Histórias da arte em exposições: modos de ver e exibir no Brasil
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere beteiligte Personen: | , , , |
| Format: | Tagungsbericht Buch |
| Sprache: | Portugiesisch |
| Veröffentlicht: |
Rio de Janeiro, RJ
Rio Books
2016
[São Paulo, SP] FAPESP |
| Ausgabe: | 1a edição |
| Schriftenreihe: | Histórias da arte
|
| Schlagwörter: | |
| Abstract: | The research group Grupo de Pesquisa História da Arte: modos de ver, exibir e compreender, with the support of the Museu de Artes Visuais of Unicamp aims to relect on art, history of art and the artistic object in its various dimensions and materialization, from a multidisciplinary approaches. Accepting different points of view, it is of interest to the MODOS group to discuss the artistic object inserted in the practices of the lived, in the actions and reactions of its production, circulation, reception and disappearance. Due to research and scientific meetings, the group launches the series"História da Arte em...". Each publication, in the form of a collection, proposes a thematic appeal to reflect on the conditions and transformations of aesthetic perception about the object, about its significations and on the rewrites of his stories. The group is also responsible for the electronic magazine MODOS, back to the discussion of places of exhibition, circulation, collections and narratives that institute how we perceive, interpret and disseminate artistic production and the object of art. The book in question is the result of a series of researches conducted by professors from Brazilian and international universities. Its purpose is to discuss the role of art exhibitions for the constitution of a history of Brazilian art. The varied approaches seek to broaden the methodological possibilities of researching the exhibition of the work of art in front of the traditions of staging and authorized historiographies. Each author analyzed a canonical exhibition in the history of Brazilian art, from a critical perspective. Due to its expanded scope, the book can become a reference for studies in art history, visual culture, museology |
| Umfang: | 274 Seiten Illustrationen 23 cm |
| ISBN: | 9788594970084 8594970080 |
Internformat
MARC
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| 505 | 8 | |a Exposições de arte e suas histórias / Ana Cavalcanti, Emerson Dionísio de Oliveira, Maria de Fatima Morethy Coto e Marize Malta -- A exposição como maquina interpretativa / Jean Marc Poinsot -- 1829-1830: Jean Baptiste Debret e os conflitos das primeiras exposições do Brasil / Elaine Dias -- 1879: Realizações e dilemas de arte brasileira do século XIX/ Sonia Gomes Pereira -- 1884: Dos velhos mestres a nova geração / Ana Cavalcanti -- 1901: Exposição (de Visconti) en ENBA: Artes e decorativas / Marize Malta -- 1922: Semana de arte moderna: uma revisão crítica / Annateresa Fabris -- 1944: Do pincel a gilete a arte moderna em Belo Horizonte / Rodrigo Vivas -- 1949: A fotografia moderna chega ao museu: Os estudos fotográficos de Thomas Farkas / Helouise Costa -- 1951: Arte e internacionalização: A I Bienal Internacional de São Paulo / Maria de Fatima Morethy Coto -- 1965: Propostas para uma crise / Paulo Reis -- 1967: IV Salão de Arte Moderna de Brasília / Emerson Dionísio de Oliveira -- 1970: Do corpo a terra: exposição-limite / Artur Freitas -- 1974: A rede em exibição Walter Zanini e o MAC USP / Cristina Freire -- 1984: Como Vai Você, Geração 80 de Orwell ao Parque Lage / Ivair Reinaldim -- 1997: Bienal do Mercosul: reescrever e história da Arte na América Latina / Bianca Knaak -- 2009: Sobre a mostra Olhar e Fingir: transtemporalidades na trilha da ficção fotográfica / Fernando de Tacca | |
