’s Confessional Position 566 11.6 Contacts with Members of the Dynasty 570 12 The Musaeum: its Contents 576 12.1 Introduction 576 12.2 Strada’s own Descriptions of his Musaeum 577 12.3 Strada’s Acquisitions for Duke Albrecht v of Bavaria 580 12.4 Strada’s own Cabinet of Antiquities 592 12.5 Acquisitions of Other Materials in Venice 599 12.6 Commissions in Mantua 610 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615 12.8 Conclusion 628
CONTENTS XIII 13 Books, Prints and Drawings: The Musaeum as a centre of visual documentation 629 13.1 Introduction 629 13.2 Strada’s Acquisition of Drawings 630 13.3 Owls to Athens’: Some Documents Relating to Strada’s Graphic Collection 634 13.4 The Contents of Strada’s Collection of Prints and Drawings 641 13.5 Later Fate of Strada’s Prints and Drawings 647 13.6 Drawings Preserved in a Context Linking Them with Strada 649 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692 13.9 Images as a Source of Knowledge 7η 13.10 Conclusion 717 14 Έχ Musaeo et Impensis Jacobi Stradae, s.c.m. Antiquarius, Civis Romani’: Strada’s Frustrated Ambitions as a Publisher 719 14.1 Is There Life beyond the Court? 719 14.2 Strada’s Family 719 14.3 Ottavio Strada’s Role 725 14.4 The Publishing Project: Strada Ambitions as a Publisher 728 14.5 The Musaeum as an Editorial Office? 739 14.6 Financing the Programme 752 14.7 The Index Sive Catalogus 760 14.8 Strada’s Approach of Christophe Plantin 775 14.9 The Rupture with Ottavio 781 14.10 Strada’s Testamentary Disposition 783 14.11 Conclusion: The Aftermath 786 PART 4 The Antiquary and the Agent of Change 15 Le Cose dell’antichità: Strada as a Student of Antiquity 15.1 Profession: Antiquarius 799 15.2 Strada’s Qualities as an Antiquary 807 15.3 Strada’s Method 813 15.4 Strada’s Aims 822 16 Strada Co.: By Appointment to His Majesty the Emperor 16.1 Strada as an Imperial Antiquary and Architect 830 799 830
XIV CONTENTS ւ6.շ Strada’s Role as an Agent 836 16.3 Strada as an Independent Agent 840 16.4 Έχ Musaeo Iacobi de Strada : Study, Studio, Workshop, Office, Showroom 843 16.5 Strada’s Influence: An Agent of Change 849 16.6 Conclusion: Strada’s Personality 863 16.7 Epilogue: Back to the Portrait 868 PART 5 Apparatus Appendices 877 A Some Unpublished Letters 877 В Strada’s Will 894 C Strada’s Musaeum: Pleasant paintings 900 D Strada’s Musaeum: The Index Sive Catalogus 902 Chronological List of Sources Bibliography 932 List of Illustrations 986 Index 1038 915
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| spellingShingle | Jansen, Dirk Jacob 1953- Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation Rulers & elites Strada, Jacobus 1507-1588 (DE-588)118834320 gnd |
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| title | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation |
| title_alt | Urbanissime Strada |
| title_auth | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation |
| title_exact_search | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation |
| title_full | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation Volume 2 The Musaeum ; The antiquary and the agent of change ; Apparatus by Dirk Jacob Jansen |
| title_fullStr | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation Volume 2 The Musaeum ; The antiquary and the agent of change ; Apparatus by Dirk Jacob Jansen |
| title_full_unstemmed | Jacopo Strada and cultural patronage at the Imperial Court the antique as innovation Volume 2 The Musaeum ; The antiquary and the agent of change ; Apparatus by Dirk Jacob Jansen |
| title_short | Jacopo Strada and cultural patronage at the Imperial Court |
| title_sort | jacopo strada and cultural patronage at the imperial court the antique as innovation the musaeum the antiquary and the agent of change apparatus |
| title_sub | the antique as innovation |
| topic | Strada, Jacobus 1507-1588 (DE-588)118834320 gnd |
| topic_facet | Strada, Jacobus 1507-1588 Biografie Hochschulschrift |
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