| 520 | 3 | |a The research group Grupo de Pesquisa História da Arte: modos de ver, exibir e compreender, with the support of the Museu de Artes Visuais of Unicamp aims to relect on art, history of art and the artistic object in its various dimensions and materialization, from a multidisciplinary approaches. Accepting different points of view, it is of interest to the MODOS group to discuss the artistic object inserted in the practices of the lived, in the actions and reactions of its production, circulation, reception and disappearance. Due to research and scientific meetings, the group launches the series"História da Arte em...". Each publication, in the form of a collection, proposes a thematic appeal to reflect on the conditions and transformations of aesthetic perception about the object, about its significations and on the rewrites of his stories. The group is also responsible for the electronic magazine MODOS, back to the discussion of places of exhibition, circulation, collections and narratives that institute how we perceive, interpret and disseminate artistic production and the object of art. The book in question is the result of a series of researches conducted by professors from Brazilian and international universities. Its purpose is to discuss the role of art exhibitions for the constitution of a history of Brazilian art. The varied approaches seek to broaden the methodological possibilities of researching the exhibition of the work of art in front of the traditions of staging and authorized historiographies. Each author analyzed a canonical exhibition in the history of Brazilian art, from a critical perspective. Due to its expanded scope, the book can become a reference for studies in art history, visual culture, museology | |
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Datensatz im Suchindex
| _version_ | 1818985154619637760 |
|---|---|
| any_adam_object | |
| author2 | Cavalcanti, Ana Maria Tavares Oliveira, Emerson Dionisio G. de Couto, Maria de Fátima Morethy Malta, Marize |
| author2_role | edt edt edt edt |
| author2_variant | a m t c amt amtc e d g d o edgd edgdo m d f m c mdfm mdfmc m m mm |
| author_GND | (DE-588)138381526 |
| author_corporate | Histórias da arte em exposições: modos de ver e exibir no Brasil (Veranstaltung) Campinas |
| author_corporate_role | aut |
| author_facet | Cavalcanti, Ana Maria Tavares Oliveira, Emerson Dionisio G. de Couto, Maria de Fátima Morethy Malta, Marize Histórias da arte em exposições: modos de ver e exibir no Brasil (Veranstaltung) Campinas |
| author_sort | Histórias da arte em exposições: modos de ver e exibir no Brasil (Veranstaltung) Campinas |
| building | Verbundindex |
| bvnumber | BV045560768 |
| contents | Exposições de arte e suas histórias / Ana Cavalcanti, Emerson Dionísio de Oliveira, Maria de Fatima Morethy Coto e Marize Malta -- A exposição como maquina interpretativa / Jean Marc Poinsot -- 1829-1830: Jean Baptiste Debret e os conflitos das primeiras exposições do Brasil / Elaine Dias -- 1879: Realizações e dilemas de arte brasileira do século XIX/ Sonia Gomes Pereira -- 1884: Dos velhos mestres a nova geração / Ana Cavalcanti -- 1901: Exposição (de Visconti) en ENBA: Artes e decorativas / Marize Malta -- 1922: Semana de arte moderna: uma revisão crítica / Annateresa Fabris -- 1944: Do pincel a gilete a arte moderna em Belo Horizonte / Rodrigo Vivas -- 1949: A fotografia moderna chega ao museu: Os estudos fotográficos de Thomas Farkas / Helouise Costa -- 1951: Arte e internacionalização: A I Bienal Internacional de São Paulo / Maria de Fatima Morethy Coto -- 1965: Propostas para uma crise / Paulo Reis -- 1967: IV Salão de Arte Moderna de Brasília / Emerson Dionísio de Oliveira -- 1970: Do corpo a terra: exposição-limite / Artur Freitas -- 1974: A rede em exibição Walter Zanini e o MAC USP / Cristina Freire -- 1984: Como Vai Você, Geração 80 de Orwell ao Parque Lage / Ivair Reinaldim -- 1997: Bienal do Mercosul: reescrever e história da Arte na América Latina / Bianca Knaak -- 2009: Sobre a mostra Olhar e Fingir: transtemporalidades na trilha da ficção fotográfica / Fernando de Tacca |
| ctrlnum | (OCoLC)1098189932 (DE-599)BVBBV045560768 |
| edition | 1a edição |
| era | Geschichte 1830-2009 gnd |
| era_facet | Geschichte 1830-2009 |
| format | Conference Proceeding Book |
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| geographic | Brasilien (DE-588)4008003-1 gnd |
| geographic_facet | Brasilien |
| id | DE-604.BV045560768 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:30:23Z |
| institution | BVB |
| institution_GND | (DE-588)1183724411 |
| isbn | 9788594970084 8594970080 |
| language | Portuguese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030944553 |
| oclc_num | 1098189932 |
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| owner | DE-255 |
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| physical | 274 Seiten Illustrationen 23 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Rio Books FAPESP |
| record_format | marc |
| series2 | Histórias da arte |
| spelling | Histórias da arte em exposições: modos de ver e exibir no Brasil (Veranstaltung) 2014 Campinas Verfasser (DE-588)1183724411 aut Histórias da arte em exposições modos de ver e exibir no Brasil organizadores: Ana Cavalcanti, Emerson Dionisio de Oliveira, Maria de Fátima Morethy Couto, Marize Malta Modos de ver e exibir no Brasil 1a edição Rio de Janeiro, RJ Rio Books 2016 [São Paulo, SP] FAPESP 274 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Histórias da arte Exposições de arte e suas histórias / Ana Cavalcanti, Emerson Dionísio de Oliveira, Maria de Fatima Morethy Coto e Marize Malta -- A exposição como maquina interpretativa / Jean Marc Poinsot -- 1829-1830: Jean Baptiste Debret e os conflitos das primeiras exposições do Brasil / Elaine Dias -- 1879: Realizações e dilemas de arte brasileira do século XIX/ Sonia Gomes Pereira -- 1884: Dos velhos mestres a nova geração / Ana Cavalcanti -- 1901: Exposição (de Visconti) en ENBA: Artes e decorativas / Marize Malta -- 1922: Semana de arte moderna: uma revisão crítica / Annateresa Fabris -- 1944: Do pincel a gilete a arte moderna em Belo Horizonte / Rodrigo Vivas -- 1949: A fotografia moderna chega ao museu: Os estudos fotográficos de Thomas Farkas / Helouise Costa -- 1951: Arte e internacionalização: A I Bienal Internacional de São Paulo / Maria de Fatima Morethy Coto -- 1965: Propostas para uma crise / Paulo Reis -- 1967: IV Salão de Arte Moderna de Brasília / Emerson Dionísio de Oliveira -- 1970: Do corpo a terra: exposição-limite / Artur Freitas -- 1974: A rede em exibição Walter Zanini e o MAC USP / Cristina Freire -- 1984: Como Vai Você, Geração 80 de Orwell ao Parque Lage / Ivair Reinaldim -- 1997: Bienal do Mercosul: reescrever e história da Arte na América Latina / Bianca Knaak -- 2009: Sobre a mostra Olhar e Fingir: transtemporalidades na trilha da ficção fotográfica / Fernando de Tacca The research group Grupo de Pesquisa História da Arte: modos de ver, exibir e compreender, with the support of the Museu de Artes Visuais of Unicamp aims to relect on art, history of art and the artistic object in its various dimensions and materialization, from a multidisciplinary approaches. Accepting different points of view, it is of interest to the MODOS group to discuss the artistic object inserted in the practices of the lived, in the actions and reactions of its production, circulation, reception and disappearance. Due to research and scientific meetings, the group launches the series"História da Arte em...". Each publication, in the form of a collection, proposes a thematic appeal to reflect on the conditions and transformations of aesthetic perception about the object, about its significations and on the rewrites of his stories. The group is also responsible for the electronic magazine MODOS, back to the discussion of places of exhibition, circulation, collections and narratives that institute how we perceive, interpret and disseminate artistic production and the object of art. The book in question is the result of a series of researches conducted by professors from Brazilian and international universities. Its purpose is to discuss the role of art exhibitions for the constitution of a history of Brazilian art. The varied approaches seek to broaden the methodological possibilities of researching the exhibition of the work of art in front of the traditions of staging and authorized historiographies. Each author analyzed a canonical exhibition in the history of Brazilian art, from a critical perspective. Due to its expanded scope, the book can become a reference for studies in art history, visual culture, museology Geschichte 1830-2009 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Art, Brazilian / 20th century / Exhibitions Art, Brazilian / 19th century / Exhibitions Museum exhibits / Brazil / History / 19th century Museum exhibits / Brazil / History / 20th century Museums / Curatorship / Brazil / History / 19th century Museums / Curatorship / Brazil / History / 20th century Brazil / History Museum exhibits Museums / Curatorship Brazil 1800-1999 History (DE-588)1071861417 Konferenzschrift 2014 Campinas gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Brasilien (DE-588)4008003-1 g Kunstausstellung (DE-588)4033628-1 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Geschichte 1830-2009 z DE-604 Cavalcanti, Ana Maria Tavares edt Oliveira, Emerson Dionisio G. de edt Couto, Maria de Fátima Morethy (DE-588)138381526 edt Malta, Marize edt |
| spellingShingle | Histórias da arte em exposições modos de ver e exibir no Brasil Exposições de arte e suas histórias / Ana Cavalcanti, Emerson Dionísio de Oliveira, Maria de Fatima Morethy Coto e Marize Malta -- A exposição como maquina interpretativa / Jean Marc Poinsot -- 1829-1830: Jean Baptiste Debret e os conflitos das primeiras exposições do Brasil / Elaine Dias -- 1879: Realizações e dilemas de arte brasileira do século XIX/ Sonia Gomes Pereira -- 1884: Dos velhos mestres a nova geração / Ana Cavalcanti -- 1901: Exposição (de Visconti) en ENBA: Artes e decorativas / Marize Malta -- 1922: Semana de arte moderna: uma revisão crítica / Annateresa Fabris -- 1944: Do pincel a gilete a arte moderna em Belo Horizonte / Rodrigo Vivas -- 1949: A fotografia moderna chega ao museu: Os estudos fotográficos de Thomas Farkas / Helouise Costa -- 1951: Arte e internacionalização: A I Bienal Internacional de São Paulo / Maria de Fatima Morethy Coto -- 1965: Propostas para uma crise / Paulo Reis -- 1967: IV Salão de Arte Moderna de Brasília / Emerson Dionísio de Oliveira -- 1970: Do corpo a terra: exposição-limite / Artur Freitas -- 1974: A rede em exibição Walter Zanini e o MAC USP / Cristina Freire -- 1984: Como Vai Você, Geração 80 de Orwell ao Parque Lage / Ivair Reinaldim -- 1997: Bienal do Mercosul: reescrever e história da Arte na América Latina / Bianca Knaak -- 2009: Sobre a mostra Olhar e Fingir: transtemporalidades na trilha da ficção fotográfica / Fernando de Tacca Kunstausstellung (DE-588)4033628-1 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| subject_GND | (DE-588)4033628-1 (DE-588)4033643-8 (DE-588)4008003-1 (DE-588)1071861417 (DE-588)4143413-4 |
| title | Histórias da arte em exposições modos de ver e exibir no Brasil |
| title_alt | Modos de ver e exibir no Brasil |
| title_auth | Histórias da arte em exposições modos de ver e exibir no Brasil |
| title_exact_search | Histórias da arte em exposições modos de ver e exibir no Brasil |
| title_full | Histórias da arte em exposições modos de ver e exibir no Brasil organizadores: Ana Cavalcanti, Emerson Dionisio de Oliveira, Maria de Fátima Morethy Couto, Marize Malta |
| title_fullStr | Histórias da arte em exposições modos de ver e exibir no Brasil organizadores: Ana Cavalcanti, Emerson Dionisio de Oliveira, Maria de Fátima Morethy Couto, Marize Malta |
| title_full_unstemmed | Histórias da arte em exposições modos de ver e exibir no Brasil organizadores: Ana Cavalcanti, Emerson Dionisio de Oliveira, Maria de Fátima Morethy Couto, Marize Malta |
| title_short | Histórias da arte em exposições |
| title_sort | historias da arte em exposicoes modos de ver e exibir no brasil |
| title_sub | modos de ver e exibir no Brasil |
| topic | Kunstausstellung (DE-588)4033628-1 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| topic_facet | Kunstausstellung Kunstgeschichtsschreibung Brasilien Konferenzschrift 2014 Campinas Aufsatzsammlung |
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